{"title":"Cinematic Filmmaking Collection","description":"","products":[{"product_id":"blackmagic-design-np-f570-compatible-battery-3500mah-li-ion","title":"Blackmagic Design NP-F570 Compatible Battery 3500mAh Li-Ion","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eHigh-Capacity Blackmagic Design NP-F570 Battery for Enhanced Camera Performance\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBlackmagic Design NP-F570 Compatible Battery\u003c\/strong\u003e\u003c\/span\u003e offers a high-capacity 3500mAh Lithium-ion solution for extended filming sessions, specifically designed for the Blackmagic Pocket Cinema Camera 6K G2, 6K Pro, and Battery Grip. This battery provides a stable 7.4V output voltage to ensure optimal performance of your camera. It is also universally compatible with other devices that utilize L-Series battery plates, making it a versatile choice for videographers. The custom design ensures a secure fit within the Blackmagic Pocket Camera Battery Grip, enhancing reliability during use.\u003c\/p\u003e\n\u003cp\u003eAdditionally, this battery comes with a 1-year limited warranty, offering peace of mind and confidence in its quality and durability.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eMore Details:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtended Shooting Time:\u003c\/strong\u003e High 3500mAh capacity ensures longer periods of filming without the need for frequent recharges.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBroad Compatibility:\u003c\/strong\u003e Works seamlessly with a variety of cameras and devices that utilize L-Series battery plates.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrecision Fit:\u003c\/strong\u003e Specially designed for a snug and secure installation in the Blackmagic Pocket Camera Battery Grip.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable Performance:\u003c\/strong\u003e Delivers a consistent 7.4V output voltage for optimal camera operation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAssured Quality:\u003c\/strong\u003e Comes with a 1-year limited warranty, providing assurance in its build and performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cdiv class=\"flex flex-grow flex-col max-w-full\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"a3e3fbd0-7da6-4ed6-a2cc-f40930f3958a\" dir=\"auto\" class=\"min-h-[20px] text-message flex flex-col items-start whitespace-pre-wrap break-words [.text-message+\u0026amp;]:mt-5 juice:w-full juice:items-end overflow-x-auto gap-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 juice:empty:hidden juice:first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional Filming:\u003c\/strong\u003e Ideal for use with Blackmagic Pocket Cinema Camera 6K G2 and 6K Pro for high-quality video production.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtended Outdoor Shoots:\u003c\/strong\u003e Provides reliable power for extended shooting sessions outdoors without access to power outlets.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEvent Videography:\u003c\/strong\u003e Ensures you can capture full events, from weddings to conferences, without worrying about battery life.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTravel Vlogging:\u003c\/strong\u003e A dependable power source for travel vloggers who need long-lasting battery life while on the move.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBackup Power:\u003c\/strong\u003e Serves as an essential backup battery to keep your filming sessions uninterrupted during critical shoots.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!----\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40674440052836,"sku":"BATT-NPF570\/CAM","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/battery_np-f550-537013.jpg?v=1693510212"},{"product_id":"blackmagic-design-micro-converter-bidirect-sdi-hdmi-12g-with-psu","title":"Blackmagic Design Micro Converter - BiDirect SDI\/HDMI 12G with PSU","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eCompact and Versatile Bi-Directional SDI\/HDMI Converter for Professional Use\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBlackmagic Design Micro Converter - BiDirectional SDI\/HDMI 12G with PSU\u003c\/strong\u003e\u003c\/span\u003e is a compact, high-quality video converter engineered for professional use, enabling seamless bi-directional conversion between SDI and HDMI signals. It supports a wide range of video formats, including SD, HD, and UHD up to 2160p60, making it highly versatile for broadcast, production, and post-production environments. Its pocket-sized design ensures portability, while features like HDMI camera control, tally support, and embedded audio in both SDI and HDMI enhance its functionality.\u003c\/p\u003e\n\u003cp\u003eThe converter's robust metal housing, LED status indicators, and flexible power options—including USB-C and the included PSU—make it a reliable choice for any video professional needing high-resolution support and wide compatibility with pro broadcast resolutions.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eMore Details:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBi-directional Conversion\u003c\/strong\u003e: Seamlessly convert between SDI and HDMI in both directions, providing unmatched flexibility.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact and Portable\u003c\/strong\u003e: Designed to be pocket-sized, making it easy to carry and use in any professional setting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-resolution Support\u003c\/strong\u003e: Capable of handling video formats up to DCI\/UHD 4K60, perfect for high-resolution workflows.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Camera Control\u003c\/strong\u003e: Allows control of Blackmagic Design HDMI cameras, such as the Pocket Cinema Camera 4K or 6K, via an SDI-based live switcher.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide Compatibility\u003c\/strong\u003e: Supports a broad range of professional broadcast resolutions, including cine-style 48 fps.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Flexibility\u003c\/strong\u003e: Can be powered via USB-C from devices like monitors or laptops, or with the included power supply unit (PSU).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBroadcast Integration\u003c\/strong\u003e: Easily connect and convert signals between SDI and HDMI devices in live broadcast setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePost-production Workflows\u003c\/strong\u003e: Seamlessly integrate different video formats during editing and color grading processes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive Event Streaming\u003c\/strong\u003e: Enable reliable video signal conversion for live streaming events using professional cameras and equipment.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eField Production\u003c\/strong\u003e: Utilize its compact size for on-the-go video production and quick setup in diverse filming locations.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStudio Use\u003c\/strong\u003e: Enhance studio operations by converting and managing video signals between multiple devices.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Monitoring\u003c\/strong\u003e: Ensure accurate video monitoring by converting signals for high-resolution displays and professional monitors.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultimedia Installations\u003c\/strong\u003e: Integrate into multimedia installations where different video formats need to be displayed and managed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40675090628708,"sku":"BMD-CONVBDC\/SDI\/HDMI12G\/P","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/Micro_Converter_BiDirectional_SDI_HDMI_12G_Top.jpg?v=1663726513"},{"product_id":"blackmagic-design-pocket-cinema-6k-pro-camera-battery-grip","title":"Blackmagic Design Pocket Cinema 6K Pro Camera Battery Grip","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eMaximize Your Filming Capacity with the Blackmagic 6K Pro Battery Grip\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBlackmagic Design Pocket Cinema Camera 6K Pro Battery Grip\u003c\/strong\u003e\u003c\/span\u003e is a must-have accessory for videographers seeking extended shooting time and enhanced handling. This official accessory is specifically crafted for the Pocket Cinema Camera 6K Pro, offering up to three additional hours of shooting with two NP-F570 L-series batteries (batteries not included). Its compact, lightweight design, made from durable carbon fiber, ensures a secure and balanced fit without adding unnecessary bulk. The non-slip handgrips provide improved control and comfort, especially during lengthy shoots. 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And w\u003c\/span\u003eith the \u003cem\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTokina Cinema Firecrest Ultra 82mm Neutral Density Filter,\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eyou can create a shallow depth of field during the daytime, make water appear misty and ethereal, remove people from busy areas, transform clouds and skies, and adjust exposure on cinema cameras since shutter duration is fixed. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe filters are available in densities of 0.3 (1-Stop), 0.6 (2-Stop), 0.9 (3-Stop), 1.2 (4-Stop), 1.8 (6-Stop), 2.4 (8-Stop), 3.0 (10-Stop), 3.9 (13-Stop), 4.8 (16-Stop), 5.4 (18-Stop), 6.0 (20-Stop), 6.6 (22-Stop), and 7.2 (24-Stop). Not just they exhibit improved clarity, flatness, and reduced reflectivity, but these filters also create a darkening of the entire image, allowing you to photograph with a wider aperture or longer shutter speed than normally required. By slowing your exposure time or increasing your aperture, you can control the depth of field and convey movement more easily.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli\u003e\n\u003cstrong\u003ePROFESSIONAL GRADE FILTERS\u003c\/strong\u003e - With Firecrest, you can be sure to get nothing less than top-of-line ND Camera Filters. Firecrest was the first brand to use carbon-neutral coatings, creating a neutrality that has never been seen before! We bonded the coating in the center of two pieces of optical grade polished glass, shielding the filter from wear and tear, as well as giving it more strength than a single piece of glass.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUNIQUE LAP \u0026amp; POLISH TECHNIQUE\u003c\/strong\u003e - Our signature Lap \u0026amp; Polish technique, was first reserved only for our cinema-grade filters, but is now used for our Firecrest Ultra Filters as well! 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We bonded the filter coating in the center of two pieces of optical grade polished glass, shielding your filter from wear and tear, as well as giving it more strength than a single piece of glass.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tokina Cinema","offers":[{"title":"0.3 (1-Stop)","offer_id":42853812273252,"sku":"FCU82ND0.3","price":199.22,"currency_code":"USD","in_stock":true},{"title":"0.6 (2-Stop)","offer_id":42855913783396,"sku":"FCU82ND0.6","price":199.22,"currency_code":"USD","in_stock":true},{"title":"0.9 (3-Stop)","offer_id":42855913816164,"sku":"FCU82ND0.9","price":199.22,"currency_code":"USD","in_stock":true},{"title":"1.2 (4-Stop)","offer_id":42855913848932,"sku":"FCU82ND1.2","price":199.22,"currency_code":"USD","in_stock":true},{"title":"1.8 (6-Stop)","offer_id":42855913881700,"sku":"FCU82ND1.8","price":232.42,"currency_code":"USD","in_stock":true},{"title":"2.4 (8-Stop)","offer_id":42855913914468,"sku":"FCU82ND2.4","price":232.42,"currency_code":"USD","in_stock":true},{"title":"3.0 (10-Stop)","offer_id":42855913947236,"sku":"FCU82ND3.0","price":232.42,"currency_code":"USD","in_stock":true},{"title":"3.9 (13-Stop)","offer_id":42855913980004,"sku":"FCU82ND3.9","price":245.7,"currency_code":"USD","in_stock":true},{"title":"4.8 (16-Stop)","offer_id":42855914012772,"sku":"FCU82ND4.8","price":245.7,"currency_code":"USD","in_stock":true},{"title":"5.4 (18-Stop)","offer_id":42855914045540,"sku":"FCU82ND5.4","price":245.7,"currency_code":"USD","in_stock":true},{"title":"6.0 (20-Stop)","offer_id":42855914078308,"sku":"FCU82ND6.0","price":245.7,"currency_code":"USD","in_stock":true},{"title":"6.6 (22-Stop)","offer_id":42855914111076,"sku":"FCU82ND6.6","price":245.7,"currency_code":"USD","in_stock":true},{"title":"7.2 (24-Stop)","offer_id":42855914143844,"sku":"FCU82ND7.2","price":245.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/FCU82ND0.3.jpg?v=1678209967"},{"product_id":"tokina-cinema-firecrest-ultra-4x4-neutral-density-graduated-filter","title":"Tokina Cinema Firecrest Ultra 4x4 Neutral Density Graduated Filter","description":"\u003cp\u003e\u003cspan\u003eDiscover the \u003cem\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTokina Cinema Firecrest Ultra 4x4 Neutral Density Graduated Filter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e and experience unparalleled neutrality across all spectrums - including UV, visible, and infrared. Soft edge grads such as\u003c\/span\u003e 0.3 (1 Stop), 0.6 (2 Stops), 0.9 (3 Stops), 1.2 (4 Stops), and 1.5 (5 Stops) filters \u003cspan data-mce-fragment=\"1\"\u003eare versatile filters used to balance the luminosity of a bright sky with the terrain below. The soft edge makes it easy to place the filter in the scene, especially over undulating horizons (such as mountains).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe filters use a rare earth mineral coating to create hyper-neutral NDs, made from 4mm thick Schott Superwite glass, and the multi-coating is bonded in the middle to increase scratch resistance. 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They have the same features as the popular 4mm Cine Firecrest ND. For cinema sizes, the 4mm Firecrest ND was always lapped and polished whereas the 2mm photography versions were not. 4mm Firecrest ND and 4mm Firecrest Ultra IRND both have identical optical performance with the engraving being the only difference.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tokina Cinema","offers":[{"title":"0.3 (1 Stop)","offer_id":42853812076644,"sku":"FCU4x4ND0.3","price":370.82,"currency_code":"USD","in_stock":true},{"title":"0.6 (2 Stops)","offer_id":42855912177764,"sku":"FCU4x4ND0.6","price":370.82,"currency_code":"USD","in_stock":true},{"title":"0.9 (3 Stops)","offer_id":42855912210532,"sku":"FCU4x4ND0.9","price":370.82,"currency_code":"USD","in_stock":true},{"title":"1.2 (4 Stops)","offer_id":42855912243300,"sku":"FCU4x4ND1.2","price":370.82,"currency_code":"USD","in_stock":true},{"title":"1.5 (5 Stops)","offer_id":42855912276068,"sku":"FCU4x4ND1.5","price":370.82,"currency_code":"USD","in_stock":true},{"title":"1.8 (6 Stops)","offer_id":42855912308836,"sku":"FCU4x4ND1.8","price":370.82,"currency_code":"USD","in_stock":true},{"title":"2.1 (7 Stops)","offer_id":42855912341604,"sku":"FCU4X4ND2.1","price":370.82,"currency_code":"USD","in_stock":true},{"title":"2.4 (8 Stops)","offer_id":42855912374372,"sku":"FCU4X4ND2.4","price":370.82,"currency_code":"USD","in_stock":true},{"title":"2.7 (9 Stops)","offer_id":42855912407140,"sku":"FCU4X4ND2.7","price":370.82,"currency_code":"USD","in_stock":true},{"title":"3.0 (10 Stops)","offer_id":42855912439908,"sku":"FCU4X4ND3.0","price":370.82,"currency_code":"USD","in_stock":true},{"title":"4.8 (16 Stops)","offer_id":42855912472676,"sku":"FCU4X4ND4.8","price":423.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/FCU4x4ND0.3_656c6e66-8d1d-4838-b35c-c507ed1c90e7.jpg?v=1678551141"},{"product_id":"blackmagic-design-pocket-cinema-camera-4k","title":"Blackmagic Design Pocket Cinema Camera 4K with DaVinci Resolve Studio","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eBlackmagic Design Pocket Cinema Camera 4K: Professional Filmmaking Redefined\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eBlackmagic Design Pocket Cinema Camera 4K with DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/span\u003e is an exceptional choice for both novice and experienced filmmakers. This compact digital film camera is equipped with a 4\/3\" HDR sensor that enables the capture of 4K DCI resolution images, ensuring superior visual quality with vibrant colors and intricate details. It features dual native ISO up to 25,600 for impressive low-light performance and minimal noise. The camera also supports a variety of recording codecs, including Blackmagic RAW and ProRes 422, which are complemented by 13 stops of dynamic range that capture the full scale of shadows and highlights. Users benefit from a 5-inch touchscreen display for easy navigation and settings control, along with versatile storage options like CFast 2.0 and SD\/UHS-II card slots.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the inclusion of DaVinci Resolve Studio provides a comprehensive editing suite with robust capabilities in color grading, VFX, and audio post-production, making it a total package for creating high-quality video content.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eMore details:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eControl your Cameras via HDMI\u003c\/strong\u003e - The Blackmagic Pocket Cinema Camera can be controlled via HDMI from the ATEM Mini switcher, allowing for easy setup and changing the record light to an on-air tally light. Supported lenses can also be controlled for iris, focus, and zoom. The ATEM Mini also controls a primary color corrector, providing creative options beyond basic color matching. The camera automatically switches video standards to match the ATEM Mini.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eIncludes On‑Air Tally Indicator\u003c\/strong\u003e - When connected to the ATEM Mini switcher, the Blackmagic 4K Camera switches to studio camera mode and the front record light becomes an on-air tally light. This allows the talent to know which camera is being used during presentations. The camera operator can also see on the rear LCD when the camera is on-air or on the preview bus. Additionally, the LCD indicates when the camera is recording.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRemotely Set Iris, ISO, Shutter, Focus, and Color\u003c\/strong\u003e - When working on live production it’s vital the output of all your cameras is matched and color balanced. You can set the exposure, ISO, and shutter speed remotely, and some lenses also support electronic zoom. This feature makes the Blackmagic Pocket Cinema Camera operate like a pro studio camera in a smaller and more compact size!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBuilt-in DaVinci Resolve Primary Color Corrector\u003c\/strong\u003e - The Blackmagic Pocket Camera comes with a built-in DaVinci Resolve Primary Color Corrector which allows for the addition of cinematic looks to live production. It offers full RGB adjustment for blacks, mids, and whites, and also allows for Y channel adjustment separately. This provides the opportunity to create innovative styles, such as pushing whites to make images stand out or to recreate vintage film stocks. Other controls such as contrast, hue, and saturation are also available.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote Recording with Synchronized Timecode\u003c\/strong\u003e - \u003cspan data-mce-fragment=\"1\"\u003eThe ATEM Mini can trigger cameras to record and sync the timecode, which allows for easy multi-cam editing in post-production using editing software such as DaVinci Resolve. The sync bin feature in DaVinci Resolve displays only clips that sync with the current timeline clip, making it easy to select the desired shots. This allows for the creation of 4K and 6K shows from Blackmagic RAW recordings, despite the ATEM Mini being an HD switcher.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eControl all Cameras with a Broadcast CCU Panel\u003c\/strong\u003e - The ATEM Camera Control Panel allows for the control of multiple cameras using industry-standard controllers. It has dedicated controls, including a joystick and controls for camera color, gain, black, iris, and more, arranged in a familiar broadcast layout for ease of use. 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These color-matched Cine ATX zooms are compatible with Super35 and select larger image sensors. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEach zoom lens has a constant T2.9 maximum aperture, cine-style gearing, limited focus breathing, and low distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis kit includes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens for EF Mount (2nd on the Media)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMade for modern digital cinema production, the \u003cstrong\u003eTokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens\u003c\/strong\u003e features a cinema-style focus throw with 0.8 Mod cinema gears on the focus, zoom, and iris rings. Featuring the Tokina Cinema Vista Lens Mount that can be easily exchanged from PL, EF, Sony E, MFT, and Nikon F, in minutes for maximum versatility with common cinema and still\/cinema hybrid cameras. It also covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves.\u003c\/p\u003e\n\u003cp\u003eThe zoom lens is ready for easy filtration options whether using a standard matte box or challenging shooting conditions where a low profile filter is required made with an industry-standard 95mm front ring for clamping onto a matte box as well as an 86mm filter thread. The parfocal optical design allows for zoom racking without loss of focus. The distortion is very well controlled and limited chromatic aberration when shooting at maximum wide open aperture. In total, the Tokina Cinema 11-20mm ATX is the perfect do-all compact super wide-angle lens for today’s demanding and ever-changing digital cinema production environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTokina 25-75mm T2.9 Cinema Zoom Lens for EF Mount (6th on the Media)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003cstrong\u003eTokina 25-75mm T2.9 Cinema Zoom Lens for EF Mount\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003efeatures a constant T2.9 maximum aperture, limited focus breathing, and low distortion. The new lens is a small-size ground-up true cinema design featuring a compact 174mm overall length, industry-standard 0.8 MOD cinema gears, T2.9 iris, 86mm filter thread, and 95mm front diameter for common cinema accessories. It is designed to cover super35+ type sensors up to a 36mm image circle size. The larger 36mm image circle enables native coverage of RED Helium 8K, RED Dragon 6K, RED Monstro 6K, and Alexa LF in 4K UHD, as well as popular cinema and mirrorless cameras from Canon, Blackmagic Design, and Panasonic in 4K DCI or 4K UHD.\u003c\/p\u003e\n\u003cp\u003eThis lens becomes a compact size 40-120mm T4.2 that covers Full Frame and Vista Vision 6K and 8K size sensors when paired with the Tokina Cinema 1.6x Expander for PL or EF mount versions. It is also designed to match the mechanical and optical properties of the popular Tokina Cinema 50-135mm T2.9 MKII and 11- 20mm T2.9 zoom lenses. The 25-75mm retains optical design features similar to the 11-20mm T2.9 and 50-135mm T2.9 MKII including parfocal design to retain focus while zooming, limited focus breathing, and low distortion.\u003c\/p\u003e","brand":"Tokina Cinema","offers":[{"title":"Default Title","offer_id":41630558257252,"sku":"TC-1175EF","price":6898.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/TC-1175EF-1-180721.jpg?v=1693510759"},{"product_id":"tokina-cinema-atx-11-20mm-25-75mm-zoom-kit-for-pl-mount","title":"Tokina Cinema ATX 11-20mm \u0026 25-75mm Zoom Kit for PL Mount","description":"\u003cp\u003eThe \u003cem\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTokina Cinema ATX 11-20mm \u0026amp; 25-75mm Zoom Kit for ARRI PL Mount\u003c\/strong\u003e\u003c\/span\u003e\u003c\/em\u003e \u003cspan data-mce-fragment=\"1\"\u003eprovides super-wide to longer coverage for your cine-style productions using just two lenses. These color-matched Cine ATX zooms are compatible with Super35 and select larger image sensors. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEach zoom lens has a constant T2.9 maximum aperture, cine-style gearing, limited focus breathing, and low distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis kit includes:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens for PL Mount (2nd on the Media)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMade for modern digital cinema production, the \u003cstrong\u003eTokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens\u003c\/strong\u003e features a cinema-style focus throw with 0.8 Mod cinema gears on the focus, zoom, and iris rings. Featuring the Tokina Cinema Vista Lens Mount that can be easily exchanged from PL, EF, Sony E, MFT, and Nikon F, in minutes for maximum versatility with common cinema and still\/cinema hybrid cameras. It also covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves.\u003c\/p\u003e\n\u003cp\u003eThe zoom lens is ready for easy filtration options whether using a standard matte box or challenging shooting conditions where a low profile filter is required made with an industry-standard 95mm front ring for clamping onto a matte box as well as an 86mm filter thread. The parfocal optical design allows for zoom racking without loss of focus. The distortion is very well controlled and limited chromatic aberration when shooting at maximum wide open aperture. In total, the Tokina Cinema 11-20mm ATX is the perfect do-all compact super wide-angle lens for today’s demanding and ever-changing digital cinema production environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTokina 25-75mm T2.9 Cinema Zoom Lens for PL Mount (6th on the Media)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003cstrong\u003eTokina 25-75mm T2.9 Cinema Zoom Lens for PL Mount\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003efeatures a constant T2.9 maximum aperture, limited focus breathing, and low distortion. The new lens is a small-size ground-up true cinema design featuring a compact 174mm overall length, industry-standard 0.8 MOD cinema gears, T2.9 iris, 86mm filter thread, and 95mm front diameter for common cinema accessories. It is designed to cover super35+ type sensors up to a 36mm image circle size. The larger 36mm image circle enables native coverage of RED Helium 8K, RED Dragon 6K, RED Monstro 6K, and Alexa LF in 4K UHD, as well as popular cinema and mirrorless cameras from Canon, Blackmagic Design, and Panasonic in 4K DCI or 4K UHD.\u003c\/p\u003e\n\u003cp\u003eThis lens becomes a compact size 40-120mm T4.2 that covers Full Frame and Vista Vision 6K and 8K size sensors when paired with the Tokina Cinema 1.6x Expander for PL or EF mount versions. It is also designed to match the mechanical and optical properties of the popular Tokina Cinema 50-135mm T2.9 MKII and 11- 20mm T2.9 zoom lenses. The 25-75mm retains optical design features similar to the 11-20mm T2.9 and 50-135mm T2.9 MKII including parfocal design to retain focus while zooming, limited focus breathing, and low distortion.\u003c\/p\u003e","brand":"Tokina Cinema","offers":[{"title":"Default Title","offer_id":41630612422756,"sku":"TC-1175PL","price":6898.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/TC-1175PL-1-395599.jpg?v=1693510759"},{"product_id":"fujifilm-mkx18-55mm-t2-9-lens-fuji-x-mount","title":"Fujifilm MKX18-55mm T2.9 Lens (Fuji X-Mount)","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eThe Fujifilm MKX18-55mm T2.9 Lens: A Fuji X-Mount Marvel\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch5\u003e\u003cstrong\u003eOverview:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFujinon MKX18-55mm T2.9 Lens\u003c\/strong\u003e\u003c\/span\u003e is a professional-grade cinema zoom lens designed for X-mount cameras with Super 35mm sensors. It features three independent rings for precise control over focus, iris, and zoom, each equipped with a cine-style gear (0.8 MOD) for compatibility with standard cine-style accessories. The focus ring provides a 200° rotation for pinpoint focus adjustments, while the iris ring offers smooth, click-free iris adjustments.\u003cbr\u003e\u003cbr\u003ePairing this lens with the MKX50-135mm T2.9 expands your focal length options, making it suitable for various applications. With a versatile 18-55mm focal length and a fast T2.9 aperture, this Fujifilm lens offers flexibility and excellent low-light performance. Drawing on over 70 years of lens manufacturing expertise, it minimizes lens breathing and focus shift during focal length adjustments.\u003cbr\u003e\u003cbr\u003eFujinon cine lenses are globally recognized for their accurate reproduction of skin tones and consistent color balance. This lens delivers outstanding image quality and smooth bokeh, making it ideal for a wide range of shooting scenarios, from wide establishing shots to close-up headshots.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eMore Details:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli data-sourcepos=\"3:1-3:160\"\u003e\n\u003cstrong\u003eConsistent T2.9 aperture over zoom range:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis means that you can maintain a constant exposure as you zoom in and out, which is ideal for video recording.\u003c\/li\u003e\n\u003cli data-sourcepos=\"4:1-4:241\"\u003e\n\u003cstrong\u003eThree independent lens control rings:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFocus, iris, and zoom rings are all geared for compatibility with standard cine-style lens accessories. This makes it easy to achieve smooth and precise focus pulls, iris pulls, and zoom movements.\u003c\/li\u003e\n\u003cli data-sourcepos=\"5:1-5:120\"\u003e\n\u003cstrong\u003eClickless 9-blade iris:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe iris ring is clickless, which allows for smooth iris pulls without any unwanted noise.\u003c\/li\u003e\n\u003cli data-sourcepos=\"6:1-6:175\"\u003e\n\u003cstrong\u003e200° focus rotation and macro mode:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe focus ring has a 200° rotation angle, which provides precise focus control. The lens also has a macro mode for close-up focusing.\u003c\/li\u003e\n\u003cli data-sourcepos=\"7:1-8:0\"\u003e\n\u003cstrong\u003eColor matched to Fujinon HK\/ZK\/XK series:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe colors produced by the MKX18-55mm T2.9 are matched to those of the Fujinon HK\/ZK\/XK series of cine lenses. This makes it easy to mix and match lenses without having to worry about color inconsistencies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003e\u003cstrong\u003eAdditional Information about the MKX18-55mm T2.9 Lens (Fuji X-Mount):\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAdvanced optical performance\u003c\/strong\u003e - The Fujifilm 18-55mm lens uses an optical construction comprising 22 glass elements in 17 groups, with six super ED lens elements and two ED lens elements. It has a T2.9 aperture across the entire zoom range which facilitates the increasingly popular style of bokeh effect with shallow depth-of-field. This also eliminates the need to re-adjust lighting, contributing to shortening shooting time.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSuppress focus shift while zooming\u003c\/strong\u003e - The front focusing group of lens elements and the zooming group of lens elements are driven independently from one another to suppress focus shift while zooming, which eliminates the need to re-focus after zooming in or out. The optical and mechanical approach means there is no time lag as seen in an electrical control system.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSuppress lens breathing\u003c\/strong\u003e - The use of the front inner-focusing system controls lens breathing change of angle of view during focusing which achieves smooth focusing in an impressive scene.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSuppress optical axis shift while zooming\u003c\/strong\u003e - Manufacturing technology developed for conventional Fujinon cine lenses is applied to control optical axis shift while zooming, achieving the intended composition every time.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\u003c\/dl\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":41949977804900,"sku":"16580131","price":4499.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/FujifilmMKX18-55mmT2.9Lens_FujiX-Mount_-1-163842.jpg?v=1693510222"},{"product_id":"fujifilm-mkx50-135mm-t2-9-lens-fuji-x-mount","title":"Fujifilm MKX50-135mm T2.9 Lens (Fujifilm X-Mount)","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eFujifilm MKX50-135mm T2.9 Lens for Fujifilm X-Mount Cameras\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch5\u003e\u003cstrong\u003eOverview:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFujinon MKX50-135mm T2.9 Lens\u003c\/strong\u003e\u003c\/span\u003e for Fuji X-Mount cameras delivers exceptional optical performance and professional-grade usability. Designed for Super 35mm sensors, this lightweight cine-style telephoto zoom lens boasts three independent lens control rings—focus, iris, and zoom—each equipped with a 0.8 MOD cine-style gear for compatibility with standard cine-style accessories. The focus ring offers precise 200-degree rotations, ensuring accurate focus adjustments, while the clickless iris allows for smooth iris changes. Additionally, it features a macro mode for close-up shots of intricate subjects.\u003cbr\u003e\u003cbr\u003eWith minimal breathing and no focus shift when adjusting the focal length, the Fujinon MKX50-135mm lens faithfully captures the scene's ambiance. Its long focal length, compact build, and user-friendly design make it a joy to use, allowing you to focus on your creative vision. Pair it with the MKX18-55mm T2.9 for an ultimate videographer\/moviemaker setup, enabling versatility across various shooting scenarios. This lens seamlessly matches the color profile of other Fujinon lenses like the HK, ZK, and XK series for smooth intercutting. Plus, it's one of the lightest cinema zooms, weighing just 2.16lb (73.7g), while maintaining focus and aperture stability throughout the focal range.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eMore Details:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli data-sourcepos=\"3:1-3:160\"\u003e\n\u003cstrong\u003eConsistent T2.9 aperture over zoom range:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis means that you can maintain a constant exposure as you zoom in and out, which is ideal for video recording.\u003c\/li\u003e\n\u003cli data-sourcepos=\"4:1-4:241\"\u003e\n\u003cstrong\u003eThree independent lens control rings:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFocus, iris, and zoom rings are all geared for compatibility with standard cine-style lens accessories. This makes it easy to achieve smooth and precise focus pulls, iris pulls, and zoom movements.\u003c\/li\u003e\n\u003cli data-sourcepos=\"5:1-5:120\"\u003e\n\u003cstrong\u003eClickless 9-blade iris:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe iris ring is clickless, which allows for smooth iris pulls without any unwanted noise.\u003c\/li\u003e\n\u003cli data-sourcepos=\"6:1-6:175\"\u003e\n\u003cstrong\u003e200° focus rotation and macro mode:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe focus ring has a 200° rotation angle, which provides precise focus control. The lens also has a macro mode for close-up focusing.\u003c\/li\u003e\n\u003cli data-sourcepos=\"7:1-8:0\"\u003e\n\u003cstrong\u003eColor matched to Fujinon HK\/ZK\/XK series:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe colors produced by the MKX50-135mm T2.9 are matched to those of the Fujinon HK\/ZK\/XK series of cine lenses. This makes it easy to mix and match lenses without having to worry about color inconsistencies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch6\u003e\u003cstrong\u003eAdditional Information about the Fujifilm MKX50-135mm T2.9 Lens (Fuji X-Mount):\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced optical performance\u003c\/strong\u003e - The Fujinon zoom lens uses 22 glass elements in 17 groups, with two super ED lens elements and two ED lens elements. It has a T2.9 aperture across the entire zoom range which facilitates the increasingly popular style of bokeh effect with shallow depth-of-field. This also eliminates the need to re-adjust lighting, contributing to shortening shooting time.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSuppress focus shift while zooming\u003c\/strong\u003e - The front focusing group of lens elements and the zooming group of lens elements are driven independently from one another to suppress focus shift while zooming, which eliminates the need to re-focus after zooming in or out. The optical and mechanical approach means there is no time lag as seen in an electrical control system.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSuppress focus shift while zooming\u003c\/strong\u003e - The use of the front inner-focusing system controls lens breathing (change of angle of view during focusing which achieves smooth focusing in an impressive scene.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSuppress optical axis shifts while zooming\u003c\/strong\u003e - Manufacturing technology developed for conventional Fuji cine lenses is applied to control optical axis shift while zooming, achieving the intended composition every time.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdl\u003e\u003c\/dl\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":41953514782820,"sku":"16580155","price":4999.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/products\/FujifilmMKX50-135mmT2.9Lens_FujiX-Mount_-1-794552.jpg?v=1693510221"},{"product_id":"blackmagic-design-cinema-camera-6k","title":"Blackmagic Design Cinema Camera 6K","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eBlackmagic Design Cinema Camera 6K: Full-Frame Precision for Filmmakers\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Blackmagic Design Cinema Camera 6K epitomizes the pinnacle of digital film technology, packaging a full-frame sensor into a compact, robust design that is both powerful and user-friendly. With a 24.6 megapixel sensor that offers dual native ISOs of 400 and 3200, this camera captures stunning high-resolution images with remarkable low-light performance, ensuring that every detail is pristine and well-lit, even under challenging conditions. The Cinema Camera 6K's dynamic range of 13 stops brings out nuanced gradations in shadows and highlights, producing cinematic quality that rivals much bulkier and more expensive systems.\u003c\/p\u003e\n\u003cp\u003eEquipped with an active Leica L Mount, the camera opens up a world of high-quality lens options, enhancing its versatility across various filming scenarios—from sweeping landscapes to intimate close-ups without losing sharpness or clarity. The camera supports internal recording in Blackmagic RAW 12-Bit, delivering flexibility in post-production without compromising the quality. Filmmakers can shoot up to 60 fps at 6K resolution, making it perfect for capturing everything from fast-action sports to fluid, dramatic slow-motion.\u003c\/p\u003e\n\u003cp\u003eHere is a review from \u003ca href=\"https:\/\/www.youtube.com\/@CVPTV\"\u003eCVP\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JtTDIxXwvoI?si=-Y1kRq6XRLTB72Xx\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe ergonomic design features a 5\" tilting touchscreen LCD that simplifies navigation and streamlines workflows, placing vital camera controls and settings at your fingertips. This design, coupled with the camera’s multifunction handgrip, allows for intuitive control of recording, ISO, white balance, and shutter angle, enabling quick adjustments while focusing on the action. Additionally, the Cinema Camera 6K is not just a powerhouse in image capturing; it also includes professional-grade audio inputs and built-in microphones, ensuring that high-quality sound accompanies your visuals without necessitating extensive external setups.\u003c\/p\u003e\n\u003cp\u003eFor creators who demand the utmost in color fidelity and flexibility, the inclusion of Blackmagic’s Generation 5 Color Science technology offers advanced color grading possibilities in post-production, especially when paired with the included DaVinci Resolve Studio software. This combination not only enhances the creative process but also streamlines the workflow from shooting to final production, making it ideal for filmmakers who need efficiency without sacrificing quality.\u003c\/p\u003e\n\u003cp\u003eChoosing the Blackmagic Design Cinema Camera 6K means investing in a camera that pushes the boundaries of what’s possible in digital cinematography. It’s designed not just to meet the demands of professional filmmakers but to exceed them, ensuring that every project stands out with unparalleled clarity and cinematic beauty. Whether for commercial shoots, film production, or creative experimentation, this camera represents a smart, future-proof investment that keeps you at the cutting edge of the film industry.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch6\u003e\u003cstrong\u003eFull-Frame 6K Sensor for Unmatched Image Quality\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic Cinema Camera 6K features a high-resolution full-frame sensor that ensures superior clarity and detail in every shot, allowing filmmakers to capture cinematic quality footage with a resolution of up to 6144 x 3456. This sensor's large size not only enhances image quality but also improves performance in low-light conditions, making it ideal for a range of filming environments. The dual native ISO of 400 and 3200 extends this capability, providing exceptional image capture even in varying lighting situations without compromising on noise or detail.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDual Native ISO for Enhanced Low-Light Performance\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eEquipped with a dual native ISO of 400 and 3200, the Cinema Camera 6K excels in low-light scenarios, significantly reducing grain and preserving the integrity of the image under less-than-ideal lighting conditions. This feature is crucial for filmmakers who require flexibility across different shooting environments, ensuring that the camera performs consistently whether indoors, in the shadows, or during night shoots. The ability to extend the ISO up to 25,600 further amplifies its versatility in extremely low-light conditions.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDynamic 13-Stop Range for Cinematic Nuance\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe dynamic range of a camera is pivotal in determining how well it can handle contrast and mixed lighting, preserving details in both shadows and highlights. With 13 stops of dynamic range, the Blackmagic Cinema Camera 6K captures a broader spectrum of light to dark tones, ensuring nuanced images that retain detail across the board. This wide dynamic range is especially beneficial in high-contrast scenes, allowing filmmakers to achieve a true cinematic look with depth and realism.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eVersatile Leica L Mount for Broad Lens Compatibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe inclusion of an active Leica L Mount opens up a vast array of lens options, enabling filmmakers to use a wide range of lenses from various manufacturers that conform to this standard. This compatibility allows for greater artistic flexibility and helps in achieving the desired visual impact, whether it's achieving crisp wide-angle shots or detailed close-ups. The L Mount's versatility makes it an excellent choice for production environments where adaptability is key.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eBlackmagic RAW for Ultimate Post-Production Flexibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary codec that offers both the quality and benefits of RAW with the speed, ease, and flexibility of standard video codecs. This format gives filmmakers extensive control in post-production, allowing for adjustments to exposure, color, and detail levels without degradation of the image. Recording in Blackmagic RAW means that filmmakers can fine-tune their footage in post-production to achieve the exact look they desire, making the Cinema Camera 6K a powerful tool for creating visually stunning, high-quality films.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eErgonomic Design with Intuitive User Interface\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Blackmagic Cinema Camera 6K boasts an ergonomic design that places critical shooting controls at the filmmaker's fingertips. This user-friendly interface includes a multifunction handgrip with controls for recording, ISO, white balance, and shutter angle. The design ensures that adjustments can be made quickly and easily without disrupting the flow of shooting. Additionally, the 5\" tilting touchscreen offers enhanced ease of use, providing immediate access to settings and playback options.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Audio Capabilities and Connectivity\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eFor filmmakers, the quality of audio is just as important as the visuals. The Cinema Camera 6K addresses this need with professional audio inputs, including two mini-XLR inputs with phantom power for high-quality sound recording. The camera also features a full-size HDMI port, USB-C for data and software updates, and wireless control capabilities through Bluetooth. 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This high-end digital film camera features a full-frame 36 x 24mm sensor that delivers 6K resolution, enabling creators to achieve cinematic visuals with a shallow depth of field. The camera supports a robust 13-stop dynamic range and a dual native ISO up to 25,600, ensuring superb performance in various lighting conditions. Its box-style design with switchable side plates offers flexibility, allowing users to attach a wide range of accessories and build their ideal setup.\u003c\/p\u003e\n\u003cp\u003eThe PYXIS 6K supports internal recording in Blackmagic RAW format for advanced post-production flexibility, alongside H.264 proxy files for streamlined editing workflows. 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Constructed from high-grade stainless steel, this robust light stand excels in both indoor and outdoor settings, effortlessly withstanding adverse weather conditions and resisting corrosion, shock, and rust. Its unique double-function combo head accommodates a variety of lighting equipment with a 1-1\/8\" (28mm) junior receiver and a 5\/8\" (16mm) baby pin, enhancing its utility across diverse photographic disciplines.\u003c\/p\u003e\n\u003cp\u003eMobility is a key feature of the ST240SS, as it boasts 360° swivel casters that facilitate smooth transitions and positioning around the studio. These casters are equipped with secure step-on brakes, ensuring that the stand remains stable once positioned, even under the weight of heavy equipment. The adjustable height range of 3.7ft to 7.9ft (113cm to 240cm) allows for a flexible lighting setup, catering to both high aerial shots and low-angle perspectives. This adjustability is coupled with a spring-loaded mechanism in the central column that buffers any sudden drops, protecting your investment in high-end lighting gear.\u003c\/p\u003e\n\u003cp\u003eFurther enhancing its practicality, the tripod legs of the ST240SS can be folded flat, which simplifies storage and makes transportation a breeze, ideal for photographers on the go. When compared to other major brands, the Neewer ST240SS holds its own by offering a high load capacity of 77lb (35kg), which is competitive in the market, ensuring it can support a broad array of lighting systems and modifiers.\u003c\/p\u003e\n\u003cp\u003eIn conclusion, the Neewer ST240SS is not just a light stand; it's a reliable, efficient, and essential tool for creatives who require a dependable solution that can adapt to the dynamic pace and varied requirements of modern photographic endeavors. Whether you are setting up a studio shoot or working on location, this light stand provides a blend of performance, flexibility, and security that is hard to match, positioning it as a leading choice among photography professionals.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli data-start=\"88\" data-end=\"299\"\u003e\n\u003cp data-start=\"90\" data-end=\"299\"\u003e\u003cstrong data-start=\"90\" data-end=\"112\"\u003eRobust Durability:\u003c\/strong\u003e Crafted from premium stainless steel, this light stand ensures exceptional durability, reliably resisting corrosion, shocks, and rust, making it ideal for both indoor and outdoor shoots.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"303\" data-end=\"528\"\u003e\n\u003cp data-start=\"305\" data-end=\"528\"\u003e\u003cstrong data-start=\"305\" data-end=\"333\"\u003eUniversal Compatibility:\u003c\/strong\u003e Equipped with a versatile combo head that includes a 1-1\/8\" (28mm) junior receiver and a retractable 5\/8\" (16mm) baby pin, this stand supports a wide range of lighting equipment and accessories.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"530\" data-end=\"721\"\u003e\n\u003cp data-start=\"532\" data-end=\"721\"\u003e\u003cstrong data-start=\"532\" data-end=\"552\"\u003eSmooth Mobility:\u003c\/strong\u003e Features 360° swivel casters for easy maneuverability across studio floors, complemented by step-on brakes that lock the stand in place, enhancing stability during use.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"723\" data-end=\"915\"\u003e\n\u003cp data-start=\"725\" data-end=\"915\"\u003e\u003cstrong data-start=\"725\" data-end=\"756\"\u003eFlexible Height Adjustment:\u003c\/strong\u003e Offers an adjustable height from 3.7ft to 7.9ft (113cm to 240cm), allowing photographers and videographers to achieve the perfect lighting angle for any shot.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"917\" data-end=\"1097\"\u003e\n\u003cp data-start=\"919\" data-end=\"1097\"\u003e\u003cstrong data-start=\"919\" data-end=\"946\"\u003eConvenient Portability:\u003c\/strong\u003e The tripod legs fold flat, providing compact storage and easy transport, which is especially valuable for professionals who work on various locations.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1099\" data-end=\"1305\" data-is-last-node=\"\"\u003e\n\u003cp data-start=\"1101\" data-end=\"1305\" data-is-last-node=\"\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1123\"\u003eImpact Protection:\u003c\/strong\u003e Integrates a spring-loaded mechanism within the central column to cushion and minimize the impact of sudden drops, protecting your valuable lighting equipment from potential damage.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eApplications:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli data-start=\"102\" data-end=\"211\"\u003e\n\u003cstrong data-start=\"104\" data-end=\"127\"\u003eStudio Photography:\u003c\/strong\u003e Provides a stable base for lights during portrait and product photography sessions.\u003c\/li\u003e\n\u003cli data-start=\"212\" data-end=\"353\"\u003e\n\u003cstrong data-start=\"214\" data-end=\"233\"\u003eOutdoor Shoots:\u003c\/strong\u003e Durable construction makes it ideal for use in various outdoor environments, resisting elements like wind and moisture.\u003c\/li\u003e\n\u003cli data-start=\"354\" data-end=\"467\"\u003e\n\u003cstrong data-start=\"356\" data-end=\"378\"\u003eVideo Productions:\u003c\/strong\u003e Offers reliable support for lighting in video shoots, from commercials to documentaries.\u003c\/li\u003e\n\u003cli data-start=\"468\" data-end=\"604\"\u003e\n\u003cstrong data-start=\"470\" data-end=\"492\"\u003eEvent Photography:\u003c\/strong\u003e Perfect for setting up quick lighting arrangements at events such as weddings, parties, or corporate functions.\u003c\/li\u003e\n\u003cli data-start=\"605\" data-end=\"745\"\u003e\n\u003cstrong data-start=\"607\" data-end=\"634\"\u003eTheatrical Productions:\u003c\/strong\u003e Can be used in theaters for stage lighting setups, accommodating different lighting needs during performances.\u003c\/li\u003e\n\u003cli data-start=\"746\" data-end=\"870\"\u003e\n\u003cstrong data-start=\"748\" data-end=\"765\"\u003eBroadcasting:\u003c\/strong\u003e Useful in television studios or on location for news segments, providing stable and adjustable lighting.\u003c\/li\u003e\n\u003cli data-start=\"871\" data-end=\"1025\" data-is-last-node=\"\"\u003e\n\u003cstrong data-start=\"873\" data-end=\"900\"\u003eMotion Picture Filming:\u003c\/strong\u003e Supports heavy lighting equipment required for filming in cinema, enhancing scene lighting without compromising on mobility.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003ePros:\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli data-start=\"119\" data-end=\"236\"\u003e\n\u003cstrong data-start=\"121\" data-end=\"139\"\u003eDurable Build:\u003c\/strong\u003e Made from high-quality stainless steel, offering longevity and resistance to rust and corrosion.\u003c\/li\u003e\n\u003cli data-start=\"237\" data-end=\"337\"\u003e\n\u003cstrong data-start=\"239\" data-end=\"261\"\u003eAdjustable Height:\u003c\/strong\u003e Extends from 3.7ft to 7.9ft, accommodating a variety of shooting scenarios.\u003c\/li\u003e\n\u003cli data-start=\"338\" data-end=\"452\"\u003e\n\u003cstrong data-start=\"340\" data-end=\"360\"\u003eSmooth Mobility:\u003c\/strong\u003e Equipped with 360° swivel casters and step-on brakes for easy positioning and stable setup.\u003c\/li\u003e\n\u003cli data-start=\"453\" data-end=\"556\"\u003e\n\u003cstrong data-start=\"455\" data-end=\"483\"\u003eUniversal Compatibility:\u003c\/strong\u003e Features a combo head that supports various types of lighting equipment.\u003c\/li\u003e\n\u003cli data-start=\"557\" data-end=\"678\"\u003e\n\u003cstrong data-start=\"559\" data-end=\"581\"\u003eImpact Absorption:\u003c\/strong\u003e Incorporates a spring-loaded mechanism to protect equipment from damage due to sudden movements.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eCons:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cdiv class=\"flex max-w-full flex-col flex-grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"1ef2f8b5-6e76-4a34-8759-8334cfbd0fa0\" dir=\"auto\" class=\"min-h-8 text-message flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+\u0026amp;]:mt-5\" data-message-model-slug=\"gpt-4\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\"\u003e\n\u003cdiv class=\"markdown prose w-full break-words dark:prose-invert dark\"\u003e\n\u003cul data-start=\"690\" data-end=\"1305\" data-is-last-node=\"\"\u003e\n\u003cli data-start=\"690\" data-end=\"814\"\u003e\n\u003cstrong data-start=\"692\" data-end=\"703\"\u003eWeight:\u003c\/strong\u003e At 9.38 pounds, it may be slightly heavier than some aluminum alternatives, potentially impacting portability.\u003c\/li\u003e\n\u003cli data-start=\"815\" data-end=\"911\"\u003e\n\u003cstrong data-start=\"817\" data-end=\"827\"\u003ePrice:\u003c\/strong\u003e May be priced higher than less durable models, reflecting its premium construction.\u003c\/li\u003e\n\u003cli data-start=\"912\" data-end=\"1045\"\u003e\n\u003cstrong data-start=\"914\" data-end=\"929\"\u003eComplexity:\u003c\/strong\u003e The added features such as the spring-loaded mechanism and combo head might require a learning curve for new users.\u003c\/li\u003e\n\u003cli data-start=\"1046\" data-end=\"1163\"\u003e\n\u003cstrong data-start=\"1048\" data-end=\"1065\"\u003eStorage Size:\u003c\/strong\u003e Although foldable, the size when folded could still be bulky for some compact storage situations.\u003c\/li\u003e\n\u003cli data-start=\"1164\" data-end=\"1305\" data-is-last-node=\"\"\u003e\n\u003cstrong data-start=\"1166\" data-end=\"1183\"\u003eCaster Locks:\u003c\/strong\u003e While useful, the caster locks can sometimes be finicky and may require extra attention to ensure they are fully engaged.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Neewer","offers":[{"title":"Default Title","offer_id":45306020921444,"sku":"66603802","price":181.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/1731491060_1861060.webp?v=1739976615"},{"product_id":"fujifilm-gfx-eterna-55-cinema-camera-fujifilm-g-arri-pl","title":"FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eFUJIFILM GFX ETERNA 55 Cinema Camera with Large-Format Sensor and Dual G\/PL Mounts\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL mount) is a professional 8K large-format cinema camera built for purchase-ready filmmakers who demand uncompromising performance. It combines FUJIFILM’s renowned color science with next-generation digital cinema technology, delivering exceptional clarity, dynamic range, and creative flexibility for serious productions.\u003c\/p\u003e\n\u003cp\u003eBuilt around a massive 43.8 × 33.9mm CMOS sensor with 102MP effective resolution, the GFX ETERNA 55 offers stunning image depth and cinematic field of view. Its native 4:3 aspect ratio (1.75× larger than Super 35) makes it ideal for directors seeking the best 8K cinema camera for large-scale storytelling.\u003c\/p\u003e\n\u003cp\u003eThe camera supports Open Gate 3.8K up to 48fps, 6.3K, 5.8K anamorphic, and full 8K 30fps recording, delivering pristine detail in DCI 4K and Full HD 60p. Internally, it records Apple ProRes 422\/HQ\/LT, 10-bit H.265, and H.264, while outputting 12-bit RAW or 10-bit 4:2:2 via HDMI—ensuring a broadcast-grade and post-production-ready workflow.\u003c\/p\u003e\n\u003cp\u003eDesigned specifically for professional cinematographers and production studios, the GFX ETERNA 55 includes custom frame guides, a built-in variable ND filter (ND 0.6–2.1), and an optical low-pass filter that eliminates moiré—essential for LED wall and virtual production environments.\u003c\/p\u003e\n\u003cp\u003eThe dual mount system features native FUJIFILM G-mount and an ARRI PL adapter supporting Cooke \/i metadata, offering full compatibility with cinema glass from brands like Cooke, Zeiss, and Fujinon.\u003c\/p\u003e\n\u003cp\u003eWith dual 3-inch touchscreens, a 5-inch 2000-nit monitor, and hot-swappable NP-W235 or V-Mount power, the camera is ready for continuous, on-set operation.\u003cbr\u003eConnectivity options include Wi-Fi, Ethernet, Bluetooth LE, SDI, HDMI, Genlock, USB-C, and LEMO, making it ideal for remote monitoring and Frame.io integration.\u003c\/p\u003e\n\u003cp\u003eFor professional sound, the GFX ETERNA 55 supports the TASCAM XLR adapter for cinema-grade multi-channel audio. Its 20 film simulations, including FUJIFILM ETERNA, Classic Chrome, ACROS, and Velvia, plus custom 3D LUTs, bring iconic film color reproduction into digital 8K workflows.\u003c\/p\u003e\n\u003cp\u003eWeighing just 2 kg (body only) and operating from –10°C to 40°C, the camera is rugged, portable, and built for demanding productions—from feature films to commercial campaigns.\u003c\/p\u003e\n\u003cp\u003eBuy or pre-order the FUJIFILM GFX ETERNA 55 Cinema Camera today to elevate your production with unmatched cinematic quality, dual-mount flexibility, and FUJIFILM’s legendary film science.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"661\" height=\"1175\" src=\"https:\/\/www.youtube.com\/embed\/NXbw6j6pW1s\" title=\"Your Vision, Unlocked: Introducing The Fujifilm GFX Eterna 55 #shorts\" style=\"font-size: 0.875rem;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch6\u003e\u003cstrong\u003eAdvanced Large-Format Sensor with 102MP Resolution\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eAt the heart of the GFX ETERNA 55 lies a 43.8 × 33.9mm CMOS sensor, delivering IMAX-level depth and detail. The large-format 102MP resolution provides an extraordinary field of view and dynamic range, making it the ultimate 8K cinema camera for professionals.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eNative 4:3 Aspect Ratio for Maximum Flexibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eUnlike typical 16:9 or 17:9 sensors, the GFX ETERNA 55’s native 4:3 aspect ratio empowers true anamorphic storytelling and immersive large-format framing—1.75× larger than Super 35.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eMultiple Video Formats and Resolutions, Including 8K\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eCapture 8K (8192×4320) up to 30fps, 6.3K, 5.8K anamorphic, 4K DCI\/UHD, and Full HD 60fps. Perfect for productions needing future-proof resolution and cinematic range.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Internal and External Recording Options\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eRecords Apple ProRes 422\/HQ\/LT, 10-bit HEVC, and H.264 internally, with 12-bit RAW or 10-bit 4:2:2 HDMI output—optimized for color grading and broadcast workflows.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eCustomizable Frame Guides for On-Set Precision\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eCreate frame guides in 1:1, 3:2, 4:3, 17:9, and 2.39:1—ideal for multi-format deliverables and professional pre-visualization.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDual Mount System: FUJIFILM G-Mount and ARRI PL\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eFeatures dual mounts—native FUJIFILM G-mount and ARRI PL adapter with Cooke \/i support—providing unrivaled lens versatility for professional film crews.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eBuilt-In Variable Electronic ND Filter\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe variable ND (0.6–2.1) provides precise stepless .015 control, giving cinematographers full exposure accuracy across any lighting condition.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eOptical Low-Pass Filter for Cleaner Visuals\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe OLPF reduces moiré and color fringing, perfect for LED wall, studio, and VFX environments.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eHot-Swappable Power Options\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eSupports NP-W235 batteries and V-Mount systems for continuous, high-demand production use.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Monitoring and Dual Operator Control\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eIncludes dual 3-inch touchscreens and a 5-inch 2000-nit display—ideal for directors and focus pullers working simultaneously.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e20 FUJIFILM Film Simulations and Custom 3D LUTs\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eIncludes 20 film simulations such as ETERNA\/Cinema, Classic Chrome, ACROS, and Nostalgic Neg., plus custom LUT support for instant in-camera grading.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eSeamless Connectivity and Remote Workflow Support\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWi-Fi, Ethernet, HDMI, SDI, USB-C, and Frame.io integration enable real-time collaboration and camera control from any location.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eExpanded Audio with TASCAM XLR Compatibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eCinema-grade multi-channel audio via TASCAM XLR adapter ensures professional broadcast-quality sound capture.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eRugged, Lightweight, and Production-Ready Design\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eAt just 2 kg, the GFX ETERNA 55 is built for mobility and endurance—operational from –10°C to 40°C, ready for any set.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Camera Only","offer_id":47050985111652,"sku":"16969715","price":16499.95,"currency_code":"USD","in_stock":true},{"title":"With Fujinon GF 32-90mm T3.5 PZ OIS WR Lens","offer_id":47050985144420,"sku":"16969715","price":22499.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/1757537130_1861870.jpg?v=1757647673"},{"product_id":"blackmagic-design-pyxis-12k-cinema-camera","title":"Blackmagic Design PYXIS 12K Cinema Camera","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eBlackmagic Design PYXIS 12K Cinema Camera – Full-Frame 12K Resolution, 16-Stop Dynamic Range, High-Speed Recording, and Professional Cine Workflow Efficiency\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe first frame will hit you like a memory you haven’t made yet. The Blackmagic Design PYXIS 12K Cinema Camera is built for filmmakers who refuse compromise, delivering a breathtaking 12K (12,288 × 8,040) full-frame large-format image from a 35.64 × 23.32 mm RGBW sensor with up to 16 stops of dynamic range, so every shot you capture explodes with detail, color accuracy and nuanced highlight roll-off that cheaper cameras simply can’t touch. Designed as a rugged, modular box-style body in CNC-machined aluminum, the PYXIS 12K is ready to rig any way you work—on gimbals, drones, car rigs, cranes or multi-cam studio builds—with multiple 1\/4\"-20 and 3\/8\"-16 mounting points and interchangeable side plates that make it easy to add handles, cages, wireless systems and SSD mounts while still keeping a compact profile that clients love on set.\u003c\/p\u003e\n\u003cp\u003eYou’re not locked into one lens ecosystem either: choose the version that fits your workflow—L-Mount for modern full-frame primes and zooms, EF for your existing Canon glass, or PL for premium cine lenses—and enjoy advanced electronic control on supported lenses, including smooth iris adjustment, responsive autofocus and lens metadata capture, so you can move faster on commercial sets, narrative shoots and high-pressure live environments. Under the hood, the PYXIS delivers insane flexibility: shoot open-gate 3:2 for VFX and reframing, pristine 12K 17:9 for cinema delivery, 12K 2.4:1 for anamorphic-style wides, or drop to 9K Super 35 windows and 8K\/4K full-sensor scaled modes—all while pushing serious frame rates, up to 40 fps in 12K open gate, 60 fps in 12K 2.4:1 and a blistering 112 fps in 8K\/4K 2.4:1, giving you slow-motion options without sacrificing resolution or latitude.\u003c\/p\u003e\n\u003cp\u003eRecording to 12-bit Blackmagic RAW, you keep maximum color depth and flexibility for grading in DaVinci Resolve Studio (included with the camera), with both Constant Quality (Q0, Q1, Q3, Q5) and Constant Bitrate (3:1, 5:1, 8:1, 12:1, 18:1) options so you can fine-tune data rates to your storage budget; at the same time, the camera automatically generates lightweight 1080p H.264 proxies, letting you hand off edit-ready files instantly to clients, editors or remote teams while retaining the full-quality BRAW masters for finishing. Dual CFexpress Type-B card slots and high-speed USB-C support ensure you can record extremely high data rates reliably, while ExFAT and HFS+ file system compatibility mean your media drops straight into Mac or Windows workflows with zero friction. On set, the integrated 4\" 1920 × 1080 HDR touchscreen with 1500-nit brightness gives you a clear, daylight-viewable image plus intuitive touch menus, assisted by physical buttons and three customizable function keys so you can quickly punch in focus, toggle LUTs, change frame rate or switch codecs without digging through complex menus—perfect when clients are breathing down your neck and time literally is money.\u003c\/p\u003e\n\u003cp\u003eAudio is no afterthought either: a mini-XLR input with phantom power, 3.5 mm stereo input, built-in stereo mics and headphone out let you capture high-quality production sound directly in camera, saving you sync time in post on fast-turnaround jobs like branded content, events and social campaigns. For professional productions, the built-in timecode generator (with ultra-low drift) and tri-sync\/black burst input make multi-camera sync clean and dependable, while the 12G-SDI output supports up to 2160p60 monitoring or live broadcast workflows, allowing the PYXIS 12K to double as a hero camera on high-end streaming or studio shows. Where this camera really separates itself from the competition is its network and cloud workflow: with 10GbE Ethernet on board plus Web Media Manager, SMB and FTP file sharing, and Blackmagic Cloud integration, you can offload clips to your network, sync bins to remote editors and manage media from a browser, radically reducing turnaround times on commercial jobs where every hour of post-production counts.\u003c\/p\u003e\n\u003cp\u003ePowering all this is a flexible system built around Sony BP-U batteries or included 18 V DC power, so you can run all day on set with common, reliable power solutions, and the robust 0–40 °C operating range means the camera is ready for harsh real-world environments—from hot exterior shoots to cold overnight location work. If you want to buy a camera that doesn’t just tick spec boxes but genuinely elevates your production value, impresses clients, and future-proofs your work with enormous 12K resolution, cinematic dynamic range and a workflow tuned for real-world production speed, the Blackmagic Design PYXIS 12K Cinema Camera should be at the top of your shortlist—buy the PYXIS 12K today and start delivering images that look more expensive, grade more beautifully and sell your services more effectively on every single project.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eProduct Benefits:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCapture breathtaking clarity with a true 12K full-frame sensor that preserves every detail, making your work instantly stand out to clients.\u003c\/li\u003e\n\u003cli\u003eAchieve cinematic depth and emotion thanks to 16 stops of dynamic range that protect highlights and shadows in challenging lighting.\u003c\/li\u003e\n\u003cli\u003eWin more high-end projects by delivering footage that matches premium cine-camera standards without the premium-camera price.\u003c\/li\u003e\n\u003cli\u003eShoot with total creative freedom using flexible formats—12K open gate, 9K S35, 8K\/4K scaled—and push higher frame rates up to 112 fps.\u003c\/li\u003e\n\u003cli\u003eBoost your production speed with simultaneous BRAW + H.264 proxies, giving editors instant access and cutting hours from turnaround time.\u003c\/li\u003e\n\u003cli\u003eBuild confidence on set with a bright 1500-nit touchscreen, tactile controls and fast menu navigation that keep you in control under pressure.\u003c\/li\u003e\n\u003cli\u003eWork in any lens ecosystem (L-Mount, EF, or PL), letting you use the glass you already own or step into professional cine optics.\u003c\/li\u003e\n\u003cli\u003eReduce post-production headaches with clean metadata, accurate timecode sync and DaVinci Resolve Studio included at no extra cost.\u003c\/li\u003e\n\u003cli\u003eStay production-ready anywhere using CFexpress, USB-C external media and efficient power options built for long shooting days.\u003c\/li\u003e\n\u003cli\u003eDeliver visuals that move people—footage that looks richer, sharper and more cinematic, elevating your brand and commanding higher rates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch6\u003e\u003cstrong\u003eFull-Frame 12K Resolution for Maximum Detail\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe PYXIS 12K’s massive 12,288 × 8,040 full-frame sensor captures extraordinary sharpness, color integrity and fine texture that smaller formats can’t match. This level of resolution gives filmmakers more creative headroom—allowing punch-ins, stabilisation, cropping, reframing and VFX compositing without degrading image quality. Whether you’re shooting commercials, narrative films or high-end content, 12K footage delivers a premium look that instantly elevates your brand and makes your work stand out in competitive markets.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e16 Stops of Dynamic Range for Cinematic Latitude\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith a wide 16-stop dynamic range, the camera preserves highlight detail and shadow richness even in extreme lighting conditions. This means sunlit exteriors, night scenes and mixed-light environments retain natural contrast and tonality. The result is emotionally engaging imagery with smoother highlight roll-off and film-like transitions—something clients and audiences subconsciously perceive as “cinematic.” Your final footage holds up in professional color grading, giving you enormous control over the mood and look of your project.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eAdvanced RGBW Large-Format Sensor Architecture\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe PYXIS uses a full-frame RGBW sensor—red, green, blue and white photosites—to boost light efficiency, dynamic range and color accuracy. This architecture ensures clean images with minimal noise, even at higher ISOs. Combined with its generous sensor size, the camera achieves beautiful depth-of-field separation and smoother bokeh, making it ideal for storytelling, high-end advertising and luxury brand cinematography.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eMulti-Format Shooting with Open Gate Versatility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eShoot 3:2 open gate for maximum sensor usage, 6:5 for anamorphic workflows, 17:9 for cinematic delivery, or switch to windowed 9K Super 35 for versatility with different lens systems. Full-sensor 8K and 4K scaled modes give you flexibility without sacrificing the large-format aesthetic. This adaptability allows filmmakers to handle multiple production types—from feature films to social content—with one camera system, avoiding costly rentals or multiple body purchases.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eHigh-Speed Capture Up to 112 FPS\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe PYXIS 12K offers frame rates up to 40 fps in 12K open gate, 60 fps in 12K 2.4:1, and an impressive 112 fps in 8K\/4K 2.4:1. These high-speed options allow filmmakers to produce smooth slow-motion that enhances emotion, tension or visual impact. Whether shooting sports, fashion, product cinematics or action sequences, the camera ensures that motion feels fluid, detailed and free from artifacts.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eThree Professional Lens Mount Options\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eChoose between L-Mount, EF or PL depending on your lens ecosystem. L-Mount offers access to modern full-frame primes and zooms, EF supports widely available Canon lenses, and PL unlocks professional cine glass from ARRI, Zeiss and Cooke. This ensures you’re never locked into one system, can reuse your existing lenses, and can scale into higher-end productions without replacing your entire optical lineup.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eBRAW + 1080p Proxy Recording for Speed and Efficiency\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eSimultaneous 12-bit Blackmagic RAW and real-time 1080p H.264 proxy recording is a game changer for fast-paced shoots and collaborative environments. Editors can begin cutting immediately using lightweight proxies while colorists and VFX teams work from pristine BRAW masters. This drastically reduces post-production bottlenecks and helps filmmakers meet tight deadlines without compromising quality.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDual CFexpress and USB-C External Media Support\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe camera’s dual CFexpress Type-B slots provide the high bandwidth required for 12K BRAW compression ratios. For even longer takes or direct-to-edit workflows, the USB-C port allows recording to external SSDs. This gives filmmakers flexible, cost-effective media options—essential for production environments that require continuous shooting or rapid card turnover.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e10GbE Networking for Instant Cloud and Shared Storage Workflows\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe built-in 10GbE Ethernet port enables fast file transfers, remote access, FTP\/SMB sharing and Blackmagic Cloud integration. This means you can upload proxies directly to remote teams, offload media to a NAS, or manage files from any browser without removing cards. Productions that rely on rapid delivery—agencies, studios, live event teams—gain a major competitive advantage with this streamlined workflow.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDaylight-Viewable 4\" 1500-Nit Touchscreen\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe PYXIS features a bright 1500-nit touchscreen, allowing accurate monitoring outdoors without external monitors. The 1920 × 1080 display provides sharp focus checking, LUT previewing and menu navigation. During high-pressure shoots, this reduces setup time and helps operators make quick, confident decisions.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Connectivity for Broadcast and Cinema\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith 12G-SDI output up to 2160p60, tri-sync\/black burst input, timecode I\/O, mini-XLR audio and USB-C control, the PYXIS 12K integrates seamlessly into broadcast studios, multi-cam productions and professional cinema rigs. This makes it versatile enough for both cinematic storytelling and live or studio-based content.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eModular Box-Style Body for Deep Rigging Flexibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe compact rectangular form factor, CNC-machined aluminum body and multiple mounting points make the PYXIS ideal for gimbals, drones, cranes, car rigs and custom cages. Filmmakers can build the camera up or strip it down, depending on the job. The body’s professional durability also ensures reliable performance in demanding environments.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDaVinci Resolve Studio Included for End-to-End Workflow\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eEvery PYXIS 12K includes DaVinci Resolve Studio—valued by professionals for its color grading, editing, VFX and audio post capabilities. Combined with BRAW metadata, this gives filmmakers a seamless shooting-to-finish pipeline without additional software costs. It’s one of the strongest end-to-end workflows in the industry.\u003c\/p\u003e","brand":"Nuzira","offers":[{"title":"ARRI PL","offer_id":47351132946532,"sku":"CINECAMCPYXO12LFPL","price":5495.0,"currency_code":"USD","in_stock":true},{"title":"Canon EF","offer_id":47351132979300,"sku":"CINECAMCPYXN12LFEF","price":5495.0,"currency_code":"USD","in_stock":true},{"title":"Leica L","offer_id":47351133012068,"sku":"CINECAMCPYXM12LFL","price":5495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/1743775866_1890649.jpg?v=1763590661"},{"product_id":"sigma-aizu-prime-25mm-t1-3-lf-cinema-lens","title":"Sigma Aizu Prime 25mm T1.3 LF Cinema Lens","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eSigma Aizu Prime 25mm T1.3 LF Cinema Lens – Large-Format T1.3 Optics for Precision, Low-Light Control, and Cinematic Depth\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe kind of lens that instantly elevates every frame, the Sigma Aizu Prime 25mm T1.3 LF Cinema Lens is engineered for filmmakers who refuse to compromise—those who want breathtaking clarity, organic softness, and powerful visual character all in one precision-built cinema tool. Designed specifically for large-format cinematography, this 25mm prime delivers an ultra-bright T1.3 aperture, giving you extraordinary low-light flexibility and a luxuriously shallow depth of field that transforms simple shots into immersive, cinematic moments. Unlike ordinary wide-angle lenses, this optic balances bold perspective with a refined optical signature, producing images that feel natural, emotional, and unmistakably high-end. If you’re looking to buy a lens that pushes your production value into premium territory, this is the one that makes every frame feel intentional and artfully crafted.\u003c\/p\u003e\n\u003cp\u003eBuilt from the ground up exclusively for cinema—not adapted from stills glass—the Aizu Prime 25mm T1.3 LF features a 46.3mm image circle that fully covers Full Frame, Super 35, VistaVision, and ARRI LF Open Gate formats, ensuring professional-level flexibility across modern digital cinema cameras. Its meticulously tuned optical formula delivers exceptional sharpness without clinical harshness, maintaining a cinematic texture that preserves skin tones, roll-off, and highlights with an organic softness directors and DPs demand. With a minimum focus distance of just 0.31m, it turns close-up wide-angle shots into dynamic storytelling tools—perfect for emotional tension, environmental portraits, and stylized commercial work. The lens’s 13-blade iris creates beautifully rounded bokeh, while advanced distortion control and minimized focus breathing keep your shots clean, stable, and consistent under demanding production conditions.\u003c\/p\u003e\n\u003cp\u003eEngineered with professional workflows in mind, this lens features 0.8 MOD cine gears, a 270° focus rotation, and a robust all-metal housing crafted from premium anodized aluminum for long-term durability. Its standardized 95mm front diameter and near-uniform size across the entire Sigma Aizu Prime line make it ideal for fast, efficient lens swaps on gimbals, Steadicams, handheld rigs, or remote focus systems—reducing downtime and maximizing on-set productivity. Whether you choose PL or Sony E mount, the lens delivers advanced metadata support, including Cooke \/i, ZEISS eXtended Data, or Sony E protocol depending on mount, ensuring seamless integration with modern VFX and post-production pipelines. At approximately 1.7 kg, it achieves a rare balance of portability and professional solidity, offering the confidence of a premium cinema build without bulky lens heft.\u003c\/p\u003e\n\u003cp\u003eEvery detail—from its luminous engraved markings to its included SF-61 support foot, LCC-95 II front cap, and LCR III rear cap—reinforces Sigma’s commitment to delivering tools that work as beautifully in practice as they do on paper. What sets this lens apart is its ability to deliver a consistent, matched look across the entire Aizu Prime family, empowering cinematographers to produce cohesive visual storytelling from wide establishing shots through intimate close-ups. If you’re ready to buy a lens that enhances your production quality, accelerates your workflow, and adds unmistakable cinematic character to every project—from narrative films and commercials to high-end corporate and branded content—this 25mm T1.3 LF stands out as a must-own investment for serious creatives.\u003c\/p\u003e\n\u003cp\u003eBuy the Sigma Aizu Prime 25mm T1.3 LF Cinema Lens today and take immediate control of your visual storytelling with uncompromising cinematic performance.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eProduct Benefits:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eDelivers cinematic depth and emotion with an ultra-bright T1.3 aperture that transforms ordinary scenes into powerful storytelling moments.\u003c\/li\u003e\n\u003cli\u003eProvides total confidence in low light, ensuring your visuals stay clean, expressive, and production-ready in any environment.\u003c\/li\u003e\n\u003cli\u003eCreates natural, organic skin tones and visually rich textures that elevate the emotional impact of every frame.\u003c\/li\u003e\n\u003cli\u003eOffers a large-format 46.3mm image circle, giving you the freedom to shoot on today’s most advanced cinema cameras without limitations.\u003c\/li\u003e\n\u003cli\u003eMinimizes focus breathing and distortion, helping you maintain smooth, uninterrupted focus pulls that keep viewers fully immersed.\u003c\/li\u003e\n\u003cli\u003eShort 0.31m minimum focus distance lets you capture intimate, tension-filled close-ups that intensify on-screen storytelling.\u003c\/li\u003e\n\u003cli\u003eProvides matched color and rendering across the entire Aizu Prime lineup for seamless intercutting and consistent emotional tone.\u003c\/li\u003e\n\u003cli\u003eBuilt with robust cine mechanics, offering precision control that empowers focus pullers and operators to perform flawlessly under pressure.\u003c\/li\u003e\n\u003cli\u003eLightweight for its class, enabling longer handheld or gimbal shots without fatigue—perfect for run-and-gun or narrative work.\u003c\/li\u003e\n\u003cli\u003eFeatures metadata communication for efficient post-production workflows, reducing stress and saving valuable time on set.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch6\u003e\u003cstrong\u003eUltra-Bright T1.3 Aperture for Maximum Cinematic Impact\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Sigma Aizu Prime 25mm T1.3 LF stands out with its exceptionally fast T1.3 aperture, enabling filmmakers to capture scenes with dramatic shallow depth of field and expressive isolation even on a wide focal length. This speed provides unmatched creative versatility—allowing you to shoot in low-light environments without sacrificing clarity or dynamic range. Whether you’re crafting emotional close-ups or atmospheric wide shots, the T1.3 aperture ensures your visuals maintain the cinematic richness and character today’s audiences expect.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eLarge-Format 46.3mm Image Circle for Professional Camera Compatibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eDesigned specifically for modern cinema workflows, the lens features a 46.3mm image circle, fully supporting Full Frame, Super 35, ARRI LF Open Gate, and VistaVision sensors. This broad compatibility empowers filmmakers to use the lens across multiple camera platforms without vignetting or quality loss. For productions relying on large-format sensors to maximize detail and depth, this lens delivers full coverage and exceptional optical performance, making it a future-proof investment.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eOptical Design Engineered Exclusively for Cinema\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eUnlike rehoused stills lenses, the Aizu Prime is built from the ground up for cinematic performance. Its optical formula balances high resolution with natural softness, eliminating the overly clinical look common in many modern lenses. This produces a refined, filmic character with smooth highlight roll-off, accurate color, and controlled contrast—ideal for narrative, commercial, and high-end branded content. Every frame benefits from a rendering style that feels both modern and emotionally grounded.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eMinimized Focus Breathing for Superior Visual Consistency\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eSigma’s engineering ensures that this lens exhibits extremely low focus breathing, keeping the field of view stable during focus transitions. This is a critical advantage for dramatic pulls, rack focusing, or movements that rely on maintaining spatial integrity. Low breathing enhances viewer immersion, ensuring the audience stays connected to the story without distraction, and giving cinematographers true professional consistency across shots.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eClose-Focus Capability for Dynamic Wide-Angle Storytelling\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith a minimum focus distance of 0.31m, the 25mm T1.3 LF enables striking close-up compositions that amplify tension and emotional intensity. This capability makes it perfect for capturing subjects in tight spaces, emphasizing facial expressions, or creating a sense of visual urgency. When paired with its fast aperture and wide perspective, close focusing becomes a storytelling tool that enhances drama and engagement.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e13-Blade Iris for Smooth, Velvety Bokeh\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe precision-engineered 13-blade aperture creates beautifully rounded bokeh, ensuring out-of-focus elements appear smooth and visually appealing. This contributes significantly to scene atmosphere, especially in low-light or portrait-like compositions. Whether you are creating dreamy backgrounds or shaping light sources into cinematic orbs, the iris design enhances every frame with controlled elegance.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eRobust All-Metal Housing Built for Demanding Productions\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Aizu Prime features a fully metal, anodized aluminum construction designed to withstand the stress of professional filmmaking environments. Its reinforced chassis, stable mechanics, and resistance to temperature shifts make it dependable on set. The build quality ensures long-term durability, while maintaining the tactile precision camera operators and focus pullers require for repeatable, high-stakes shots.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eStandardized 95mm Front Diameter for Fast On-Set Workflow\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eEvery lens in the Aizu Prime line, including the 25mm, shares a 95mm front outer diameter, streamlining matte box compatibility and accessory changes. This standardization saves valuable time during production by allowing crews to swap lenses quickly without adjusting clamp-on systems or reconfiguring rigs. When efficiency matters—on commercials, run-and-gun shoots, or multi-scene setups—this consistency becomes a measurable advantage.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e270° Focus Rotation for Highly Accurate Focus Pulls\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe extended 270° focus throw provides precise manual control, making fine adjustments smooth and repeatable. This wider rotation arc gives focus pullers more room to work with, especially during complicated movements or shallow-depth shots at T1.3. The mechanical precision dramatically enhances operational confidence, ensuring professional results even under challenging conditions.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eAdvanced Metadata Support for Seamless Post-Production Integration\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe lens supports both Cooke \/i and ZEISS eXtended Data on PL versions, as well as Sony E protocol on E-mount versions. This metadata capability enhances VFX workflows, color consistency, and post-production accuracy by feeding critical lens information directly into compatible camera systems. Productions that rely on CGI, virtual production, or data-driven color pipelines benefit significantly from this sophisticated level of integration.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eUnified Size and Weight Across the Aizu Prime Line\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eMaintaining an approximately 1.6–1.7 kg weight and similar housing dimensions across all focal lengths, the Aizu Prime series ensures reliable interchangeability. This consistency minimizes the need for rebalancing on gimbals, Steadicams, or shoulder rigs when changing lenses. Crews save time, operators maintain momentum, and productions avoid unnecessary delays—an invaluable advantage when shooting on tight schedules.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eLuminescent Engraved Markings for Low-Light Usability\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe precision-engraved markings use luminescent paint, enhancing visibility during nighttime shoots or dimly lit sets. This allows operators and assistants to adjust focus and iris settings quickly without relying solely on external lighting tools. In fast-paced environments where every second matters, this feature enhances efficiency and accuracy.\u003c\/p\u003e","brand":"Nuzira","offers":[{"title":"25mm \/ ARRI PL","offer_id":47528640184420,"sku":"46F980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"25mm \/ Sony E","offer_id":47528640217188,"sku":"46F967","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"27mm \/ ARRI PL","offer_id":47528640249956,"sku":"47F980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"27mm \/ Sony E","offer_id":47528640282724,"sku":"47F967","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"32mm \/ ARRI PL","offer_id":47528640315492,"sku":"30F980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"32mm \/ Sony E","offer_id":47528640348260,"sku":"30F967","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"35mm \/ ARRI PL","offer_id":47528640381028,"sku":"36F980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"35mm \/ Sony E","offer_id":47528640413796,"sku":"36F967","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"40mm \/ ARRI PL","offer_id":47528640446564,"sku":"37F980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"40mm \/ Sony E","offer_id":47528640479332,"sku":"37F967","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"50mm \/ ARRI PL","offer_id":47528640512100,"sku":"38F980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"50mm \/ Sony E","offer_id":47528640544868,"sku":"38F967","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"65mm \/ ARRI PL","offer_id":47528640577636,"sku":"39F980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"65mm \/ Sony E","offer_id":47528640610404,"sku":"39F967","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"75mm \/ ARRI PL","offer_id":47528640643172,"sku":"3CF980","price":8299.0,"currency_code":"USD","in_stock":true},{"title":"75mm \/ Sony E","offer_id":47528640675940,"sku":"3CF967","price":8299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/1749051057_1900371.jpg?v=1765878023"},{"product_id":"sigma-28-45mm-t2-cine-zoom-lens-with-af","title":"Sigma 28-45mm T2 Cine Zoom Lens with AF","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eSigma 28–45mm T2 Cine Zoom Lens with AF – Full-Frame T2 Constant Aperture, Autofocus Cine Zoom for Professional Film Production\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe moment your footage finally looks like cinema. The Sigma 28–45mm T2 Cine Zoom Lens with AF is built for filmmakers, cinematographers, and production teams who demand uncompromising image quality, speed, and reliability, making it a powerhouse choice for anyone looking to buy a professional full-frame cine zoom with autofocus that genuinely elevates production value. Designed as part of Sigma’s groundbreaking AF Cine Line, this lens merges the optical brilliance of Sigma’s acclaimed Art series with true cinema-grade mechanics, delivering a constant T2 aperture across the entire 28–45mm zoom range for consistent exposure, exceptional low-light performance, and beautifully controlled depth of field.\u003c\/p\u003e\n\u003cp\u003eCovering full-frame sensors with a wide 65.5° to 43.6° angle of view, it offers versatile focal lengths ideal for narrative filmmaking, commercials, documentaries, corporate video, and high-end content creation, all while maintaining edge-to-edge sharpness and cinematic rendering. At the heart of the lens is Sigma’s High-Response Linear Actuator (HLA) autofocus system, engineered for fast, precise, and near-silent AF operation—an enormous advantage for run-and-gun shoots, gimbal work, solo operators, and productions where pulling focus manually isn’t always practical. The lens also supports AF\/MF switching, DMF and AF Assist on Sony E-mount, and AF+MF on L-mount, giving shooters flexible control over their workflow without sacrificing creative intent. Built to true cine standards, the Sigma 28–45mm T2 features 0.8 MOD gears on focus, zoom, and iris rings, a de-clicked aperture, and long, smooth rotations—200° focus throw, 60° zoom rotation, and 57° iris rotation—for precise, repeatable adjustments with follow-focus systems.\u003c\/p\u003e\n\u003cp\u003eIts 11-blade rounded diaphragm produces smooth, natural bokeh, while a 0.3 m minimum focus distance and 1:4 magnification ratio enable striking close-ups with dramatic subject separation. Physically, the lens is optimized for professional rigs, featuring a standard 95mm front diameter for matte boxes, an 82mm filter thread, and a robust SF-91 lens support foot included for added stability on rails. Measuring approximately 151–153 mm in length and weighing around 1.2 kg, it balances well on cinema cameras while remaining practical for handheld and stabilizer setups. With dust- and splash-resistant construction, this cine zoom is ready for demanding shooting environments, whether on location or in studio. Offered in Sony E-mount and L-mount, with both feet and metric focus scale options, the Sigma 28–45mm T2 Cine Zoom Lens with AF stands apart by delivering rare autofocus capability in a true cine lens without compromising optical excellence or mechanical precision—making it a compelling investment for professionals who want speed, consistency, and cinematic quality in one versatile tool.\u003c\/p\u003e\n\u003cp\u003eIf you’re ready to buy a high-performance cinema zoom lens that saves time on set, enhances creative freedom, and delivers stunning results shot after shot, the Sigma 28–45mm T2 Cine Zoom with AF is the smart, future-proof choice—order now and upgrade your production instantly.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eProduct Benefits:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eShoot faster with confidence\u003c\/strong\u003e – Built-in autofocus powered by Sigma’s HLA motor lets you capture sharp, usable footage instantly, even in fast-moving or unpredictable shooting conditions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaintain cinematic consistency\u003c\/strong\u003e – The constant T2 aperture across the entire 28–45mm range ensures stable exposure, uniform lighting, and professional results shot after shot.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl depth and mood precisely\u003c\/strong\u003e – The wide T2 transmission and 11-blade iris deliver smooth, natural bokeh that enhances subject separation and emotional impact.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWork smarter on set\u003c\/strong\u003e – Autofocus support reduces reliance on focus pullers, saving time, lowering reshoot risk, and keeping productions efficient and on budget.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAchieve true cinema handling\u003c\/strong\u003e – Long focus, zoom, and iris throws with 0.8 MOD gears provide tactile, repeatable control trusted by professional crews.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStay flexible in any production style\u003c\/strong\u003e – Perfect for handheld, gimbal, tripod, and rig-based setups thanks to balanced weight and included lens support foot.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeliver professional results in low light\u003c\/strong\u003e – The bright T2 design allows cleaner footage with less noise, even in challenging lighting environments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCreate tighter shots without changing lenses\u003c\/strong\u003e – A 0.3 m minimum focus distance enables detailed close-ups while maintaining cinematic perspective.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReduce gear changes and downtime\u003c\/strong\u003e – The versatile 28–45mm focal range covers wide establishing shots to intimate framing in a single lens.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFuture-proof your investment\u003c\/strong\u003e – Full-frame coverage ensures compatibility with modern and next-generation cinema cameras.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrust reliability on demanding shoots\u003c\/strong\u003e – Dust- and splash-resistant construction keeps production moving in unpredictable outdoor conditions.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeliver higher production value instantly\u003c\/strong\u003e – Cinema-grade optics, mechanics, and autofocus combine to elevate footage beyond traditional still-lens solutions.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch6\u003e\u003cstrong\u003eTrue Cinema Zoom with Built-In Autofocus\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Sigma 28–45mm T2 Cine Zoom Lens with AF stands apart as one of the very few true cinema lenses to offer integrated autofocus, eliminating the traditional tradeoff between cinematic handling and modern AF performance. Powered by Sigma’s High-Response Linear Actuator (HLA), the autofocus system delivers fast, accurate, and nearly silent focusing designed specifically for video capture. This enables reliable subject tracking, smoother focus transitions, and reduced focus hunting—ideal for solo operators, documentary shooters, gimbal work, live productions, and fast-paced commercial environments where speed and precision matter more than ever.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eConstant T2 Aperture for Consistent Exposure and Creative Control\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eUnlike variable-aperture zooms, this lens maintains a constant T2 transmission across the entire 28–45mm range, ensuring exposure consistency while zooming. This is critical for professional productions where lighting continuity and grading efficiency are non-negotiable. The fast T2 aperture also enables superior low-light performance, cleaner shadows, and greater creative control over depth of field—allowing filmmakers to shape mood, isolate subjects, and maintain cinematic visual integrity without constant lighting or camera adjustments.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eFull-Frame Coverage Optimized for Modern Cinema Cameras\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eDesigned to cover full-frame sensors, the Sigma 28–45mm T2 Cine Zoom supports the latest high-resolution cinema cameras without vignetting or edge degradation. With a horizontal angle of view ranging from 65.5° to 43.6°, it delivers versatile framing options suited for establishing shots, interviews, narrative scenes, and dynamic movement shots. This future-ready full-frame coverage protects your investment as camera technology continues to evolve.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eCinema-Grade Mechanical Design with Precision Control\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eEvery mechanical aspect of this lens is engineered to meet professional cinema standards. It features industry-standard 0.8 MOD gears on the focus, zoom, and iris rings, ensuring seamless compatibility with follow-focus systems and motorized controls. The lens offers a 200° focus rotation, 60° zoom throw, and 57° iris rotation, allowing precise, repeatable adjustments essential for narrative work, multi-take scenes, and complex focus pulls. The fully de-clicked aperture ring enables smooth exposure transitions without visible stepping.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eOptical Performance Based on Sigma Art-Series Excellence\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eBuilt on the proven optical design of Sigma’s acclaimed 28–45mm F1.8 DG DN | Art lens, this cine version delivers exceptional sharpness, contrast, and color accuracy across the frame. The lens produces clean, detailed images with controlled flare and ghosting, even in challenging lighting. This optical consistency simplifies color matching, reduces post-production correction, and ensures footage holds up across multiple camera systems and shooting conditions.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eSmooth, Natural Bokeh with an 11-Blade Iris\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe 11-blade rounded diaphragm creates smooth, organic bokeh that enhances subject separation and cinematic depth. Highlights remain soft and natural, helping footage feel polished and emotionally engaging rather than clinical. This is especially valuable for interviews, narrative close-ups, and commercial work where visual tone plays a critical role in storytelling.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eClose-Focus Capability for Versatile Shot Design\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith a minimum focus distance of just 0.3 meters and a 1:4 magnification ratio, the lens enables striking close-ups without the need to swap lenses or add diopters. This flexibility allows filmmakers to capture detail shots, product visuals, and expressive framing while maintaining consistent optical character throughout the scene.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Rig Compatibility and On-Set Practicality\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe lens features a standard 95mm front diameter, making it fully compatible with professional matte boxes, filters, and cine accessories. An 82mm filter thread offers additional flexibility for lightweight setups. The included SF-91 lens support foot improves stability on rails and reduces strain on the camera mount—essential for long shooting days and heavier rig configurations.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eBalanced Build for Handheld, Gimbal, and Studio Use\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWeighing approximately 1.2 kg and measuring around 151–153 mm in length, the Sigma 28–45mm T2 Cine Zoom is carefully balanced for a wide range of shooting styles. It performs equally well on shoulder rigs, tripods, sliders, and motorized gimbals, making it a highly adaptable tool for modern hybrid productions.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDust- and Splash-Resistant Construction for Real-World Shoots\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eBuilt for professional use beyond controlled studio environments, the lens features dust- and splash-resistant construction. This added durability ensures reliable performance during outdoor shoots, travel productions, and unpredictable weather conditions—helping crews stay productive when conditions are less than ideal.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eMultiple Mount Options and Professional Marking Choices\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eAvailable in Sony E-mount and L-mount, the lens supports a wide range of cinema and mirrorless camera systems. Sigma also offers both feet and metric focus scale versions, allowing cinematographers to match their preferred measurement system for accurate, intuitive focus pulling on set.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Sony E","offer_id":47543683940452,"sku":"612967","price":3399.0,"currency_code":"USD","in_stock":false},{"title":"L Mount","offer_id":47543683973220,"sku":"612981","price":3399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/1764850249_1853833.jpg?v=1766051528"},{"product_id":"sigma-18-35mm-t2-high-speed-zoom-lens","title":"Sigma 18-35mm T2 High-Speed Zoom Lens","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eSigma 18-35mm T2 High-Speed Cinema Zoom Lens | Constant T2, Super 35 Coverage, Cine-Standard Design\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe moment you need speed without compromise, the Sigma 18-35mm T2 High-Speed Zoom Lens delivers and then some by redefining what filmmakers can expect from a compact cinema zoom built for serious commercial production, narrative filmmaking, documentaries, and high-end content creation. The Sigma 18-35mm T2 is engineered for Super 35 sensors and offers a constant T2 transmission across the entire 18–35mm range, allowing you to shoot in low light with confidence, maintain consistent exposure while zooming, and achieve beautifully shallow depth of field that instantly elevates production value. Designed with 17 elements in 12 groups, including advanced low-dispersion and aspherical elements, this lens produces exceptional sharpness, minimal chromatic aberration, controlled distortion, and cinematic contrast that holds up even for 6K and 8K workflows, making it a future-proof investment for professionals who demand longevity from their gear.\u003c\/p\u003e\n\u003cp\u003eThe fully manual, clickless T2–T16 iris with a 9-blade rounded diaphragm creates smooth, organic bokeh and precise exposure control, while long cine-standard rotation angles—180° focus throw, 160° zoom throw, and 60° iris throw—give camera operators and focus pullers the tactile precision required on professional sets. Built with an all-metal, dust- and splash-resistant housing, standardized 0.8 MOD gears, a 95mm front diameter, and an 82mm filter thread, this lens integrates seamlessly into existing cine rigs, matte boxes, follow-focus systems, and production pipelines, saving time and reducing friction on set. The internal focus design prevents lens breathing and keeps balance consistent during operation, while the minimum focus distance of just 0.28m (11 inches) enables striking close-ups with dramatic perspective—perfect for interviews, product cinematography, and storytelling that demands visual intimacy.\u003c\/p\u003e\n\u003cp\u003eAvailable in PL, Canon EF, and Sony E mounts, with options for feet or meter scales and luminous markings, the Sigma 18-35mm T2 adapts effortlessly to a wide range of professional cinema cameras, and its included removable support foot helps protect mounts during long shoots or heavy rigging. Compared to competing cinema zooms that cost significantly more, this lens stands out by offering flagship-level optical performance, robust cine ergonomics, and true high-speed capability at a far more accessible price point—making it one of the smartest purchases for filmmakers looking to buy a professional cinema lens that maximizes return on investment.\u003c\/p\u003e\n\u003cp\u003eWhether you’re shooting commercials, branded content, films, or high-end video projects, the Sigma 18-35mm T2 High-Speed Zoom Lens gives you reliability, speed, and cinematic image quality in a single, versatile package that outperforms expectations and earns its place in any serious kit—buy it today and upgrade your production instantly.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eProduct Benefits: \u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eShoot confidently in low light thanks to the constant T2 aperture, letting you capture clean, cinematic images without pushing ISO or sacrificing detail.\u003c\/li\u003e\n\u003cli\u003eMaintain perfect exposure while zooming, eliminating brightness shifts mid-shot and saving time in post-production.\u003c\/li\u003e\n\u003cli\u003eCreate true cinematic depth and separation, delivering beautifully smooth bokeh that makes subjects stand out and visuals feel premium.\u003c\/li\u003e\n\u003cli\u003eFuture-proof your productions with optics engineered for 6K–8K workflows, ensuring sharp, detailed footage as camera technology advances.\u003c\/li\u003e\n\u003cli\u003eAchieve consistent, professional color across scenes, reducing color-matching headaches and speeding up grading sessions.\u003c\/li\u003e\n\u003cli\u003eGain precise creative control on set with long, smooth focus and zoom throws that make manual operation accurate and repeatable.\u003c\/li\u003e\n\u003cli\u003eMove faster during shoots using cine-standard gear positions that integrate seamlessly with follow focus and rig systems.\u003c\/li\u003e\n\u003cli\u003eWork longer without worry thanks to the rugged all-metal, dust- and splash-resistant construction built for real production environments.\u003c\/li\u003e\n\u003cli\u003eCapture intimate close-ups with impact using the short minimum focus distance for dramatic framing and storytelling flexibility.\u003c\/li\u003e\n\u003cli\u003eReduce gear changes and downtime by covering essential wide-to-standard focal lengths in one high-performance cinema zoom.\u003c\/li\u003e\n\u003cli\u003eProtect your camera investment with the included support foot that minimizes stress on the mount during heavy rigging.\u003c\/li\u003e\n\u003cli\u003eMaximize value for your budget by getting high-speed cinema performance that rivals far more expensive professional zoom lenses.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch6\u003e\u003cstrong\u003eConstant T2 Aperture Across the Entire Zoom Range\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Sigma 18-35mm T2 maintains a true constant T2 transmission from 18mm to 35mm, eliminating exposure shifts while zooming and giving cinematographers complete creative control. This is critical for professional productions where lighting consistency matters, especially during live zooms, gimbal work, or documentary shooting. The fast T2 aperture also enables shooting in challenging low-light environments without excessive noise, preserving image integrity and saving time in post.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eOptimized for Super 35 Sensors With 6K–8K Resolution Support\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eDesigned specifically for Super 35 image circles, this lens delivers edge-to-edge sharpness and contrast that holds up under modern 6K and 8K cinema cameras. Unlike lenses that soften at higher resolutions, the Sigma 18-35mm T2 resolves fine detail consistently, making it a long-term investment that remains relevant as camera technology advances.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eAdvanced Optical Design for Clean, Cinematic Image Quality\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith 17 elements in 12 groups, including low-dispersion and aspherical elements, the optical formula minimizes chromatic aberration, distortion, and focus breathing. The result is footage with strong micro-contrast, accurate color reproduction, and a natural cinematic look that reduces the need for heavy correction in post-production.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eCine-Standard Manual Control for Precision Operation\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eBuilt from the ground up for cinema workflows, the lens features fully manual focus, zoom, and iris rings with long rotation angles—180° focus throw, 160° zoom throw, and 60° iris throw. These extended throws provide smooth, repeatable adjustments that professional focus pullers rely on, especially during complex shots or narrative filmmaking.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eClickless 9-Blade Iris for Smooth Exposure and Organic Bokeh\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe clickless T2–T16 iris allows seamless exposure changes during recording, while the 9-blade rounded diaphragm produces soft, natural bokeh. This combination enhances subject separation and gives footage a refined, filmic aesthetic that stands out in commercial, cinematic, and branded productions.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eCine-Standard Gear Placement for Faster Lens Changes\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eAll control rings use 0.8 MOD gears positioned consistently with other Sigma Cine lenses, allowing for quick lens swaps without reconfiguring follow-focus systems. This standardization saves valuable time on set, improves workflow efficiency, and reduces setup errors during fast-paced shoots.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eInternal Focus Design for Stable Balance and Reduced Breathing\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe internal focus mechanism keeps the lens length constant during focus pulls, improving balance on gimbals, drones, and shoulder rigs. It also minimizes focus breathing, ensuring that framing remains stable when shifting focus—an essential characteristic for professional cinematography.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eClose Focusing Capability for Creative Flexibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith a minimum focus distance of just 0.28 meters (11 inches) and a 1:4.3 maximum magnification, the Sigma 18-35mm T2 enables dramatic close-ups without switching lenses. This allows filmmakers to move quickly between wide establishing shots and intimate detail shots, increasing storytelling versatility while reducing downtime.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional All-Metal Construction Built for Production Environments\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe lens features a fully metal housing with dust- and splash-resistant sealing, designed to withstand demanding shooting conditions. Whether on location or in studio environments, this durability ensures consistent performance and reliability over long production schedules.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eIndustry-Standard Front Diameter and Filter Compatibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith a 95mm front diameter and 82mm filter thread, the lens integrates effortlessly with matte boxes, filters, and cine accessories commonly used on professional sets. This compatibility reduces the need for additional adapters or gear changes, streamlining production workflows.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eMulti-Mount Compatibility for Broad Camera Support\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eAvailable in PL, Canon EF, and Sony E mounts, the Sigma 18-35mm T2 fits seamlessly into a wide range of cinema and mirrorless camera systems. This flexibility makes it an excellent choice for owner-operators, rental houses, and production teams working across multiple platforms.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eIncluded Support Foot for Rig Stability and Mount Protection\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe included removable lens support foot helps distribute weight evenly across the rig, reducing stress on the camera mount during handheld, tripod, or rigged setups. This added stability protects your equipment and improves long-term reliability during heavy production use.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eExceptional Value Compared to High-End Cinema Zooms\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Sigma 18-35mm T2 delivers performance comparable to significantly more expensive cinema zoom lenses while remaining far more accessible. For filmmakers looking to buy a professional cinema zoom that balances cost, performance, and durability, it represents one of the strongest value propositions in the market.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Canon EF","offer_id":47544085086308,"sku":"210966","price":4399.0,"currency_code":"USD","in_stock":true},{"title":"Sony E","offer_id":47544085119076,"sku":"210967","price":4399.0,"currency_code":"USD","in_stock":true},{"title":"PL","offer_id":47544085151844,"sku":"210968","price":4399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/210966-7.webp?v=1765970969"},{"product_id":"sigma-50-100mm-t2-high-speed-zoom-lens","title":"Sigma 50-100mm T2 High-Speed Zoom Lens","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eSigma 50–100mm T2 High-Speed Cine Zoom Lens | Constant T2.0, Super 35 Coverage, Precision Cine Mechanics\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe power to tell cinematic stories starts here. The Sigma 50–100mm T2 High-Speed Zoom Cine Lens is a professional-grade cinema zoom designed for filmmakers, cinematographers, and production teams who demand uncompromising optical performance, mechanical precision, and creative flexibility in a single, production-ready lens, making it an exceptional choice to buy for narrative film, commercials, documentaries, and high-end video work. Covering the Super 35 format with a generous 28.4mm image circle, this lens delivers a versatile 50–100mm focal range paired with a constant T2.0 aperture, allowing you to maintain consistent exposure and shallow depth of field throughout the entire zoom range without ramping—an enormous advantage for dramatic storytelling, low-light shooting, and controlled lighting environments.\u003c\/p\u003e\n\u003cp\u003eBuilt with an advanced optical design of 21 elements in 15 groups, including FLD and SLD glass, the Sigma 50–100mm T2 produces exceptional sharpness, controlled chromatic aberration, minimal distortion, and a smooth, cinematic rendering that holds up to modern 6K and 8K capture standards, ensuring your footage remains future-proof and production-ready. From a mechanical standpoint, this cine zoom is purpose-built for professional workflows, featuring a robust all-metal, dust- and splash-resistant construction, standardized 0.8 MOD gears on the focus, zoom, and iris rings, and long, precise rotation angles—180° for focus, 160° for zoom, and 60° for iris—giving focus pullers the accuracy and repeatability required on set.\u003c\/p\u003e\n\u003cp\u003eThe nine-blade rounded diaphragm produces beautifully smooth bokeh, while the clickless manual iris allows seamless exposure transitions during takes. With a close-focus distance of just 0.95m (3.2 ft) and a 1:6.7 magnification ratio, this lens also excels at intimate detail shots, adding creative versatility without changing lenses. Available in PL, Canon EF, and Sony E mounts, with feet or metric markings and optional fully luminous engravings for low-light visibility, the Sigma 50–100mm T2 integrates effortlessly into professional camera rigs and cinema ecosystems, supported by electronic communication on compatible mounts and a removable lens support foot for enhanced stability.\u003c\/p\u003e\n\u003cp\u003eIts 95mm front diameter, 82mm filter thread, and consistent physical layout across Sigma’s High Speed Zoom line streamline matte box use and fast lens swaps, saving valuable time on set. For filmmakers looking to buy a fast, reliable, and optically stunning cinema zoom that combines prime-like performance with the efficiency of a zoom, the Sigma 50–100mm T2 stands out as a smart, long-term investment that elevates production value while reducing gear complexity. Buy the Sigma 50–100mm T2 High-Speed Zoom Cine Lens today and bring true cinematic control, speed, and image quality to your next production.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eProduct Benefits:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eCreate cinematic depth in any scene with a constant T2.0 aperture, delivering beautiful background separation and confident low-light performance without exposure shifts while zooming.\u003c\/li\u003e\n\u003cli\u003eWork faster on set with fewer lens changes thanks to the versatile 50–100mm focal range, covering medium to tight shots in one precision cine zoom.\u003c\/li\u003e\n\u003cli\u003eCapture future-proof footage engineered for 6K–8K resolution, ensuring your projects stay sharp, detailed, and commercially viable for years.\u003c\/li\u003e\n\u003cli\u003eMaintain consistent color and contrast across productions with Sigma’s cinema color standard, making multi-camera shoots and post-production grading easier and more predictable.\u003c\/li\u003e\n\u003cli\u003ePull focus with absolute confidence using long, smooth 180° focus rotation and standardized 0.8 MOD cine gears, ideal for professional focus pullers.\u003c\/li\u003e\n\u003cli\u003eDeliver a premium cinematic look through a 9-blade rounded iris that produces smooth, natural bokeh and pleasing highlight roll-off.\u003c\/li\u003e\n\u003cli\u003eShoot reliably in demanding environments with a rugged all-metal, dust- and splash-resistant body built for real production conditions.\u003c\/li\u003e\n\u003cli\u003eReduce setup time and rig adjustments with a 95mm front diameter and consistent lens dimensions, ensuring seamless matte box and accessory compatibility.\u003c\/li\u003e\n\u003cli\u003eEnhance creative control for close-ups with a 0.95m minimum focus distance, allowing expressive detail shots without swapping lenses.\u003c\/li\u003e\n\u003cli\u003eIntegrate seamlessly into professional workflows with PL, Canon EF, and Sony E mount options, electronic communication support, and luminous markings for low-light sets.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003eConstant T2.0 Aperture for Uninterrupted Cinematic Exposure\u003c\/p\u003e\n\u003cp\u003eThe Sigma 50–100mm T2 High-Speed Zoom maintains a constant T2.0 aperture across the entire zoom range, eliminating exposure ramping when zooming during a shot. This is a critical advantage for professional cinematography, allowing seamless zooms without compensating lighting or iris pulls mid-take. The fast T2.0 transmission delivers excellent low-light performance, enables shallow depth of field for subject separation, and provides consistent creative control regardless of focal length—something still-photo zoom lenses simply cannot offer.\u003c\/p\u003e\n\u003cp\u003eSuper 35 Coverage with a Large 28.4mm Image Circle\u003c\/p\u003e\n\u003cp\u003eDesigned specifically for Super 35 digital cinema cameras, this lens features a 28.4mm image circle, ensuring full coverage without vignetting. This makes it ideal for cinema cameras from ARRI, RED, Sony, and Canon that rely on S35 sensors. The optimized coverage ensures edge-to-edge clarity, accurate illumination, and reliable framing, making it a dependable tool for professional productions where sensor compatibility and image consistency are non-negotiable.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eOptical Design Engineered for 6K–8K Resolution\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eBuilt with 21 elements in 15 groups, including FLD and SLD glass, the Sigma 50–100mm T2 is engineered to resolve extreme detail for modern 6K and 8K workflows. This advanced optical formula minimizes chromatic aberration, distortion, and color fringing while preserving contrast and micro-detail across the frame. The result is footage that remains sharp and clean even under heavy grading, reframing, or future distribution formats—protecting your investment as camera technology evolves.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eCine-Grade Mechanical Precision for Professional Focus Pulling\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eEvery mechanical aspect of this lens is purpose-built for cinema production. The 180° focus rotation provides precise, repeatable focus pulls, while the 160° zoom rotation allows smooth, controlled focal length transitions. A 60° iris rotation enables subtle exposure changes without abrupt shifts. Standardized 0.8 MOD gears on focus, zoom, and iris ensure compatibility with industry-standard follow focus systems, motors, and controllers—making this lens fully at home on professional cinema rigs.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eSmooth, Natural Bokeh from a 9-Blade Rounded Diaphragm\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe 9-blade rounded iris is designed to produce soft, pleasing bokeh with natural highlight roll-off, enhancing subject separation and visual depth. This contributes to a more cinematic aesthetic, especially when shooting portraits, interviews, or narrative scenes where emotional focus matters. Combined with the fast T2.0 aperture, the lens delivers a refined look that elevates production value without relying on heavy post-processing.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eClose-Focus Capability for Creative Detail Shots\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eWith a minimum focus distance of just 0.95 meters (3.2 feet) and a 1:6.7 magnification ratio, this lens allows filmmakers to move in close for expressive detail shots without changing lenses. This capability expands creative flexibility on set, enabling tighter compositions, product details, and emotional close-ups while maintaining optical consistency and shooting momentum.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eRugged All-Metal Construction Built for Real Productions\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe Sigma 50–100mm T2 features a 100% metal housing with dust- and splash-resistant construction, making it reliable in demanding production environments. Whether shooting on location, in controlled studios, or under unpredictable conditions, this lens is built to withstand professional use. The solid construction also contributes to stable balance on camera rigs, reducing micro-movements during handheld or mounted operation.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eConsistent Color Matching Across Sigma Cine Lenses\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eSigma’s cine lenses adhere to a standardized color balance, allowing seamless intercutting with other Sigma High Speed Zoom and Cine Prime lenses. This consistency reduces time spent color matching in post-production and ensures predictable results across multi-lens shoots, multi-camera setups, and long-term projects—saving time, budget, and creative energy.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Mount Options with Electronic Communication\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eAvailable in PL, Canon EF, and Sony E mounts, the Sigma 50–100mm T2 integrates easily into a wide range of professional camera systems. Supported mounts offer electronic communication for metadata transmission where applicable, improving workflow efficiency in post-production. The PL mount option is ideal for traditional cinema cameras, while EF and E mounts offer flexibility for hybrid and digital cinema setups.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProduction-Ready Physical Design for Faster Rigging\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eA 95mm front diameter and 82mm filter thread ensure compatibility with standard matte boxes and filters, while consistent physical dimensions across Sigma’s cine zoom lineup streamline lens swaps. The included removable lens support foot adds stability on heavy rigs and reduces stress on camera mounts, making setup faster and safer on professional shoots.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eLuminous and Laser-Engraved Markings for Low-Light Sets\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eHigh-visibility laser-engraved markings with optional fully luminous versions ensure accurate operation in dark shooting environments. This is especially valuable on night shoots, studio sets, or controlled lighting scenarios where visibility is limited but precision is critical. Clear, durable markings help crews work faster and more confidently under pressure.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Canon EF","offer_id":47607619879012,"sku":"693966","price":4399.0,"currency_code":"USD","in_stock":true},{"title":"Sony E","offer_id":47607619911780,"sku":"693967","price":4399.0,"currency_code":"USD","in_stock":true},{"title":"PL Mount","offer_id":47607619944548,"sku":"693968","price":4399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/Canon_10-500.webp?v=1767017192"}],"url":"https:\/\/www.nuzira.com\/collections\/cinematic-filmmaking-collection.oembed?page=2","provider":"Nuzira","version":"1.0","type":"link"}