{"product_id":"sigma-fp2-mirrorless-camera","title":"Sigma FP2 Mirrorless Camera","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eSigma FP2 Mirrorless Camera – 24.5MP Full-Frame Imaging with 6K Open Gate Video\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Sigma FP2 Mirrorless Camera is a compact full-frame interchangeable-lens camera built for photographers and filmmakers who need professional imaging capabilities in a lightweight, adaptable body. Featuring a 24.5MP partially stacked CMOS sensor and Sigma's L-Mount system, it combines high-resolution photography with advanced cinema recording options. Its small form factor makes it particularly useful for travel, street photography, documentary production, and handheld video work, while the dedicated STILL\/CINE switch provides separate shooting interfaces for photography and filmmaking.\u003c\/p\u003e\n\u003cp\u003eThe FP2's partially stacked sensor supports faster readout, helping reduce rolling shutter distortion while enabling continuous shooting at up to 20 fps. Hybrid phase-detection and contrast-detection autofocus includes subject recognition for people, dogs, cats, and birds, making it easier to maintain focus on moving subjects. For video production, 6K Open Gate recording offers flexibility when reframing footage for different aspect ratios, while 12-bit Apple ProRes RAW, L-Log, and up to 14.1 stops of claimed dynamic range support more demanding color grading workflows. A 3.15-inch tilting touchscreen improves framing from challenging angles, and approximately 70GB of internal storage complements UHS-II SDXC cards and external USB SSD recording.\u003c\/p\u003e\n\u003cp\u003eWeighing approximately 376g without a battery, the Sigma FP2 is well suited to creators who prefer a smaller camera without giving up interchangeable lenses or professional video controls. Its modular design supports an optional EVF-21 electronic viewfinder, external audio equipment, and customized camera rigs. However, the electronic-only shutter, absence of mechanical in-body stabilization, and lack of a built-in viewfinder are worth considering, especially for fast-action photography or handheld shooting. For photographers and independent filmmakers who prioritize portability, flexible recording formats, and a customizable full-frame system, the FP2 offers a practical balance of imaging performance and compact design.\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eProduct Benefits:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCarry Less, Create More:\u003c\/strong\u003e Work comfortably during travel, street photography, or extended shoots without carrying a bulky camera setup.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCapture Moving Subjects with Confidence:\u003c\/strong\u003e Keep people, pets, and birds in focus more easily, reducing missed opportunities during unpredictable moments.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCreate Content for Multiple Platforms:\u003c\/strong\u003e Reframe footage for widescreen videos, social media, and vertical content without needing to record every scene separately.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGain More Control in Post-Production:\u003c\/strong\u003e Preserve greater flexibility when adjusting exposure, colors, and highlights for professional-looking photos and videos.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitch Between Photo and Video Efficiently:\u003c\/strong\u003e Move between still photography and filmmaking with dedicated controls, making hybrid shooting workflows more convenient.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame Shots from Difficult Angles:\u003c\/strong\u003e Shoot comfortably from low or elevated positions without constantly changing your body position.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdapt Your Setup to Each Project:\u003c\/strong\u003e Keep the camera lightweight for everyday photography or add accessories for more demanding filmmaking applications.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eManage Longer Shoots More Conveniently:\u003c\/strong\u003e Use flexible storage options and USB power support to reduce interruptions and maintain a more efficient workflow.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h5\u003e\n\u003ch6 data-pm-slice=\"1 1 []\"\u003e\u003cstrong\u003e24.5MP Full-Frame Partially Stacked CMOS Sensor for Detailed Imaging\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 features a 24.5-megapixel partially stacked CMOS sensor measuring 35.9 × 23.9mm, delivering the detail and tonal flexibility expected from a full-frame mirrorless camera. Its large imaging area supports detailed photographs, smooth tonal transitions, and creative control over depth of field when paired with suitable lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe partially stacked design also improves sensor readout speed compared with the original fp, reducing the rolling shutter distortion that can appear when photographing moving subjects or recording video. This makes the FP2 useful for photographers who work across portraits, travel, everyday photography, and motion-focused assignments without needing separate camera systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eCompact Full-Frame Body for Travel and Everyday Photography\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eMeasuring approximately 112.8 × 69.9 × 41.8mm and weighing just 376g without a battery, the Sigma FP2 offers full-frame imaging in a remarkably small interchangeable-lens camera body. Its compact dimensions make it easier to carry during travel, street photography, location scouting, and documentary assignments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUnlike larger camera systems designed around permanently integrated grips and viewfinders, the FP2 uses a modular approach. Photographers can keep the setup minimal for casual shooting or attach additional equipment when the project demands it. This flexibility is particularly valuable when portability matters as much as image quality.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eHybrid Autofocus with Human, Animal, and Bird Detection\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 combines image-plane phase-detection autofocus with contrast-detection technology to improve focusing responsiveness and accuracy. Its autofocus system supports human recognition, eye detection, and subject tracking for dogs, cats, and birds, helping photographers maintain focus when subjects move within the frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContinuous autofocus and tracking functions are particularly helpful for portraits, pet photography, bird photography, and documentary work where movement is difficult to predict. An autofocus sensitivity range of −5 to +18 EV also provides focusing capability in challenging lighting conditions when used with compatible lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor greater control, photographers can switch to manual focusing and use focus peaking or magnification to check critical details.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eUp to 20 fps Continuous Shooting for Fast-Moving Subjects\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eWith continuous shooting speeds reaching approximately 20 frames per second, the FP2 gives photographers more opportunities to capture the precise moment they want. This is especially useful when photographing moving animals, spontaneous expressions, active subjects, or moments that happen too quickly for single-frame shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt its maximum burst rate, the camera supports approximately 200 JPEG or 180 DNG images in a continuous sequence. Slower shooting options of 8, 5, and 3 fps allow users to balance capture speed with storage and workflow requirements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause the FP2 uses an electronic shutter, photographers should still consider potential banding under certain artificial lights and residual rolling shutter effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e6K Open Gate Video Recording for Flexible Framing\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 supports 6K Open Gate recording, allowing filmmakers to capture video using the full sensor area instead of committing to a conventional widescreen crop during recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis gives editors greater freedom to produce different compositions from the same footage. A single recording can accommodate horizontal presentations, vertical social media videos, and alternative aspect ratios, depending on the original framing and required output resolution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOpen Gate recording is particularly useful for commercial production, social content, interviews, travel filmmaking, and projects requiring multiple delivery formats. It can also provide additional framing flexibility when correcting composition during editing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Apple ProRes RAW and L-Log Recording\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eFor projects requiring substantial editing flexibility, the FP2 supports 12-bit Apple ProRes RAW and ProRes RAW HQ recording. These formats provide greater control over image processing during compatible post-production workflows, making them useful for commercial filmmaking, short films, and productions involving detailed color adjustments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe camera also supports L-Log, giving filmmakers a flatter image profile designed to preserve tonal information for color grading. This allows footage to be adjusted toward a consistent visual style across different scenes or camera setups.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProRes RAW recording supports up to 6K at 29.97 fps. Available recording resolutions and frame rates vary depending on the selected codec and shooting settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eUp to 14.1 Stops of Dynamic Range for High-Contrast Scenes\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 offers up to 14.1 stops of claimed dynamic range when recording in 4K full-frame L-Log. This provides additional flexibility when filming scenes containing both bright highlights and deep shadows, such as outdoor interviews, landscapes, and interiors with strong window lighting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe camera also provides a claimed seven stops of highlight headroom at ISO 1250 and above in the applicable recording configuration. This is particularly useful when preserving brighter portions of a scene for later adjustment during color grading.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eActual recorded detail will depend on exposure, ISO settings, lighting conditions, and the chosen recording format.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDual-Base ISO for Changing Lighting Conditions\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 uses different base ISO settings depending on the selected capture mode. For still photography and standard MOV recording, its base ISO values are 320 and 2500. In Log and RAW recording modes, the corresponding base ISO values are 1250 and 10000.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHaving separate base sensitivity settings gives photographers and filmmakers greater flexibility when working in environments with different lighting levels. It helps users select appropriate exposure settings without relying entirely on progressively higher sensitivity adjustments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe camera supports ISO 100–102400 for standard still photography, with additional expanded low ISO settings available. Exposure results will still depend on the selected ISO, lighting, lens aperture, and recording format.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDedicated STILL\/CINE Switch for Efficient Hybrid Shooting\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eA dedicated STILL\/CINE switch allows the Sigma FP2 to transition between photography and filmmaking without navigating through multiple menu levels. Each shooting mode has its own interface and workflow, giving users access to controls suited to the type of content being captured.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is especially practical for wedding photographers, commercial creators, documentary teams, and hybrid shooters who regularly alternate between photographs and video clips.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstead of treating video as a secondary function, the FP2 provides a dedicated cinema-oriented operating environment while retaining the controls needed for detailed still photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eHigh-Frame-Rate Recording for Slow-Motion Video\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 supports a range of video frame rates suited to conventional filming and slow-motion production. In supported 4K crop configurations, recording is available at up to 119.88 fps, while 2K recording also supports high-frame-rate capture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese options allow filmmakers to slow down fast movements during editing, helping emphasize action, product details, environmental motion, or subtle gestures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHigh-frame-rate recording can be useful for sports content, product demonstrations, documentary sequences, and creative video projects. Recording capabilities depend on resolution, crop mode, codec, and other camera settings, so not every frame rate is available in every configuration.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e3.15-Inch Tilting Touchscreen for Flexible Composition\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 features a 3.15-inch touchscreen with approximately 2.1 million dots and nearly 100% display coverage. Its tilting mechanism allows the display to move approximately 90° upward and 45° downward, making it easier to compose photographs from low or elevated camera positions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis flexibility is useful for ground-level landscape compositions, street photography, tabletop product photography, and filming in locations where eye-level viewing is inconvenient.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTouchscreen operation also helps simplify interaction with camera settings and shooting functions, supporting a more direct operating experience without requiring a permanently attached external monitor.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eOptional EVF-21 Electronic Viewfinder for Eye-Level Shooting\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003ePhotographers who prefer composing through a viewfinder can equip the Sigma FP2 with the optional EVF-21 electronic viewfinder. It features a 0.5-inch OLED display with approximately 5.76 million dots, providing a detailed viewing image for checking composition and focus.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe EVF attaches through USB-C and can tilt upward by approximately 90°, allowing photographers to frame images at eye level or from lower shooting positions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause the viewfinder is removable, users can choose between a compact LCD-based setup and a more traditional viewing experience. This makes the camera adaptable to different shooting preferences without permanently increasing its size.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e70GB Internal Storage with SDXC and External SSD Support\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 includes approximately 70GB of internal memory alongside support for UHS-II SDXC cards and compatible portable SSDs through USB 3.2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis combination gives photographers and filmmakers several ways to manage their files. Internal memory provides useful additional recording capacity, while SD cards offer a familiar removable storage option. External SSD recording can be incorporated into workflows requiring compatible high-capacity media.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHaving multiple storage options is especially useful for extended assignments, travel, and video production, where available recording capacity can influence how efficiently a shoot progresses.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eElectronic Shutter with Speeds Up to 1\/25600 Second\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 uses a fully electronic shutter with speeds ranging from 1\/25600 second to 30 seconds, along with Bulb exposure support for up to five minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFast shutter speeds help photographers control exposure in bright environments and freeze movement when shooting conditions allow. Longer exposure options support night photography, stationary subjects, and creative images involving light or motion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe electronic-only design also allows silent shutter operation, which can be useful in quiet environments such as performances, ceremonies, or documentary situations. However, users should be aware of potential rolling shutter distortion and artificial-light banding, since a mechanical shutter is not available.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e14-Bit DNG RAW Recording for Detailed Photo Editing\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 records 14-bit losslessly compressed DNG RAW files, providing photographers with greater flexibility when processing images after capture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRAW recording preserves more image information for adjustments to white balance, tonal contrast, exposure, and color than a finished JPEG typically allows. This is especially useful for landscape photography, portraits, commercial photography, and other applications where careful post-processing is important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe camera also supports simultaneous DNG and JPEG capture, allowing photographers to keep an editable RAW file alongside a more convenient image for immediate viewing or sharing.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e13 Creative Color Modes for Different Visual Styles\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 includes 13 color modes: Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, and Monochrome.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese modes allow photographers to establish different visual treatments while shooting, reducing the need to create every look from scratch during editing. For example, Monochrome supports black-and-white photography, while other modes provide alternative approaches to color and contrast.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA dedicated color control makes it easier to access these options while composing images. This is particularly helpful for photographers who enjoy developing a consistent visual style or prefer obtaining a desired look directly in the camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDirector's Viewfinder for Cinema Lens and Camera Planning\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 includes a Director's Viewfinder function that can simulate framing associated with selected professional cinema camera systems from ARRI, Sony, and RED.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis feature is useful for directors, cinematographers, and production teams who need to visualize compositions before setting up larger cinema cameras. It can help evaluate shot framing, lens choices, and camera positions during location scouting or production planning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSupported systems include models such as the ARRI ALEXA 35, Sony VENICE 2, Sony BURANO, and RED KOMODO X.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 also provides anamorphic desqueeze options, allowing filmmakers to preview images captured using supported anamorphic lens ratios.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003e32-Bit Float Audio Recording with Compatible Accessories\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eFor filmmakers who need greater flexibility when recording sound, the Sigma FP2 supports 32-bit float audio recording when used with the required external equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis recording format can accommodate a wide range of audio levels and provide additional flexibility when adjusting recorded sound in post-production. It can be particularly helpful in documentary, interview, and field production workflows where sound levels are not always predictable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe function requires the optional HU-21 hot shoe unit together with compatible Panasonic DMW-XLR2 and DMW-DMS1 audio equipment. It is not a standalone capability of the camera's built-in microphone.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eProfessional Exposure Monitoring for Video Production\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 includes waveform monitoring, histograms, zebra patterns, and false color display options to assist with exposure evaluation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese tools provide more detailed visual feedback than judging brightness from the LCD alone. Waveform monitoring helps assess luminance distribution, zebra patterns identify areas that reach selected brightness thresholds, and false color offers another way to examine exposure levels across the frame.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor cinematographers working with Log footage or high-contrast lighting, these functions can help maintain consistent exposure decisions across scenes and reduce uncertainty during recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eElectronic Video Stabilization and Gyroflow Support\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 includes electronic image stabilization for compatible video recording modes. This provides a way to reduce the appearance of certain camera movements when filming handheld, although stabilization performance depends on shooting conditions and the selected mode.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe camera also supports Gyroflow workflows, giving filmmakers another option for stabilizing compatible footage during post-production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese capabilities are useful for travel videos, documentary work, and lightweight productions where a larger stabilized camera setup may not be practical. However, the FP2 does not include mechanical in-body image stabilization, and electronic stabilization cannot be used simultaneously with 6K recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eL-Mount System for Interchangeable Lens Flexibility\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 uses the L-Mount system, allowing photographers and filmmakers to select compatible interchangeable lenses for different shooting requirements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA wide-angle lens can support landscapes, architecture, and environmental video, while a standard or telephoto lens may be more appropriate for portraits, events, and distant subjects. This flexibility allows the camera to serve different photographic applications without changing the camera body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eL-Mount compatibility also makes the FP2 relevant to creators who already own suitable lenses within the L-Mount ecosystem. Lens-specific functions and performance should be checked before use.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eModular Camera Design for Customized Production Setups\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 is designed to accommodate different shooting configurations rather than requiring every accessory to remain attached.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor everyday photography, users can operate with a lens and the camera's rear display. For more specialized assignments, they can add the EVF-21 electronic viewfinder, HU-21 hot shoe unit, external storage, compatible audio accessories, and other mounting equipment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis approach gives photographers and filmmakers more control over the size, handling, and functionality of their setup. It is particularly useful for independent productions that need a portable camera for some assignments and a more extensively equipped system for others.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eUSB-C, HDMI 2.1, and External Device Connectivity\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 offers two USB-C connections with different supported functions, alongside a full-size HDMI Type A port conforming to HDMI 2.1 specifications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe USB interfaces support functions such as external storage, charging, power delivery, audio connections, remote cable release, and compatible electronic viewfinder operation. USB webcam functionality also allows the camera to be incorporated into suitable computer-based video workflows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese connections make the FP2 more adaptable to desktop production, external monitoring, and recording setups. Accessory compatibility and available functions depend on the connection used.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eExtended Battery Life with USB Power Delivery\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003ePowered by the Sigma BP-91 rechargeable lithium-ion battery, the FP2 is rated for approximately 370 still images or 130 minutes of video recording under Sigma's specified testing conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis represents an approximately 30% improvement in battery life over the original Sigma fp, providing additional shooting time while maintaining a compact body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUSB Power Delivery support allows compatible external power sources to be incorporated into longer workflows, while the optional CN-91 DC connector provides another external power solution. A USB PD adapter rated at 27W or higher is recommended.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese options are useful for interviews, studio sessions, fixed-camera recording, and projects where frequent battery changes would interrupt production.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eDust- and Splash-Resistant Construction for Outdoor Use\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 incorporates a dust- and splash-resistant structure designed to provide protection during everyday outdoor shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is useful for photographers and filmmakers working in changing environments, including travel assignments, street photography, and location-based productions where occasional light rain or airborne dust may be encountered.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHowever, the camera is not waterproof and does not have a published IP protection rating. Additional protection remains advisable when working in heavy rain, sandy conditions, or other demanding environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eIn-Camera DNG Development and Creative Shooting Tools\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 includes in-camera DNG development, allowing photographers to process compatible RAW images without transferring every file to a computer first.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe camera also provides a Fill Light adjustment during in-camera DNG development, along with exposure bracketing, focus bracketing, white balance bracketing, and interval shooting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese tools support a variety of photographic techniques. Focus bracketing can help capture multiple focus positions for later processing, while interval shooting is useful for documenting changes over time. Exposure bracketing provides additional capture options when working with difficult lighting.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eCustomizable Controls and QR-Based Camera Settings\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 supports customizable shooting functions and the ability to save or load camera settings using QR codes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis can help photographers maintain familiar camera configurations across different assignments or restore settings when switching between shooting requirements. Customizable controls also allow users to organize frequently used functions around their individual workflow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor creators who move regularly between photography and video production, these options help reduce repetitive menu adjustments and make the camera easier to operate consistently.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eOptional Flash Support for Studio and Portrait Photography\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eAlthough the FP2 does not include a built-in flash or permanent hot shoe, external flash operation is supported through the optional Sigma HU-21 hot shoe unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompatible flash functions include TTL automatic exposure, manual flash control, wireless flash operation, and selected synchronization modes. This allows the camera to be incorporated into controlled-lighting environments such as portrait sessions, tabletop photography, and studio product shoots.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe electronic shutter has a maximum flash synchronization speed of approximately 1\/50 second in full-frame operation, making this an important consideration for photographers who frequently rely on flash.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eAnamorphic Desqueeze for Cinematic Framing\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe Sigma FP2 provides anamorphic desqueeze display options for filmmakers using compatible anamorphic lenses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSupported ratios include 1.25×, 1.3×, 1.33×, 1.5×, 1.6×, 1.65×, 1.8×, and 2.0×, allowing operators to preview footage with corrected proportions while composing shots.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is useful for independent filmmakers, cinematographers, and video teams working with anamorphic formats, as it makes framing and composition easier to evaluate during recording.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCombined with the Director's Viewfinder and professional exposure monitoring tools, anamorphic display support adds to the FP2's usefulness in specialized cinema workflows.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eWebcam and Video Communication Functionality\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eThe FP2 supports USB webcam operation, allowing it to function as a video source in compatible computer-based applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis provides an additional use for the camera beyond conventional photography and recorded filmmaking. With a suitable lens, power source, and connection, the FP2 can be considered for online presentations, video communication, and other computer-based production requirements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe availability of USB audio functions and external connection options also gives users flexibility when integrating the camera into a broader desktop setup.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Nuzira","offers":[{"title":"Default Title","offer_id":67902728634468,"sku":"C48900","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8416\/1636\/files\/1792721855_2008620.jpg?v=1793249946","url":"https:\/\/www.nuzira.com\/products\/sigma-fp2-mirrorless-camera","provider":"Nuzira","version":"1.0","type":"link"}