Nuzira Featured Reviews
It is so nice to see a small family owned shop instead of these big box stores. I generally felt cared about when getting my blackmagic cinema camera. Love the quality of the images and how easy it is to use.Read More
This small business has the best customer service HANDS DOWN!!
Lucas worked with me diligently to help me find a camera that would fit my needs and that would arrive in time for my trip. I take photos, but wanted a smaller, more compact camera to take with me when traveling. He even reached out to other camera experts to make sure he was giving me the best advice for the equipment that would accommodate my needs!
Lucas was patient with me and was in constant contact with the camera supplier to keep me updated on the status of my order and when the items would be ready for shipment. Once my order arrived to the store, it was in my hands in less than 2 days. I would give 10 stars to this business if I could!!
SHOP SMALL! :)
In short: I was able to receive the black colorway below retail and free next day shipping with the promos that they offered for being a new camera web-shop based from AZ.
Long story: Lucas who is prolly the only rep for the company cuz they're so small is the best dude ever. Since i ordered he responded on emails and updates quicker than some of my friends texting me back about where am at on the list as people just kept cancelling their order. I went from 9th place in line to 4th place in line for the silver. And he hit me up saying that they were still waiting on Fuji to send shipping updates and that no company knows what they get on their weekly fuji shipments other than from a 24 hour window of receiving shipping details.
He then noted that there were two black X100Vs available that were reserved to customers who ordered but have not confirmed. I said if they dont confirm please let me know and ill take that instead of the silver. The next day he hits me saying the customer said to cancel and he sent me an invoice. I ordered accessories for the camera on amazon right after and my package for the camera came before my amazon package. Lucas was super nice and transparent about everything. Dope experience from NUZIRA.
Lucas was so incredibly helpful!!! I’ve genuinely never had better customer service. They offered to stay late so I could get my order and were so patient with all my questions. I would give them 10 stars if I could.Read More
NUZIRA MADE MY MONTH!
I was a little concerned when I first came across this small business but I am so so thankful I di! They have the NICESt staff and customer service. I have been on the waitlist for this camera for a few months now so when Lucas called saying they had it back in stock I was so freaking excited! Made my whole month. This camera absolutely lives up to the hype. I love how lightweight it is. I can pop it into any bag and head out the door. the images are crisp, high quality, and stunning. I use film sim and not film sim. The film simulations are nearly identical to real film. I have another fuji camera that does film sim but it can't even be compared to this one. I love my Fujifilm X100v so much! Amazing camera! Thanks you Nuzira!
Blackmagic Design URSA Broadcast G2 with Fujinon XA20sX8.5BRM-K3 and MS-01 Semi Servo Rear Control Accessory Kit
Blackmagic Design URSA Broadcast G2
The new Blackmagic Design URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allow it to work as a 4K production camera, a 4K studio camera, or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards, or external USB disks, using common file formats such as H.265, ProRes, and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible!
Three Cameras in One!
Broadcast Production Camera:
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low-light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.
Live Studio Camera:
URSA Broadcast includes an advanced YRGB color corrector built-in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
Digital Cinema Camera:
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance, and Blackmagic RAW means you get a true "Hollywood" quality digital film camera.
Get Digital Film Quality for Broadcast
The large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in the broadcast! The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for the digital film!
Exceptional Low Light Performance
The new URSA Broadcast features incredible low-light performance so you can shoot using ambient light or even under the moonlight! In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments.
Compatible with B4 Broadcast Lenses
The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern Ultra HD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost! B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster! You also get full electronic lens control to adjust focus, iris, and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF, and more!
Built In Optical ND Filters
URSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1/16th, and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction!
Use Common Media and File Formats!
URSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.
Dual Media Slots for Non‑Stop Recording
With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that's best for you! Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you a nonstop recording! When a card is full, the recording automatically continues onto the next card so you can swap a full card while the recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files!
USB-C for Recording Direct to External Media Disks
The Blackmagic URSA Broadcast G2 features a high-speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus the USB port will power the disk that’s plugged in!
Strong and Lightweight Magnesium Design
URSA Broadcast G2 features a super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable to use all day! It features familiar externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C, and an industry-standard 4-pin XLR broadcast 12V DC connection!
Built-in LCD with Touch Controls
With a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more! Plus you can change the function assigned to each button in the on-screen menus.
External Status Display
The status display is a high-visibility LCD screen that’s designed to be easily seen, even in bright light! The status display shows the record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen’s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition!
Program Video Monitoring
If you're doing live production, sometimes you need to monitor the program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well.
Load Custom 3D LUTs to Recreate Film Looks!
Digital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17 and 33-point 3D LUT files, or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more.
Standard Television Industry Connections
Blackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and returns program feed input. The 12G-SDI connections are multi-rate and switch between all HD and Ultra HD formats up to 2160p60. Other connections include a headphone connection, USB-C, balanced XLR audio with phantom power, and timecode/reference input. There's also a front-mounted 12-pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a viewfinder or on-set monitor there's even an HD-SDI monitoring output and a broadcast-style 4-pin XLR 12V DC power output!
Supports All Broadcast Frame Rates
Whether you’re shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal-clear slow-motion video. To shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file, for smooth slow motion shooting. You can set up your preferred high-speed frame rate using the camera’s on-screen menus, then switch between standard sync speed and off-speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready-to-go, so it's instantly available when the action gets exciting!
Professional Audio Connections and Built-In Microphones
URSA Broadcast G2 has a high-quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! That means you can use the built-in stereo microphone or you can connect external microphones. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.
Get Studio Camera Control via SDI
All Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. The switcher can perform color correction, tally and lens control, and these are sent to all cameras. All you need to do is select the correct camera number and it all works. This means someone can manage the image color and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.
Work in Both HD or Ultra HD
The Blackmagic URSA Broadcast G2 is not just a great Ultra HD camera, but it’s also an amazing HD camera too! The high-resolution sensor and generation 5 color science create amazing images with high dynamic range and wide color fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world! Plus when working in HD, the high-resolution sensor allows sub-pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future-proof camera that's perfect for both HD and Ultra HD production!
Change to PL, EF, and F Lens Mounts!
URSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL, or even F mount. That means if you’re starting out you can change the mount and use low-cost photographic lenses. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses!
Latest Generation 5 Color Science
Featuring the same generation 5 color science as the high-end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post-production. That means you get images that have a natural, film-like response to color adjustments in post with DaVinci Resolve Studio.
Incredible Blackmagic RAW Quality
Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance!
Powered by Blackmagic OS
With the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more!
Built-in Timecode Generator
All models of Blackmagic URSA Broadcast G2 have a built-in time-of-day timecode generator, so you can sync all the cameras and then do multi-cam editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect the timecode and lock the internal generator. Imagine shooting a music festival with multiple cameras!
Focus and Zoom Demands
The optional zoom and focus demands allow you to use photography lenses for live production! The focus and zoom demands have USB-C connections so they control the lens via the camera’s electronic lens control. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them and then connect them to the camera with a single USB connection. The buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demands onto tripod handles.
Add Viewfinders, SMPTE Fiber, and Lens Mounts
There's a wide range of accessories that are specifically designed to work perfectly with URSA Broadcast G2. However, a shoulder mount kit, V-Lock battery plate, and top handle are included so you don't need to purchase anything extra! Plus you get a spare EF lens mount if you don't own a B4 lens and would like to start out using a photography lens. You can add the optional Blackmagic URSA Viewfinder, or for live production, you can add a Blackmagic URSA Studio Viewfinder! There's also an optional fiber converter that can power the camera from 2 km away via the single SMPTE fiber! For long-duration recording, URSA Mini Recorder gives you the option to record to external SSDs!
Record to SSDs and U.2 Media
The optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5-inch SSDs, as well as the latest U.2 NVMe Enterprise SSDs! SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB/s! This blazing-fast performance allows you longer recording times for full resolution 4K and 6K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It’s controlled via the USB-C so you don’t have to worry about manually starting or stopping the SSD recorder.
Localized in 13 Popular Languages
All Blackmagic Design cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese, or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, heads-up displays, and setup menus will be displayed in the selected language and you can change languages any time you like!
Wireless Bluetooth Camera Remote Control
If you're positioning the camera on the end of a boom, or in another hard-to-reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam-sync timecode and triggers all cameras to record at the same time. The possibilities are endless!
Compatible with Industry Standard Batteries
All URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer, and more. A V-Lock battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12V to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fiber converter can power the camera from up to 2 km away via a single SMPTE fiber cable!
Includes DaVinci Resolve Studio. Get Professional Editing, Color Correction, Audio Post, and VFX!
URSA Broadcast G2 includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials, and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post, and visual effects tools, all in a single software application! Now you can use the same high-end software that professional editors and colorists use!
Fujinon XA20SX8.5BRM HD Professional Lens
- Focal Length Covered 8.5 to 170mm
- HD Optical Performance
- Newly eXceed Servo Grip
- Quick zoom*1 and Auto Cruising
- Latest EBC coatings for improved optical performance
Note: It is necessary to set the lens up to use the Quick Zoom function.
Blackmagic Design URSA Broadcast G2 Camera
- B4 Turret Dust Cap
- EF Mount
- EF Mount Dust Cap
- 8x EF Mount Screw
- 12V/100W Power Supply
- URSA Mini Shoulder Pad
- URSA Mini Top Handle
- V-Mount Battery Plate
- 4x V-Mount Plate Spare Screw
- Viewfinder Mounting Plate
- 2x 1/4"-20 Baseplate Screw
- 2x Long 1/4"-20 Top Handle Screw
- 2x Short 1/4"-20 Top Handle Screw
- DaVinci Resolve Studio Download QR Code
- Camera Software Download QR Code
- Limited 1-Year Warranty
Fujinon XA20SX8.5BRM HD Professional Lens
- Limited 1-Year Warranty
Fujinon MS-01 Rear Zoom and Focus Lens Control Kit for ENG/EFP Lenses
- SRD-92B Zoom Servo Demand
- CFH-3 Focus Handle/Grip
- CFC-12-990 Flexible Cable
- FMM-6B Manual Focus Module
- 90-Day Warranty