Canon RF 7-14mm f/2.8-3.5 L Fisheye STM Lens (Canon RF)

Canon RF 7-14mm f/2.8-3.5 L Fisheye Lens with 190° Ultra-Wide Coverage, STM Autofocus, and L-Series Optics

The moment perspective stops playing by the rules, the Canon RF 7-14mm f/2.8-3.5 L Fisheye STM Lens (Canon RF) takes over, delivering an ultra-dramatic, immersive look that simply isn’t possible with conventional wide-angle lenses, making it an exceptional choice for creators who want to buy a professional fisheye lens that stands apart in both performance and versatility. The lens is engineered for full-frame Canon RF cameras and uniquely combines two fisheye lenses in one body: at 7mm, it produces a circular fisheye image with up to 190° angle of view, while at 14mm, it transitions seamlessly into a full-frame diagonal fisheye with a true 180° field of view, giving photographers and videographers unmatched creative flexibility without changing lenses.

Its bright f/2.8–3.5 maximum aperture allows confident shooting in low light, astrophotography, indoor sports, and immersive environments, while the L-series optical construction—featuring 16 elements in 11 groups, 5 UD elements, 2 aspherical elements, and advanced Air Sphere Coating and Super Spectra Coating—delivers impressive sharpness, controlled flare, and high contrast even when shooting directly into strong light sources. Built for modern hybrid shooters, the STM autofocus motor provides smooth, near-silent focusing with minimal focus breathing, making it ideal for professional video, VR capture, action sports, and cinematic wide-angle storytelling, while the 0.15m minimum focusing distance and 0.35x maximum magnification enable striking close-up compositions that exaggerate depth and scale in a way no standard lens can replicate.

Designed for real-world use, the lens features weather-sealed L-series construction, a fluorine-coated front element for easy cleaning, internal zoom to maintain balance on gimbals, a customizable control ring, and a lens function button for fast, tactile operation in demanding shooting conditions. Because of its bulbous front element, Canon smartly integrates a rear drop-in filter system, with a clear filter included and optional variable ND and circular polarizer available—an enormous advantage for video shooters who want exposure control without bulky rigs. Whether you’re capturing immersive landscapes, dynamic architectural interiors, extreme sports, creative portraits, VR content, or eye-catching commercial visuals that demand attention, this lens offers a level of creative impact, optical precision, and professional reliability that cheaper fisheye alternatives simply cannot match.

If you’re ready to buy a premium Canon RF fisheye lens that delivers maximum creative payoff, long-term durability, and genuine professional results, the Canon RF 7-14mm f/2.8-3.5 L Fisheye STM is the smart investment, add it to your cart today and unlock perspectives your audience won’t forget.

Product Benefits:

• Create visuals no standard wide-angle can match with a true 190° field of view that instantly grabs attention and makes your content stand out in crowded feeds and commercial projects.
• Save time and money with two fisheye looks in one lens, switching from circular fisheye to full-frame diagonal fisheye without changing gear or missing shots.
• Shoot confidently in low light thanks to the bright f/2.8–3.5 aperture, giving you cleaner files for astrophotography, indoor sports, concerts, and immersive environments.
• Capture smoother, more professional video with STM autofocus that minimizes focus breathing and noise, ideal for hybrid shooters, VR creators, and cinematic wide-angle footage.
• Get closer than expected for dramatic impact, using the ultra-short 0.15m minimum focus to exaggerate depth and scale for bold, high-energy compositions.
• Maintain sharpness and contrast even in harsh lighting, powered by L-series optics, advanced coatings, and precision glass that reduce flare and ghosting.
• Rely on your gear in real-world conditions, with weather-sealed construction and a fluorine-coated front element that resists dust, moisture, and fingerprints.
• Stay balanced on gimbals and rigs thanks to internal zoom design that keeps the lens length consistent during operation.
• Control exposure easily without bulky accessories, using Canon’s rear drop-in filter system—perfect for ND and CPL use in video and outdoor shoots.
• Work faster and shoot smarter, with customizable controls and a lens function button that puts key settings exactly where your fingers expect them.
• Deliver immersive, high-impact content for clients, making this lens a powerful tool for commercial work, VR capture, sports, architecture, and creative storytelling.

Features:

Dual Fisheye Design Delivers Two Distinct Perspectives in One Professional Lens

The Canon RF 7-14mm f/2.8-3.5 L Fisheye STM stands out by combining two fisheye lenses into a single zoom, eliminating the need to carry separate circular and diagonal fisheye optics. At 7mm, it produces a true circular fisheye image with an expansive 190° angle of view, perfect for immersive, boundary-pushing visuals. As you zoom toward 14mm, the lens transitions into a full-frame diagonal fisheye, delivering a dramatic 180° field of view that fills the entire sensor. This dual functionality gives photographers and videographers unmatched creative flexibility, faster workflows, and fewer lens changes—especially valuable in fast-moving or professional environments.

Extreme 190° Ultra-Wide Coverage Creates Maximum Visual Impact

With up to 190 degrees of coverage, this lens captures scenes far beyond human vision, making it ideal for environments where scale, context, and immersion matter. This extreme field of view allows creators to fit entire spaces, large crowds, or expansive landscapes into a single frame while emphasizing depth and motion. For commercial work, social media, sports, or VR-style content, this capability helps images and videos immediately stand out, commanding attention and delivering a sense of presence that conventional wide-angle lenses simply cannot achieve.

Bright f/2.8–3.5 Aperture Enables Confident Low-Light Shooting

The fast variable aperture of f/2.8–3.5 provides a significant advantage in challenging lighting conditions. Whether shooting indoors, at night, or under artificial lighting, this brightness allows for faster shutter speeds, lower ISO values, and cleaner image quality. It’s especially valuable for astrophotography, indoor sports, concerts, and event coverage, where lighting conditions are unpredictable and moments can’t be repeated. Compared to slower fisheye alternatives, this lens gives creators greater creative and technical control.

Advanced L-Series Optical Construction Ensures Professional Image Quality

As part of Canon’s L-series, this lens is built for uncompromising optical performance. Its 16-element, 11-group design, combined with 5 Ultra-Low Dispersion (UD) elements and 2 aspherical elements, minimizes chromatic aberration, distortion artifacts, and edge softness—issues that are common in extreme wide-angle lenses. The result is consistent sharpness, strong contrast, and accurate color reproduction across the frame, even in high-contrast or backlit scenes. This level of optical precision makes the lens suitable for demanding professional and commercial applications.

Advanced Lens Coatings Reduce Flare and Maintain Contrast in Harsh Light

The lens incorporates Air Sphere Coating (ASC) and Super Spectra Coating, both designed to suppress flare and ghosting when shooting into bright light sources such as the sun, stadium lights, or reflections. These coatings help maintain clarity, color depth, and contrast, ensuring usable results in scenarios where extreme wide lenses often struggle. This makes the lens especially effective for outdoor work, architectural photography, and dramatic lighting setups.

STM Autofocus Provides Smooth, Quiet Performance for Video and Hybrid Shooters

The STM (Stepping Motor) autofocus system is optimized for smooth, controlled focus transitions with minimal noise. This is a major advantage for video creators, VR capture, and hybrid shooters, as it helps prevent distracting focus shifts and audible motor sounds during recording. Canon’s focus design also minimizes focus breathing, ensuring consistent framing when pulling focus—an essential requirement for professional-looking video footage.

Ultra-Close Minimum Focusing Distance Expands Creative Possibilities

With a minimum focusing distance of just 0.15 meters and a maximum magnification of 0.35x, this lens allows subjects to be placed extremely close to the front element while still capturing vast surroundings. This capability exaggerates perspective and scale, creating images with intense depth and visual energy. It’s particularly effective for action shots, creative portraits, environmental storytelling, and dynamic foreground emphasis that immediately draws the viewer in.

Internal Zoom Design Maintains Balance on Gimbals and Rigs

The internal zoom mechanism ensures that the lens does not change length while zooming, preserving balance when mounted on gimbals, stabilizers, drones, or video rigs. This design improves handling, reduces the need for rebalancing during shoots, and contributes to more stable footage—an important advantage for professional video production and mobile shooting setups.

Rear Drop-In Filter System Enables Professional Exposure Control

Due to its bulbous front element, the lens uses a rear drop-in filter system, with a clear filter included and optional variable ND and circular polarizer available. This system allows photographers and videographers to control exposure, reflections, and motion blur without bulky front filter holders. For video shooters in particular, this design simplifies workflows and enables precise exposure control in changing lighting conditions.

Weather-Sealed L-Series Construction Built for Real-World Use

Designed for professionals, the lens features dust- and moisture-resistant construction, making it reliable in challenging environments such as outdoor shoots, travel assignments, and unpredictable weather. A fluorine coating on the front element repels water, oil, and dirt, making the lens easier to clean and maintain during demanding shoots. This durability ensures long-term reliability and protects your investment over years of use.

Customizable Controls Improve Speed and Efficiency in the Field

The lens includes a customizable control ring and a dedicated lens function button, allowing users to assign frequently used settings such as aperture, ISO, or focus modes. These tactile controls reduce time spent navigating menus, enabling faster reactions and more intuitive operation—especially valuable in professional, time-sensitive shooting scenarios.

• Immersive Landscape Photography: Capturing massive environments, dramatic skies, and foreground-heavy scenes that feel larger than life.
• Architectural and Interior Photography: Showing entire spaces in a single frame, ideal for real estate, commercial properties, and creative structural visuals.
• Sports and Action Photography: Keeping fast-moving subjects in frame while amplifying speed, motion, and energy with ultra-wide coverage.
• Astrophotography and Night Sky Imaging: Capturing wide star fields, Milky Way shots, and celestial scenes with strong low-light performance.
• VR and 180° Content Creation: Producing immersive media, virtual tours, and compatible workflows using Canon’s EOS VR Utility.
• Professional Video Production: Creating cinematic wide-angle shots, dynamic establishing footage, and smooth gimbal-mounted movement scenes.
• Social Media and Content Creation: Producing eye-catching visuals that instantly stop scrolling and drive higher engagement.
• Event and Concert Photography: Capturing large crowds, stage environments, and atmospheric lighting in tight or fast-paced venues.
• Creative Portrait Photography: Delivering bold, unconventional perspectives that exaggerate scale and add artistic impact.
• Commercial and Advertising Work: Using unique perspective, visual distortion, and high image quality to help brands stand out.
• Documentary and Storytelling Projects: Benefiting from immersive framing and strong environmental context.
• Travel Photography and Filmmaking: Telling complete visual stories of locations, landmarks, and experiences in a single shot.

Pros

• 190° Ultra-Wide Field of View: Delivers dramatic, attention-grabbing images with extreme perspective.
• Dual Fisheye Capability: Combines circular and diagonal fisheye rendering in one lens for greater creative flexibility.
• Bright f/2.8–3.5 Aperture: Performs well in low-light environments such as night scenes, interiors, and events.
• L-Series Optical Quality: Ensures excellent sharpness, contrast, and effective flare control.
• STM Autofocus System: Provides smooth, quiet focusing ideal for video and hybrid shooting.
• Internal Zoom Design: Maintains consistent balance when used on gimbals and video rigs.
• Rear Drop-In Filter System: Enables ND and CPL use without front filter limitations.
• Weather-Sealed Construction: Supports reliable performance in harsh and unpredictable shooting conditions.
• Short Minimum Focusing Distance: Allows bold, exaggerated perspectives with close-up compositions.

Cons

• No Optical Image Stabilization: Relies on in-body stabilization from compatible cameras.
• No Front Filter Support: Bulbous front element prevents the use of standard front-mounted filters.
• Variable Maximum Aperture: May be limiting for users who prefer constant-aperture zoom lenses.
• Highly Specialized Fisheye Look: Not suitable for all shooting styles or everyday photography.
• Premium Price Point: Costs more than non–L-series fisheye alternatives.

• Product Name: Canon RF 7-14mm f/2.8-3.5 L Fisheye STM Lens
• Lens Mount: Canon RF
• Format Coverage: Full-Frame
• Lens Type: Fisheye Zoom (Circular at 7mm, Diagonal at 14mm)
• Focal Length: 7–14mm
• APS-C Equivalent Focal Length: Approx. 8.7–14mm
• APS-C Coverage Note: Diagonal fisheye from approx. 8.7–14mm with “C” mark indicating no vignetting
• Angle of View (Diagonal, Full Frame): 190° (7mm) to 180° (14mm)
• Angle of View (Horizontal): 190° – 149°45’
• Angle of View (Vertical): 190° – 99°50’
• Maximum Aperture: f/2.8 at 7mm to f/3.5 at 14mm
• Minimum Aperture: f/22 at 7mm to f/29 at 14mm
• Aperture Blades: 9
• Optical Construction: 16 elements in 11 groups
• Special Elements: 5 Ultra-Low Dispersion (UD) elements, 2 Aspherical elements
• Lens Coatings: Air Sphere Coating (ASC), Super Spectra Coating (SSC)
• Front Element Coating: Fluorine
• Projection Type: Equidistant (Circular Fisheye)
• Floating Focus System: None
• Minimum Focus Distance: 0.15 m / 5.9 in (from image sensor)
• Maximum Magnification: 0.35× (at 14mm, center)
• Autofocus System: STM (Stepping Motor)
• Focus Drive Type: Lead-screw type, direct drive
• Full-Time Manual Focus: Yes
• Focus Breathing: Approx. 0.4% (wide) / 1.5% (tele)
• Optical Image Stabilization: None
• IBIS Compatibility: Up to 7 stops (camera-dependent, center at 14mm)
• Zoom Design: Internal Zoom (constant length)
• Control Ring: Yes, click-stopped, 360° rotation, approx. 54 clicks per revolution
• Lens Function Button: Yes
• AF/MF Switch: Yes
• Zoom Limit Switch: Yes (limits zoom range for APS-C or locks at 7mm)
• Distance Scale: No (displayed electronically in camera)
• Distance Limiter: None
• Front Filter Support: None
• Rear Filter Type: Canon Drop-In Filter A system
• Included Filter: Drop-In Clear Filter A
• Optional Filters: Drop-In Variable ND Filter A, Drop-In Circular Polarizing Filter A
• Filter Requirement: Drop-in filter must be used at all times
• Weather Sealing: Dust- and moisture-resistant (L-Series)
• Lens Hood: EW-76 (included)
• Maximum Diameter: 76.5 mm
• Length: 109.4 mm
• Dimensions with Hood: Approx. 87.6 × 131.7 mm
• Weight: Approx. 476 g / 16.8 oz
• Extender Compatibility: Not compatible with RF extenders
• Extension Tube Compatibility: Not compatible
• Included Accessories: Lens Cap 7-14, Lens Dust Cap RF, Lens Hood EW-76, Drop-In Clear Filter A, Soft Lens Case LP1219
• Compatible Cameras: Canon EOS R-series and RF-mount Cinema EOS cameras

• Canon RF 7-14mm f/2.8-3.5 L Fisheye STM Lens
• Lens Cap 7-14
• Lens Dust Cap RF
• Lens Hood EW-76
• Drop-In Clear Filter A
• Soft Lens Case LP1219

Is the Canon RF 7-14mm f/2.8-3.5 L Fisheye STM compatible with full-frame Canon RF cameras?

Yes, this lens is designed for full-frame Canon RF-mount cameras and delivers both circular and diagonal fisheye images depending on the focal length.

Does this lens work on APS-C Canon RF cameras?

Yes, it can be used on APS-C RF cameras, where it provides diagonal fisheye coverage from approximately 8.7mm to 14mm, with a dedicated “C” mark to help avoid vignetting.

What type of fisheye images does this lens produce?

At 7mm, the lens creates a circular fisheye image with an ultra-wide 190° field of view, while at 14mm it produces a full-frame diagonal fisheye image with up to 180° coverage.

Is this lens suitable for video recording?

Yes, the STM autofocus system delivers smooth, quiet focusing with reduced focus breathing, making it well-suited for professional video, VR content, and gimbal-based shooting.

Does the lens have image stabilization?

The lens does not include optical image stabilization, but it is fully compatible with in-body image stabilization on supported Canon RF cameras, providing up to 7 stops of stabilization depending on the camera.

Can I use front filters with this lens?

No, due to the bulbous front element, front filters cannot be attached. Instead, the lens uses a rear drop-in filter system.

Are any filters included with the lens?

Yes, a Canon Drop-In Clear Filter A is included, and optional drop-in variable ND and circular polarizing filters are available separately.

How close can this lens focus?

The lens has a minimum focusing distance of just 0.15 meters (5.9 inches), allowing for dramatic close-up shots with exaggerated perspective.

Is the lens weather-sealed?

Yes, as part of Canon’s L-series, the lens features dust- and moisture-resistant construction for reliable performance in demanding environments.

Who is this lens best suited for?

This lens is ideal for photographers and videographers working in landscapes, architecture, sports, VR, astrophotography, events, and creative commercial projects that require extreme wide-angle perspectives.