FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL)

FUJIFILM GFX ETERNA 55 Cinema Camera with Large-Format Sensor and Dual G/PL Mounts

The FUJIFILM GFX ETERNA 55 Cinema Camera (FUJIFILM G, ARRI PL mount) is a groundbreaking large format film camera that redefines professional video production. It combines Fujifilm’s legendary color science with advanced digital cinema technology, delivering unmatched creative freedom for filmmakers. Built around a massive 43.8 x 33.9mm large format sensor with an effective 102MP resolution, the FUJIFILM GFX ETERNA 55 offers stunning image detail and depth. Its native 4:3 aspect ratio—1.75x larger than traditional Super 35—makes it a powerhouse for immersive storytelling, ideal for directors seeking the best cinema camera for large-scale productions.

The Fujifilm GFX ETERNA 55 cinema camera supports multiple video formats including Open Gate 3.8K up to 48 fps, cinema camera 6K, 5.8K anamorphic, and up to 8K cinema camera resolution at 30fps. Whether you're shooting in DCI 4K or Full HD 60p, this Fujifilm cinema camera ensures pristine footage quality. It offers internal Apple ProRes 422/HQ/LT, 10-bit H.265, and H.264 recording, as well as external 4:2:2 10-bit or 12-bit RAW via HDMI—ensuring a flexible and professional post-production workflow.

Designed with the needs of cameras for filmmaking in mind, it includes custom frame guides and a built-in variable electronic ND filter (ND 0.6–2.1) with stepless .015 adjustments. The new optical low-pass filter reduces moiré and color artifacts—making it especially valuable for virtual production and LED wall setups. Its PL mount camera design features both native FUJIFILM G-mount and an ARRI PL mount adapter that supports Cooke /i metadata, ensuring compatibility with professional cine lenses and giving creators the ultimate lensing flexibility.

The dual 3-inch side touchscreens and 5-inch 2000-nit external monitor provide excellent visibility and intuitive control on set. With support for hot-swappable NP-W235 batteries and DC input, this cinema camera offers uninterrupted shooting for demanding environments. Connectivity options such as Wi-Fi, Ethernet, Bluetooth LE, 12G-SDI, HDMI, Genlock, USB-C, and LEMO support remote workflows and integration with platforms like Frame.io.

Audio is equally professional, with TASCAM XLR adapter compatibility for high-quality, multi-channel sound. As one of the leading Fujifilm film simulation cameras, it features 20 iconic film looks—including FUJIFILM ETERNA, Classic Chrome, ACROS, and Velvia—plus custom 3D LUTs in F-Log2 C for advanced grading. If you're looking for a Fujifilm camera with film simulation that delivers both cinematic aesthetics and technical power, the GFX ETERNA 55 is unmatched.

Weighing just 2 kg (body only) and operating in temperatures from -10°C to 40°C, the camera is rugged, portable, and production-ready. Whether you’re shooting narrative films, high-end commercials, or documentaries, the FUJIFILM GFX ETERNA 55 stands out as the best cinema camera for those who demand exceptional visual quality, future-proof resolution, and legendary color science.

Features:

Advanced Large-Format Sensor with 102MP Resolution

At the heart of the Fujifilm GFX ETERNA 55 cinema camera lies a massive 43.8 x 33.9mm CMOS sensor with an effective 102MP resolution, offering one of the tallest sensors available in digital cinema. This large format sensor delivers an extraordinary field of view, superior depth-of-field control, and remarkable dynamic range—ideal for productions aiming for cinematic visuals that rival IMAX or film-quality capture. As a large format film camera, it's built to meet the demands of modern cameras for filmmaking.

Native 4:3 Aspect Ratio for Maximum Flexibility

Unlike traditional cinema cameras limited to 16:9 or 17:9, the Fujifilm GFX ETERNA 55 features a native 4:3 aspect ratio, opening up creative opportunities for anamorphic and immersive storytelling. With 1.75x the imaging area of Super 35, this Fujifilm cinema camera pushes boundaries in composition and visual narrative.

Multiple Video Formats and Resolutions, Including 8K

As a cutting-edge 8K cinema camera, the GFX ETERNA 55 supports a wide range of video formats: 8K at up to 30 fps, cinema camera 6K (6.3K at 24 fps), 5.8K anamorphic, 4K DCI/UHD, and Full HD up to 60 fps. Whether you're mastering in ultra-high resolution or working within Super 35 workflows, this best cinema camera adapts to any professional production requirement.

Professional Internal and External Recording Options

Internally, this cinema camera records in Apple ProRes 422/HQ/LT, 10-bit HEVC/H.265, and H.264. For advanced workflows, it outputs 12-bit RAW or 10-bit 4:2:2 via HDMI, making it ideal for cinematic grading and high-end post-production flexibility.

Customizable Frame Guides for On-Set Precision

Cinematographers can create and customize frame guides (1:1, 3:2, 4:3, 17:9, 2.39:1, and more) directly in the viewfinder. This supports accurate pre-visualization across delivery formats—critical for professional cameras for filmmaking.

Dual Mount System: FUJIFILM G-Mount and ARRI PL

This Fujifilm GFX ETERNA 55 cinema camera features both a native FUJIFILM G-mount and an ARRI PL mount adapter, providing compatibility with standard cine lenses and Cooke /i metadata support. It stands out among PL mount cameras, giving filmmakers unparalleled lensing flexibility between Fujifilm ETERNA power-zoom glass and professional PL-mount cinema optics.

Built-In Variable Electronic ND Filter

The integrated variable ND (0.6–2.1) filter offers stepless .015 adjustments, providing precise exposure control in a variety of lighting conditions. This is an essential feature in a Fujifilm cinema camera designed for versatility on set.

Optical Low-Pass Filter for Cleaner Visuals

A first for the GFX line, the optical low-pass filter (OLPF) minimizes moiré and color artifacts, especially helpful when filming against LED walls or complex textures—another reason this qualifies as one of the best cinema cameras for virtual and studio production environments.

Hot-Swappable Power Options

With support for NP-W235 internal batteries and external V-Mount systems, this Fujifilm GFX ETERNA 55 enables uninterrupted shooting. It’s built for real-world demands on film sets.

Professional Monitoring and Dual Operator Control

Equipped with dual 3-inch touchscreens and a 5-inch 2000-nit external monitor, this cinema camera ensures excellent visibility and control in any lighting condition, allowing directors and assistants to collaborate efficiently.

20 FUJIFILM Film Simulations and Custom 3D LUTs

As one of the top Fujifilm film simulation cameras, the GFX ETERNA 55 includes 20 iconic looks—like ETERNA/Cinema, Classic Chrome, ACROS, and Nostalgic Neg.—all achievable in-camera. It’s a standout Fujifilm camera with film simulation, perfect for productions wanting to emulate the look of classic film with modern digital control.

Seamless Connectivity and Remote Workflow Support

With connectivity options like Wi-Fi, Ethernet, HDMI, SDI, USB-C, Bluetooth, and more, this Fujifilm cinema camera integrates seamlessly with production workflows, including Frame.io and remote browser-based control for focus, zoom, and iris adjustments.

Expanded Audio with TASCAM XLR Compatibility

Supporting TASCAM’s XLR adapter, this camera delivers cinema-grade, multi-channel audio—a crucial feature for high-end film and commercial work.

Rugged, Lightweight, and Production-Ready Design

At just 2 kg (body only), the Fujifilm GFX ETERNA 55 is engineered for production mobility, with a durable build, multiple mounting points, and operational stability from -10°C to 40°C. It’s an ideal large format film camera for any professional filmmaker needing lightweight power and versatility.

• Feature Film Production – Leverage the 102MP large-format sensor and 8K recording capabilities to deliver cinematic visuals with unmatched detail, color depth, and dynamic range for high-budget films.
• High-End Commercials and Advertising – Capture striking, high-resolution imagery for luxury brands and broadcast ads where flawless detail and rich color rendition make products stand out.
• Documentary Filmmaking – Benefit from the hot-swappable power system, lightweight 2 kg body, and rugged design to shoot extended projects in challenging environments without interruptions.
• Streaming Series and Episodic Content – Utilize multiple aspect ratios (4:3, 16:9, 2.39:1 anamorphic) and in-camera film simulations to create a cinematic look that matches modern OTT platforms’ production standards.
• Virtual Production & LED Wall Shooting – Rely on the optical low-pass filter to minimize moiré and color anomalies when filming against LED backgrounds in virtual studios.
• Music Videos & Creative Short Films – Take advantage of custom frame guides, ProRes recording, and film simulations like ETERNA/Cinema or Classic Chrome to achieve bold, stylized storytelling.
• Broadcast & Live Productions – Seamlessly integrate with studio environments using SDI, HDMI, Ethernet, and genlock ports for multi-camera setups in television and event coverage.
• Game Cinematics and VFX Workflows – Record in ultra-high-resolution formats with 12-bit RAW output for precise color grading and seamless integration into CGI and post-production pipelines.
• Luxury Brand Visual Campaigns – Deliver ultra-clean imagery with accurate color reproduction, leveraging FUJIFILM’s film science to capture the elegance and texture required for premium fashion or automotive campaigns.
• Film Schools & Professional Training – Provide aspiring filmmakers with hands-on access to a large-format cinema camera that supports both FUJIFILM G lenses and industry-standard PL glass, ensuring professional-level education.

Pros

• Large-format 102MP sensor delivers exceptional detail, dynamic range, and cinematic depth.
• Native 4:3 aspect ratio provides flexibility for anamorphic and immersive formats.
• Supports 8K, 6.3K, 5.8K, 4K DCI/UHD, and Full HD for versatile production needs.
• Professional internal ProRes recording plus external 12-bit RAW output for advanced workflows.
• Dual mount system (FUJIFILM G + ARRI PL adapter) supports both photography and cine lenses.
• Built-in variable ND filter (2–7 stops) enables precise exposure control in any environment.
• Optical low-pass filter (OLPF) reduces moiré and color artifacts—ideal for LED wall shooting.
• 20 film simulations and custom 3D LUT support for instant cinematic looks and flexible post-production.
• Dual 3” touchscreens plus 2000-nit 5” monitor ensure accurate viewing in any lighting condition.
• Hot-swappable power system (NP-W235, V-Mount, DC input) ensures uninterrupted shooting.
• Extensive connectivity options: SDI, HDMI, Ethernet, USB-C, Genlock, Timecode, Wi-Fi, and Bluetooth.
• Rugged yet lightweight design (2 kg body) with multiple mounting points for professional rigging.

Cons

• No built-in image stabilization, which may require external gimbals or stabilizers.
• Rolling shutter instead of global shutter can introduce distortion in fast-moving shots.
• Requires high-capacity media (CFexpress Type B, SD) for large 8K and ProRes files.
• Battery life limited on NP-W235 alone; extended shooting often demands V-Mount solutions.
• No built-in XLR ports, requiring TASCAM adapter for professional audio workflows.
• High-end features and premium price point place it beyond entry-level filmmakers’ budgets.
• Larger body size compared to compact cinema cameras, may require heavier rigs.
• Limited to 14 stops dynamic range, which is strong but less than some competitors’ cinema cameras.
• Designed primarily for cinema workflows, so may be overkill for casual or small-scale productions.

• Model Name: FUJIFILM GFX ETERNA 55
• Lens Mount: FUJIFILM G mount
• Image Sensor: 43.8mm × 32.9mm GFX 102MP CMOS II HS with primary color filter
• Number Of Pixels: 102 million pixels
• ND Filter: Electronic Variable ND Filter, 0.6 (ND4) ～ 2.1 (ND128)
• Sensor Cleaning System: Ultra Sonic Vibration
• Image Processing Engine: X-Processor 5
• Storage Media:
  • SD Card (up to 2GB)
  • SDHC Card (up to 32GB)
  • SDXC Card (up to 2TB)
  • UHS-I / UHS-II / Video Speed Class V90
  • CFexpress Type B Card (up to 2TB)
  • SSD (up to 2TB)
  • *See Fujifilm compatibility list for details.
• Sensitivity (Movie):
  • Standard Output: AUTO, ISO400～12800 (1/3 step)
  • Extended Output: ISO100～ISO320 (1/3 step), ISO25600
• Exposure Control: TTL 256-zone metering (Multi, Spot, Average, Center Weighted)
• Exposure Compensation: -2.0EV~+2.0EV (1/4EV step, Movie)
• Dynamic Range: 14+ Stop (F-Log2 / F-Log2 C)
• Shutter Speed / Shutter Angle: 1/8 sec ~ 1/8000 sec, 5.6° ~ 360°
• Focus Mode: Continuous AF / MF
• Focus Type: Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
• Low-light Performance:
  • Contrast: 1EV (GF32-90mmT3.5 attached)
  • Phase Detection: -2EV (GF32-90mmT3.5 attached)
• AF Frame Selection: Single Point AF (13×9 / 25×17, adjustable frame size)
• Wide/Tracking AF: MULTI / TRACKING / AREA
• Face/Eye Detection: Yes
• Subject Detection: FACE / Animal / Bird / Automobile / Motorcycle & Bike / Airplane / Train
• Side Monitor: 3.0 inch Touch Screen Color LCD Monitor
• Aspect Ratio: 3:2
• Dots: Approx. 1.04 million dots
• Movie Recording File Format: MOV (Apple ProRes 422 HQ / 422 / 422 LT / HEVC H.265 with Linear PCM Stereo 24bit/48kHz)
• Movie Compression: All Intra / Long GOP
• Supported Resolutions and Frame Rates: 8K, 6.3K, 5.8K, 5.4K, 4.8K, 4.6K, 4K, Full HD with frame rates from 23.98p to 59.94p depending on format and bitrate (720Mbps / 360Mbps / 200Mbps / 100Mbps / 50Mbps)
• Film Simulation Modes: 20 Modes – PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA Bleach Bypass, ACROS (Ye/R/G), Black & White (Ye/R/G), and Sepia
• White Balance: Auto (White Priority / Ambience Priority), Custom, Color Temperature Selection (2000K~11000K, CC -16.00~+16.00)
• Wireless Transmitter: IEEE802.11a/b/g/n/ac (WPA2, WPA3; Infrastructure Mode)
• Bluetooth: Bluetooth Ver. 4.2 (Low Energy)
• Operating Frequency: 2402〜2480MHz
• Terminals:
  • USB Type-C® Digital Interface
  • HDMI Output (Type A)
  • LAN Terminal (1000BASE-T / 100BASE-TX / 10BASE-T)
  • 3.5mm Stereo Mini Connector (Microphone)
  • 3.5mm Stereo Mini Connector (Headphone)
  • 2.5mm Connector (Remote Release)
  • TC IN/OUT, GenLock, 12G SDI OUT (max 4K59.94p)
  • LENS Connector (12-pin, Power 14V-0.5A)
  • V-Mount Battery Attachment Terminal
  • Handle Connection Terminal
  • DC OUT 12V Connector (2-pin LEMO: 12V 3A)
  • LCD Monitor Cable Connector
  • DC IN Connector (4-pin for AC-15VS)
• Power Supply:
  • NP-W235 Li-ion Battery (included)
  • AC-15VS AC Power Adapter (included)
  • V-Mount Battery Supported
• Dimensions: 110.8mm (W) × 138.2mm (H) × 176.8mm (D)
• Weight (Excluding Battery & Memory Card): Approx. 2.0 kg
• Operating Environment:
  • Operating Temperature: -10℃ ～ +40℃
  • Operating Humidity: 10% – 80% (no condensation)
• Power Consumption:
  • Standard Power: 21W (4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1)
  • Maximum Power: 49W (4K 16:9, 59.94P, ProRes HQ, cooling fan High, including accessories)

• FUJIFILM GFX ETERNA 55 Cinema Camera Body
• ARRI PL-Mount Adapter
• External 5" Touchscreen LCD Monitor
• Dual Fixed 3" Touchscreen Displays (Built-In)
• NP-W235 Rechargeable Battery
• Battery Charger / Power Adapter
• Camera Handle with Cold Shoe
• Accessory Mounting Threads
• USB-C Cable
• Ethernet Cable
• Protective Body Cap
• Shoulder Strap
• User Manual and Documentation

What is the resolution capability of the FUJIFILM GFX ETERNA 55 Cinema Camera?

The FUJIFILM GFX ETERNA 55 offers internal recording up to 8K (8192 x 4320) at 24 fps and supports multiple formats, including 6.3K, 5.8K anamorphic, 4K DCI/UHD, and Full HD up to 60 fps, making it versatile for high-end production needs.

Does the GFX ETERNA 55 support both FUJIFILM and PL mount lenses?

Yes, the camera features a native FUJIFILM G-mount that supports FUJIFILM G lenses, including autofocus power-zoom models, and includes an ARRI PL-mount adapter for compatibility with professional cine-style lenses and Cooke /i metadata support.

What recording codecs are available in this camera?

The GFX ETERNA 55 supports Apple ProRes 422/HQ/LT, 10-bit H.265/HEVC, H.264, and ProRes proxy formats. External 12-bit RAW and 10-bit 4:2:2 uncompressed output are available via HDMI for advanced workflows.

Does the camera have built-in ND filtering?

Yes, it includes a variable electronic ND filter ranging from ND 0.6 to ND 2.1, offering two to seven stops of light control in stepless .015 increments, perfect for outdoor shoots and shallow depth-of-field effects.

Can I use the camera for virtual production or LED wall shoots?

Absolutely. The GFX ETERNA 55 includes a newly designed optical low-pass filter (OLPF) that minimizes moiré and color artifacts, making it ideal for shooting against LED backdrops or high-frequency light sources.

What monitoring options does the camera provide?

The camera features dual 3-inch touchscreens with 700 cd/m² brightness for operator and assistant use, plus an external 5-inch touchscreen LCD with 2000 cd/m² brightness for daylight visibility and accurate monitoring.

How is the camera powered during long shoots?

The GFX ETERNA 55 uses NP-W235 internal batteries with support for hot-swapping via V-Mount or DC power inputs, ensuring uninterrupted shooting during extended production schedules.

What connectivity options are included?

The camera offers extensive connectivity, including HDMI, SDI, USB-C, Ethernet, genlock, timecode, LEMO power, and wireless options (Wi-Fi and Bluetooth LE), plus Frame.io and remote browser-based camera control.

What film simulations are available in the GFX ETERNA 55?

Users can choose from 20 FUJIFILM film simulations such as ETERNA/Cinema, Velvia, Nostalgic Neg., Classic Chrome, and ACROS. Additionally, custom 3D LUTs can be created in F-Log2 C for post-production flexibility.

Is the camera suitable for harsh environments?

Yes, with a rugged build and operating tolerance from -10°C to 40°C (14°F to 104°F) at 10–80% humidity, the GFX ETERNA 55 is designed to perform reliably across demanding shooting conditions worldwide.