Meike Cinema 65mm T2.2 S35 Lens (RF Mount)

Meike 65mm T2.2 S35 RF Mount Cinema Lens for Super35 Sensors

The Meike Cinema 65mm T2.2 S35 Lens (RF Mount) is an exceptional tool crafted for filmmakers who demand precision, artistry, and performance in a compact yet robust cine lens. Engineered specifically for Super35 and APS-C sensors, this 65mm prime lens delivers a versatile field of view ideal for medium-close portraits, narrative filmmaking, interviews, and commercial work, where a natural perspective and pleasing background compression are critical. With its impressive T2.2 maximum aperture, cinematographers can shoot in low light while maintaining a shallow depth of field and captivating bokeh, thanks to its 10-blade iris. This aperture design produces silky-smooth defocused backgrounds and creamy highlight roll-off that enhances subject isolation without harsh edges. The manual focus and aperture rings feature industry-standard 0.8 MOD cine gears, allowing precise, tactile control and seamless integration with professional follow focus systems.

What truly sets the Meike 65mm apart from other cinema lenses in its class is the attention to detail in its construction and imaging performance. The lens boasts an optical formula of 10 elements in 7 groups, delivering edge-to-edge sharpness, high contrast, and minimal chromatic aberration. A key advantage is its 30.5mm image circle, designed to perfectly cover Super35 sensors while maintaining clarity and consistency across the frame. The optical design also minimizes focus breathing, ensuring that your framing remains stable during focus pulls—a critical feature for narrative storytelling and professional productions. Whether you're panning across a subject or performing a rack focus between characters, the Meike 65mm maintains image integrity without the distracting shift in angle of view.

Durability is a cornerstone of the lens’s design, with an all-metal housing that not only feels solid in the hand but is built to endure the demands of rigorous production environments. The lens incorporates a 77mm front filter thread and a standardized 80mm front diameter, which facilitates easy use with matte boxes and lens accessories. Weighing just 748g (approx. 1.65 lbs), it strikes an ideal balance between heft and portability—perfect for handheld gimbal setups or studio rigs. The 270° focus rotation provides incredible precision for pulling focus, giving operators the confidence to hit marks effortlessly and smoothly. Additionally, the dual focus scales marked in both feet and meters make it accessible for both imperial and metric users, enhancing on-set efficiency.

Mounting via Canon’s RF mount, this lens is fully compatible with RF-mount cinema cameras like the Canon C70 and RED KOMODO, and can also be used on Canon’s R-series mirrorless bodies such as the EOS R5, R6, R7, and R10 (in APS-C crop mode), making it an incredibly adaptable addition to any filmmaker’s arsenal. Its multi-layer optical coating effectively suppresses flares and ghosting, allowing DPs to confidently shoot in challenging lighting situations without compromising on image quality. This feature is especially valuable for high-dynamic-range scenes and creative lens flare applications. Whether you're lighting a moody indie film or a glossy branded content piece, the Meike 65mm offers the visual performance needed to meet the artistic vision.

Designed to match the other lenses in the Meike Mini Prime series—including 25mm, 35mm, 50mm, and 85mm—all with T2.2 apertures and uniform physical dimensions, this lens ensures that lens swaps during production are fast and seamless. That means no rebalancing rigs, no repositioning accessories, and minimal downtime—a critical advantage in fast-paced shooting environments. The consistent front diameter and gear position across the set reduce friction in multi-lens workflows, allowing camera operators and assistants to work with greater speed and confidence.

In a crowded market of cinema primes, the Meike 65mm T2.2 S35 RF Mount Lens stands out as a top-tier yet budget-conscious choice. It combines premium image quality, intuitive handling, and rugged reliability—at a price point that’s remarkably accessible for independent filmmakers, content creators, and professional cinematographers alike. Whether you're just building your first cine rig or expanding your lens collection with a reliable mid-telephoto option, this lens delivers beyond expectations. With its professional-grade features, refined optical performance, and unmatched value, the Meike 65mm T2.2 earns its place as a must-have in any serious filmmaker’s kit.

Features:

Super35/APS-C Sensor Coverage with 30.5mm Image Circle

The Meike 65mm T2.2 is optimized for Super35 and APS-C format sensors, making it ideal for cinema cameras that use this widely adopted standard. Its 30.5mm image circle ensures complete coverage without vignetting, delivering consistent image quality from center to edge. This makes it a versatile choice for independent filmmakers, commercial content creators, and production studios that rely on Super35 formats for their storytelling.

Professional T2.2 Aperture for Low-Light Performance and Depth Control

With a fast T2.2 maximum aperture, the lens provides outstanding low-light capabilities, enabling cinematographers to shoot in challenging lighting environments without sacrificing image quality. The wide aperture also allows for excellent depth-of-field control, producing shallow focus effects that isolate subjects beautifully. This flexibility gives filmmakers the creative control to craft atmospheric, cinematic shots with smooth background blur.

10-Blade Iris for Cinematic Bokeh and Smooth Highlight Roll-Off

Equipped with a 10-blade iris, the lens generates soft, rounded bokeh that enhances subject-background separation. This is especially beneficial for portrait-style framing or character-driven scenes where visual emotion is paramount. The circular aperture design also contributes to more natural highlight transitions, producing pleasing out-of-focus areas without harsh or geometric patterns, ideal for creating a signature cinematic aesthetic.

All-Metal Construction for Rigorous Production Use

The robust all-metal housing ensures that the Meike 65mm can withstand the physical demands of professional filmmaking. Whether mounted on shoulder rigs, gimbals, or tripods, the lens maintains its integrity and alignment through extended use in the field. This build quality provides confidence to DPs and operators working in fast-paced or rugged environments, knowing their lens can handle the rigors of set life.

270° Focus Rotation for Precise Manual Focus Control

The extended 270-degree focus throw provides filmmakers with exceptional precision when dialing in critical focus. This is particularly advantageous for narrative cinematography, where hitting focus marks consistently is crucial. The long rotation allows for finer control, making it easier for focus pullers to perform smooth and accurate focus transitions, even in complex rack-focus sequences.

Minimal Focus Breathing for Consistent Framing

Focus breathing, a common optical flaw that causes image framing to shift during focus pulls, is effectively minimized in this lens. The Meike 65mm maintains compositional stability throughout the focusing range, ensuring that creative choices regarding framing, movement, and blocking remain unaffected during changes in focus. This performance characteristic is critical for maintaining visual continuity, especially in professional storytelling.

Multi-Layer Coating to Control Flare and Maintain Contrast

The lens features a high-quality multi-layer optical coating that minimizes internal reflections, flare, and ghosting. This helps maintain strong contrast and accurate color reproduction even when shooting against strong light sources. Filmmakers working with practical lights, sunsets, or intentionally flared compositions will benefit from this optical clarity without unwanted visual distractions.

Industry-Standard 0.8 MOD Cine Gearing for Seamless Rig Integration

Both the focus and aperture rings are geared with industry-standard 0.8 MOD teeth, making them compatible with all professional follow focus systems. This allows for smooth mechanical operation and integration into advanced cine rigs. It also enables precise motorized control for remote focus setups, making the lens suitable for both studio and field production environments.

Dual Scale Markings in Feet and Meters for On-Set Flexibility

The Meike 65mm T2.2 features focus scale markings on both sides of the lens in both feet and meters, accommodating users from different regions or crews with varied measurement preferences. This detail improves usability on set by offering visibility and flexibility for camera assistants and operators, especially during fast-paced shooting schedules or multi-unit productions.

Consistent Physical Design Across Meike Mini Prime Series

The lens maintains uniform physical dimensions—such as an 80mm front diameter and 77mm filter thread—with other focal lengths in the Meike Mini Prime lineup. This consistency greatly reduces setup time when switching lenses, as accessories like matte boxes, filters, and lens support systems don’t require repositioning. For teams using multiple primes, this design coherence boosts efficiency and workflow fluidity on set.

RF Mount Compatibility with Canon and RED Cameras

Featuring a native RF mount, the lens is fully compatible with Canon cinema and mirrorless cameras like the EOS C70, R5, R6, R7, R10, and even the RED KOMODO. When used with Canon’s mirrorless R-series in crop mode, it operates seamlessly with APS-C/Super35 image capture. This makes it a future-ready lens for filmmakers working with modern RF-mount systems.

Compact and Lightweight for Gimbal and Handheld Use

Weighing approximately 748 grams (1.65 lbs), the lens is light enough for handheld shooting and gimbal work without sacrificing durability. This balance of weight and build makes it a practical choice for run-and-gun filmmakers, documentary shooters, or drone operators seeking high optical quality in a compact form factor.

• Super35/APS-C Image Coverage
• Aperture Range: T2.2 to T22
• Focus Scales Marked on Feet and Meters
• Cine Standard Focus and Iris Rings
• Canon RF Lens Mount

• Focal Length: 65mm
• Maximum Aperture: T2.2
• Minimum Aperture: T22
• Lens Format Coverage: Super35/APS-C
• Image Circle: 30.5mm
• Lens Mount: Canon RF
• Optical Design: 10 elements in 7 groups
• Iris Blades: 10
• Minimum Focus Distance: 9.8 inches (24.9 cm)
• Focus Rotation: 270°
• Focus Type: Manual
• Iris Control: Manual
• Gear Pitch: 0.8 MOD (focus and aperture)
• Focus Scale: Marked in feet and meters (on both sides)
• Front Diameter: 80mm
• Filter Thread Size: 77mm
• Construction: Full metal housing
• Lens Coating: Multi-layer coating
• Weight: Approximately 1.65 lbs (748g)
• Compatibility: Canon C70, RED KOMODO, Canon EOS R series (R5, R6, R7, R10, RP in APS-C mode)

• Meike 65mm T2.2 S35 Cinema Lens (RF Mount)
• Front Lens Cap
• Rear Lens Cap
• Lens Pouch
• Lens Cleaning Cloth
• Limited 1-Year Manufacturer Warranty

Is the Meike 65mm T2.2 lens compatible with full-frame cameras?

No, this lens is designed specifically for Super35 and APS-C sensors. While it can physically mount to full-frame RF cameras, it will cause vignetting unless the camera is set to crop mode.

Can this lens be used with autofocus systems?

No, the Meike 65mm T2.2 is a fully manual lens. Both focus and aperture adjustments must be performed manually, which provides better precision for professional video work.

What types of cameras are compatible with the RF mount version?

This lens is compatible with Canon RF-mount cinema and mirrorless cameras such as the Canon C70, RED KOMODO, and Canon EOS R-series (e.g., R5, R6, R7, R10, RP) when used in APS-C crop mode.

Does the lens support standard follow focus systems?

Yes, the lens features industry-standard 0.8 MOD cine gears on both the focus and iris rings, making it fully compatible with all professional follow focus systems.

Is this lens suitable for gimbal or handheld shooting?

Yes, the compact size and lightweight construction (approximately 748g) make it a practical option for handheld or gimbal use, especially for mobile or run-and-gun filmmaking setups.

How is the build quality of the lens?

The Meike 65mm T2.2 lens features a robust all-metal housing that provides long-lasting durability and professional handling, even in challenging shooting environments.

Does the lens produce focus breathing?

The lens is engineered to minimize focus breathing, ensuring that the frame remains stable during focus pulls, which is crucial for cinematic storytelling.

Are the focus markings available in both metric and imperial units?

Yes, the lens has dual focus scales marked in both feet and meters, located on both sides for easier visibility and operation on set.

Can I use screw-on filters with this lens?

Yes, the lens features a 77mm front filter thread, allowing the use of ND filters, diffusion filters, and other accessories without the need for a matte box.

Is this lens part of a matched set?

Yes, the Meike 65mm T2.2 is part of the Meike Mini Prime series, which includes other focal lengths like 25mm, 35mm, 50mm, and 85mm. All share similar physical dimensions and T2.2 aperture, making them ideal for multi-lens workflows.