



Key Features
- 24–35mm full-frame cine zoom range
- Constant T2.2 maximum aperture
- 6K and 8K sensor coverage
- 18-element, 13-group optical construction
- 9-blade rounded diaphragm
- Precision manual focus with long rotation throw
- Standard 0.8 MOD cine gears
- 95mm front diameter
- 82mm filter thread
- All-metal, dust- and splash-resistant body
Sigma
Sigma 24-35mm T2.2 FF Zoom Lens
Sigma 24-35mm T2.2 FF Zoom Lens
Canon EF
9420 E DoubleTree Ranch Rd #107
9420 E DoubleTree Ranch Rd #107
Scottsdale AZ 85258
United States
Key Features
- 24–35mm full-frame cine zoom range
- Constant T2.2 maximum aperture
- 6K and 8K sensor coverage
- 18-element, 13-group optical construction
- 9-blade rounded diaphragm
- Precision manual focus with long rotation throw
- Standard 0.8 MOD cine gears
- 95mm front diameter
- 82mm filter thread
- All-metal, dust- and splash-resistant body
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Sigma 24–35mm T2.2 FF Zoom Lens – Full-Frame Cine Zoom with Constant T2.2 Aperture, 6K/8K Coverage, and Precision Manual Control
The moment everything snaps into cinematic focus. The Sigma 24–35mm T2.2 FF Zoom Lens is a professional full-frame cinema zoom built for filmmakers, production houses, and commercial shooters who want uncompromising optical performance, mechanical precision, and true cinematic consistency in one rugged, production-ready lens. Covering a versatile 24–35mm focal range with a constant T2.2 aperture, this lens delivers consistent exposure across the entire zoom range, making it ideal for narrative filmmaking, commercials, documentaries, interviews, and high-end video production where lighting continuity matters.
Designed with a 43.3mm image circle, it fully covers full-frame sensors and is optimized for 6K and 8K capture, ensuring razor-sharp detail, excellent contrast, and controlled aberrations even on the most demanding modern cinema cameras. The advanced optical construction—18 elements in 13 groups, including FLD, SLD, and aspherical elements—minimizes distortion, chromatic aberration, and focus breathing while delivering a clean, cinematic look with natural color reproduction and smooth tonal transitions. A 9-blade rounded diaphragm creates beautifully soft, organic bokeh, helping subjects separate naturally from the background for a premium cinematic aesthetic. Built specifically for professional workflows, the Sigma 24–35mm T2.2 features fully manual cinema controls with 0.8 MOD gears on focus, zoom, and iris, a 180° focus rotation, 160° zoom rotation, and 60° clickless iris rotation, allowing precise, repeatable control with follow-focus systems and motorized rigs.
The minimum focus distance of just 0.28m (11 inches) enables dynamic close-ups and creative framing without sacrificing sharpness. Housed in a 100% metal, dust- and splash-resistant body, this lens is engineered for reliability on set, whether shooting in studios or challenging outdoor environments. The 95mm front diameter, 82mm filter thread, and included lens support foot make it easy to integrate into professional matte box and rigging setups, while luminous or fully luminous markings ensure visibility in low-light conditions. Available in Canon EF and Sony E mounts with electronic communication support, this cine zoom offers flexibility across multiple camera systems and long-term production pipelines.
For filmmakers looking to buy a professional cinema zoom lens that combines full-frame coverage, fast constant aperture performance, robust build quality, and precise cine mechanics, all at exceptional value the Sigma 24–35mm T2.2 FF Zoom stands out as a smart, future-proof investment that elevates production quality without compromise. Buy the Sigma 24–35mm T2.2 FF Zoom Lens today and take full creative control of your cinematic vision.
Product Benefits:
- Shoot with total exposure confidence thanks to a constant T2.2 aperture that keeps brightness consistent while zooming—no retakes, no lighting surprises.
- Deliver true cinema-grade visuals with full-frame coverage and 6K/8K-ready optics that preserve fine detail, contrast, and color for premium productions.
- Gain absolute creative control through long, smooth focus, zoom, and iris rotations designed for precision pulling and repeatable marks on set.
- Create richer subject separation with a 9-blade rounded diaphragm that produces natural, filmic bokeh clients expect from high-end cinema glass.
- Work faster on set using industry-standard 0.8 MOD gears that integrate seamlessly with follow-focus systems, motors, and cine rigs.
- Frame tighter and more creatively with a close 0.28m minimum focus distance that enables impactful close-ups without changing lenses.
- Trust your lens in demanding environments thanks to a rugged all-metal, dust- and splash-resistant body built for real production conditions.
- Reduce rig changes and downtime with a consistent 95mm front diameter that fits standard matte boxes across your lens lineup.
- Maintain professional reliability long-term with a mechanically robust cine design made for years of heavy commercial use.
- Future-proof your investment with full-frame coverage and modern sensor compatibility that supports current and next-generation cameras.
- Operate confidently in low light using luminous or fully luminous markings that stay readable during night shoots and dark sets.
- Protect your camera mount and rig with the included lens support foot that distributes weight and improves balance on professional builds.
Features:
Constant T2.2 Aperture Across the Entire Zoom Range
The Sigma 24–35mm T2.2 FF Zoom Lens delivers a true constant T2.2 aperture, ensuring exposure remains perfectly consistent while zooming. This is critical for professional cinematography where lighting continuity saves time, avoids reshoots, and preserves creative intent. Whether shooting controlled studio scenes or fast-paced documentary footage, filmmakers can zoom confidently without compensating for light loss, maintaining consistent brightness, depth of field, and visual tone throughout the shot.
Full-Frame Coverage with 6K and 8K Optical Performance
Engineered with a 43.3mm image circle, this lens fully covers full-frame sensors and is optimized for high-resolution 6K and 8K capture. This ensures sharp edge-to-edge clarity, excellent contrast, and clean detail even on today’s most demanding cinema cameras. For productions delivering theatrical releases, streaming content, or future-proof master files, this level of optical performance protects image quality today and long into the future.
Cinema-Grade Optical Construction for Superior Image Integrity
The advanced optical design—18 elements in 13 groups, including FLD, SLD, and aspherical elements—minimizes distortion, chromatic aberration, and focus breathing. The result is a clean, controlled cinematic image with accurate color reproduction and smooth tonal transitions. This optical precision allows footage to hold up under heavy color grading, visual effects workflows, and professional post-production pipelines.
Smooth, Natural Bokeh with a 9-Blade Rounded Diaphragm
A 9-blade rounded diaphragm creates smooth, organic bokeh and pleasing out-of-focus highlights, helping subjects separate naturally from the background. This gives images a refined, cinematic look that enhances storytelling and elevates production value—especially important for interviews, narrative scenes, and commercial work where visual polish matters.
Precision Manual Focus for Professional Focus Pulling
Designed exclusively for cinema workflows, the lens features a 180° focus rotation, providing exceptional precision and control for accurate focus pulls. This long throw allows focus pullers to make subtle adjustments with confidence, reducing missed focus and ensuring repeatable marks during complex shots. It’s a critical advantage for narrative filmmaking, multi-take scenes, and professional crews.
Industry-Standard Cine Gearing for Seamless Rig Integration
All control rings—focus, zoom, and iris—use standard 0.8 MOD gears, ensuring instant compatibility with follow-focus systems, motors, and professional cine rigs. This eliminates setup delays, simplifies lens swaps, and keeps productions moving efficiently. The smooth, dampened gearing also reduces mechanical noise, supporting clean on-set audio capture.
Versatile 24–35mm Zoom Range for Real-World Cinematic Coverage
Covering a highly usable 24–35mm focal range, this lens handles wide establishing shots, medium framing, and dynamic movement without changing lenses. It allows filmmakers to work faster, stay immersed in the scene, and adapt quickly on set—especially valuable during live events, documentaries, and fast-paced commercial shoots.
Close Focusing Capability for Creative Flexibility
With a minimum focus distance of just 0.28 meters (11 inches), the Sigma 24–35mm T2.2 enables dramatic close-ups and detail shots without compromising sharpness. This flexibility allows directors and cinematographers to push visual storytelling further while reducing lens changes and maintaining production momentum.
Rugged All-Metal, Weather-Sealed Construction
Built with a 100% metal body and dust- and splash-resistant sealing, this lens is engineered for real production environments. Whether shooting on location, outdoors, or in challenging conditions, it delivers consistent reliability and durability. This build quality inspires confidence on set and ensures long-term performance for professionals who depend on their gear daily.
Standardized 95mm Front Diameter for Faster Setups
The 95mm front diameter is a cinema industry standard, allowing seamless use with matte boxes, filters, and accessories without reconfiguration. This reduces downtime between setups and supports efficient, professional workflows especially on multi-camera or multi-lens productions.
Professional Lens Support Foot for Better Rig Balance
An included lens support foot helps distribute weight evenly across rigs, reducing stress on the camera mount and improving balance. This is especially important for long shooting days, heavy rigs, and motorized setups, protecting both the lens and camera body while enhancing operational stability.
Luminous Markings for Low-Light Production Environments
Available with luminous or fully luminous markings, the lens remains readable in dark studios and night shoots. This practical feature improves efficiency, reduces errors, and allows crews to work confidently in low-light conditions without interrupting the shoot.
Mount Flexibility with Electronic Communication Support
Available in Canon EF and Sony E mounts, the Sigma 24–35mm T2.2 FF Zoom offers broad compatibility with modern cinema and mirrorless camera systems. Electronic communication ensures accurate metadata transmission, supporting streamlined post-production workflows and long-term system flexibility.
- Narrative Filmmaking: Ideal for feature films, short films, and scripted content where constant T2.2 exposure, precise focus control, and cinematic rendering are essential for storytelling consistency.
- Commercial Video Production: Perfect for brand campaigns, product commercials, and high-end advertising that demand sharp 6K/8K-ready visuals, clean color reproduction, and controlled depth of field.
- Documentary Filmmaking: Enables fast, flexible shooting with a practical 24–35mm range, close focusing, and durable build quality suited for unpredictable environments and long shooting days.
- Broadcast and Television Production: Supports professional broadcast workflows with reliable manual control, standardized cine gearing, and metadata communication for efficient post-production.
- Interview and Corporate Video Shoots: Delivers natural subject separation, flattering bokeh, and consistent exposure, making it ideal for sit-down interviews, executive messaging, and internal communications.
- Music Videos: Allows creative framing, smooth zooms, and cinematic focus transitions that enhance visual rhythm and artistic expression.
- Streaming and Digital Content Creation: Designed for high-resolution platforms where sharpness, contrast, and professional image quality directly impact viewer engagement.
- Event and Live Production Filming: Provides flexibility to reframe quickly without changing lenses, maintaining exposure consistency during dynamic shooting conditions.
- Film School and Professional Training: A strong choice for education environments that require true cinema mechanics, full-frame coverage, and reliable durability for repeated use.
- Rental House Inventory: Well-suited for rental fleets due to its robust metal construction, standardized cine dimensions, and broad compatibility with popular camera systems.
- Studio Production: Performs consistently under controlled lighting with precise manual operation, making it ideal for repeatable setups and multi-camera workflows.
- Cinematic B-Roll Capture: Excellent for capturing high-quality detail shots, environmental footage, and creative transitions that elevate production value.
Pros
- Constant T2.2 Aperture: Provides consistent exposure and depth of field across the entire zoom range.
- Full-Frame 6K/8K Coverage: Ensures future-proof image quality for modern high-resolution cinema cameras.
- Cinema-Grade Optical Design: Delivers sharpness, controlled aberrations, and accurate color reproduction.
- Precision Manual Focus: Long-throw focus rotation supports professional focus pulling.
- Standard Cine Gearing: 0.8 MOD gears integrate seamlessly with follow-focus systems and cine rigs.
- Rugged All-Metal Construction: Built with dust- and splash-resistant sealing for demanding production environments.
- Standard 95mm Front Diameter: Simplifies matte box and filter compatibility.
- Close Minimum Focus Distance: Enables creative close-up shots without changing lenses.
- Luminous Markings: Improves usability in low-light shooting conditions.
- Included Lens Support Foot: Enhances balance and reduces strain on the camera mount.
Cons
- Manual Focus Only: No autofocus support for run-and-gun shooting.
- No Image Stabilization: Requires proper rigging for handheld use.
- Limited Zoom Range: Shorter range compared to longer cine zoom lenses.
- Heavier Build: Weight requires professional support systems for extended use.
- Higher Price Point: More expensive than photo lenses due to cinema-grade construction.
- Product Name: Sigma 24–35mm T2.2 FF Zoom Lens
- Lens Type: Professional cinema zoom lens
- Series: Sigma FF Zoom Line (Cinema Series)
- Focal Length: 24–35mm
- Maximum Aperture: T2.2 (constant across entire zoom range)
- Minimum Aperture: T16
- Aperture Blades: 9-blade rounded diaphragm
- Lens Construction: 18 elements in 13 groups
- Special Elements: FLD glass, SLD glass, aspherical elements
- Image Circle: 43.3mm (full-frame coverage)
- Supported Resolution: Optimized for 6K and 8K capture
- Angle of View (Full Frame): 73.7° (24mm) to 54.4° (35mm)
- Angle of View (Super 35): 54.3° to 38.7°
- Angle of View (APS-C): 52.6° to 37.4°
- Minimum Focus Distance: 0.28 m / 11 in (from image plane)
- Maximum Magnification Ratio: Approx. 1:4.4
- Focus Type: Manual focus only
- Focus Rotation: 180°
- Zoom Rotation: 160°
- Iris Rotation: 60°
- Gear Standard: 0.8 MOD (focus, zoom, iris)
- Aperture Control: Clickless manual iris
- Front Diameter: 95mm
- Filter Thread: 82mm
- Lens Mounts Available: Canon EF, Sony E
- Electronic Communication: Yes (lens-to-camera data transfer)
- Image Stabilization: No
- Mount Conversion: EF ↔ Sony E (via authorized Sigma service)
- Lens Support: Included support foot with 1/4"-20 mount
- Build Material: All-metal construction
- Weather Protection: Dust- and splash-resistant sealing
- Markings: Available in feet or meters
- Luminous Markings: Standard luminous or Fully Luminous versions available
- Length (Canon EF Mount): 122.7 mm
- Weight (Canon EF Mount): Approx. 1,450 g (without support foot)
- Length (Sony E Mount): 148.7 mm
- Weight (Sony E Mount): Approx. 1,510 g (without support foot)
- Front Cap: Included
- Rear Cap: Included
- Intended Use: Narrative film, commercial, broadcast, documentary, and high-end video production
- Sigma 24–35mm T2.2 FF Zoom Lens
- Lens support foot
- Front lens cap
- Rear lens cap
- Owner documentation
- Manufacturer warranty card
Is the Sigma 24–35mm T2.2 FF Zoom Lens suitable for full-frame cinema cameras?
Yes. The Sigma 24–35mm T2.2 FF Zoom Lens features a 43.3mm image circle, providing full-frame coverage and supporting modern cinema cameras up to 6K and 8K resolution.
Does the aperture change while zooming?
No. The lens maintains a constant T2.2 aperture across the entire 24–35mm zoom range, ensuring consistent exposure and depth of field while zooming.
Is this lens compatible with follow-focus systems?
Yes. The lens includes industry-standard 0.8 MOD gears on the focus, zoom, and iris rings, making it fully compatible with professional follow-focus systems and motorized cine rigs.
What camera mounts are available for this lens?
The Sigma 24–35mm T2.2 FF Zoom Lens is available in Canon EF and Sony E mounts. Mount conversion between EF and E is supported through authorized Sigma service centers.
Does the lens support autofocus or image stabilization?
No. This is a fully manual cinema lens designed for precise professional control and does not include autofocus or image stabilization.
How close can the lens focus?
The minimum focus distance is 0.28 meters (11 inches), allowing for creative close-up shots and detailed framing without changing lenses.
Is the lens built for professional field use?
Yes. It features a rugged all-metal construction with dust- and splash-resistant sealing, making it reliable for studio and on-location productions.
Does the lens include support for professional rigs?
Yes. A dedicated lens support foot is included to improve balance and reduce stress on the camera mount when used on professional rigs.
Are the lens markings visible in low-light environments?
Yes. The lens is available with luminous or fully luminous markings, allowing easy visibility during night shoots and low-light conditions.
What type of productions is this lens best suited for?
This lens is ideal for narrative filmmaking, commercial video production, documentaries, broadcast television, interviews, music videos, and rental house applications.
| Feature | Sigma 24–35mm T2.2 FF Zoom Lens | Canon CN-E 15–35mm T2.95 | Zeiss LWZ.3 21–100mm T2.9–3.9 | Angénieux EZ-1 30–90mm T2.0 |
|---|---|---|---|---|
| Sensor Coverage | Full Frame (43.3mm) | Full Frame | Full Frame / Super 35 | Full Frame / Super 35 (Interchangeable) |
| Focal Length Range | 24–35mm | 15–35mm | 21–100mm | 30–90mm |
| Maximum Aperture | Constant T2.2 | Constant T2.95 | T2.9–T3.9 (Variable) | Constant T2.0 |
| Resolution Support | 6K / 8K Ready | 4K / 6K | 4K+ | 8K Ready |
| Optical Construction | 18 Elements / 13 Groups | Aspherical & UD Elements | Aspherical Glass Design | Advanced Cine Optical System |
| Diaphragm Blades | 9 Rounded Blades | 11 Blades | 9 Blades | 11 Blades |
| Minimum Focus Distance | 0.28 m | 0.6 m | 0.55 m | 0.6 m |
| Cine Gearing | 0.8 MOD (Focus/Zoom/Iris) | 0.8 MOD | 0.8 MOD | 0.8 MOD |
| Front Diameter | 95mm | 114mm | 114mm | 114mm |
| Build Quality | All-metal, dust & splash resistant | Metal cine housing | Metal cine housing | Premium cine housing |
| Weight (Approx.) | 1.45–1.51 kg | ~2.2 kg | ~2.5 kg | ~2.1 kg |
| Price Positioning | Mid-range, high value | High | High | Very High (Premium) |
| Best For | Cinematic full-frame zoom with compact size | Wide cine coverage with Canon ecosystem | Versatile long-range cine zoom | High-end cinema and rental houses |
Nuzira Featured Reviews
It is so nice to see a small family owned shop instead of these big box stores. I generally felt cared about when getting my blackmagic cinema camera. Love the quality of the images and how easy it is to use.
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This small business has the best customer service HANDS DOWN!!
Lucas worked with me diligently to help me find a camera that would fit my needs and that would arrive in time for my trip. I take photos, but wanted a smaller, more compact camera to take with me when traveling. He even reached out to other camera experts to make sure he was giving me the best advice for the equipment that would accommodate my needs!
Lucas was patient with me and was in constant contact with the camera supplier to keep me updated on the status of my order and when the items would be ready for shipment. Once my order arrived to the store, it was in my hands in less than 2 days. I would give 10 stars to this business if I could!!
SHOP SMALL! :)
AMAZING SERVICE!
In short: I was able to receive the black colorway below retail and free next day shipping with the promos that they offered for being a new camera web-shop based from AZ.
Long story: Lucas who is prolly the only rep for the company cuz they're so small is the best dude ever. Since i ordered he responded on emails and updates quicker than some of my friends texting me back about where am at on the list as people just kept cancelling their order. I went from 9th place in line to 4th place in line for the silver. And he hit me up saying that they were still waiting on Fuji to send shipping updates and that no company knows what they get on their weekly fuji shipments other than from a 24 hour window of receiving shipping details.
He then noted that there were two black X100Vs available that were reserved to customers who ordered but have not confirmed. I said if they dont confirm please let me know and ill take that instead of the silver. The next day he hits me saying the customer said to cancel and he sent me an invoice. I ordered accessories for the camera on amazon right after and my package for the camera came before my amazon package. Lucas was super nice and transparent about everything. Dope experience from NUZIRA.
Lucas was so incredibly helpful!!! I’ve genuinely never had better customer service. They offered to stay late so I could get my order and were so patient with all my questions. I would give them 10 stars if I could.
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NUZIRA MADE MY MONTH!
I was a little concerned when I first came across this small business but I am so so thankful I di! They have the NICESt staff and customer service. I have been on the waitlist for this camera for a few months now so when Lucas called saying they had it back in stock I was so freaking excited! Made my whole month. This camera absolutely lives up to the hype. I love how lightweight it is. I can pop it into any bag and head out the door. the images are crisp, high quality, and stunning. I use film sim and not film sim. The film simulations are nearly identical to real film. I have another fuji camera that does film sim but it can't even be compared to this one. I love my Fujifilm X100v so much! Amazing camera! Thanks you Nuzira!








