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- 24.5MP Full-Frame Partially Stacked CMOS Sensor
- Sigma L-Mount Lens Compatibility
- Hybrid Phase-Detection and Contrast-Detection Autofocus
- Up to 20 fps Continuous Shooting
- 6K Open Gate Video Recording
- 12-Bit Apple ProRes RAW and L-Log Recording
- 3.15-Inch Tilting Touchscreen
- 70GB Internal Storage and UHS-II SDXC Support
- Compact 376g Body with Modular Accessory Support
Nuzira
Sigma FP2 Mirrorless Camera
Sigma FP2 Mirrorless Camera
9420 E DoubleTree Ranch Rd #107
9420 E DoubleTree Ranch Rd #107
Scottsdale AZ 85258
United States
Key Features
- 24.5MP Full-Frame Partially Stacked CMOS Sensor
- Sigma L-Mount Lens Compatibility
- Hybrid Phase-Detection and Contrast-Detection Autofocus
- Up to 20 fps Continuous Shooting
- 6K Open Gate Video Recording
- 12-Bit Apple ProRes RAW and L-Log Recording
- 3.15-Inch Tilting Touchscreen
- 70GB Internal Storage and UHS-II SDXC Support
- Compact 376g Body with Modular Accessory Support
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Sigma FP2 Mirrorless Camera – 24.5MP Full-Frame Imaging with 6K Open Gate Video
The Sigma FP2 Mirrorless Camera is a compact full-frame interchangeable-lens camera built for photographers and filmmakers who need professional imaging capabilities in a lightweight, adaptable body. Featuring a 24.5MP partially stacked CMOS sensor and Sigma's L-Mount system, it combines high-resolution photography with advanced cinema recording options. Its small form factor makes it particularly useful for travel, street photography, documentary production, and handheld video work, while the dedicated STILL/CINE switch provides separate shooting interfaces for photography and filmmaking.
The FP2's partially stacked sensor supports faster readout, helping reduce rolling shutter distortion while enabling continuous shooting at up to 20 fps. Hybrid phase-detection and contrast-detection autofocus includes subject recognition for people, dogs, cats, and birds, making it easier to maintain focus on moving subjects. For video production, 6K Open Gate recording offers flexibility when reframing footage for different aspect ratios, while 12-bit Apple ProRes RAW, L-Log, and up to 14.1 stops of claimed dynamic range support more demanding color grading workflows. A 3.15-inch tilting touchscreen improves framing from challenging angles, and approximately 70GB of internal storage complements UHS-II SDXC cards and external USB SSD recording.
Weighing approximately 376g without a battery, the Sigma FP2 is well suited to creators who prefer a smaller camera without giving up interchangeable lenses or professional video controls. Its modular design supports an optional EVF-21 electronic viewfinder, external audio equipment, and customized camera rigs. However, the electronic-only shutter, absence of mechanical in-body stabilization, and lack of a built-in viewfinder are worth considering, especially for fast-action photography or handheld shooting. For photographers and independent filmmakers who prioritize portability, flexible recording formats, and a customizable full-frame system, the FP2 offers a practical balance of imaging performance and compact design.
Product Benefits:
- Carry Less, Create More: Work comfortably during travel, street photography, or extended shoots without carrying a bulky camera setup.
- Capture Moving Subjects with Confidence: Keep people, pets, and birds in focus more easily, reducing missed opportunities during unpredictable moments.
- Create Content for Multiple Platforms: Reframe footage for widescreen videos, social media, and vertical content without needing to record every scene separately.
- Gain More Control in Post-Production: Preserve greater flexibility when adjusting exposure, colors, and highlights for professional-looking photos and videos.
- Switch Between Photo and Video Efficiently: Move between still photography and filmmaking with dedicated controls, making hybrid shooting workflows more convenient.
- Frame Shots from Difficult Angles: Shoot comfortably from low or elevated positions without constantly changing your body position.
- Adapt Your Setup to Each Project: Keep the camera lightweight for everyday photography or add accessories for more demanding filmmaking applications.
- Manage Longer Shoots More Conveniently: Use flexible storage options and USB power support to reduce interruptions and maintain a more efficient workflow.
Features:
24.5MP Full-Frame Partially Stacked CMOS Sensor for Detailed Imaging
The Sigma FP2 features a 24.5-megapixel partially stacked CMOS sensor measuring 35.9 × 23.9mm, delivering the detail and tonal flexibility expected from a full-frame mirrorless camera. Its large imaging area supports detailed photographs, smooth tonal transitions, and creative control over depth of field when paired with suitable lenses.
The partially stacked design also improves sensor readout speed compared with the original fp, reducing the rolling shutter distortion that can appear when photographing moving subjects or recording video. This makes the FP2 useful for photographers who work across portraits, travel, everyday photography, and motion-focused assignments without needing separate camera systems.
Compact Full-Frame Body for Travel and Everyday Photography
Measuring approximately 112.8 × 69.9 × 41.8mm and weighing just 376g without a battery, the Sigma FP2 offers full-frame imaging in a remarkably small interchangeable-lens camera body. Its compact dimensions make it easier to carry during travel, street photography, location scouting, and documentary assignments.
Unlike larger camera systems designed around permanently integrated grips and viewfinders, the FP2 uses a modular approach. Photographers can keep the setup minimal for casual shooting or attach additional equipment when the project demands it. This flexibility is particularly valuable when portability matters as much as image quality.
Hybrid Autofocus with Human, Animal, and Bird Detection
The Sigma FP2 combines image-plane phase-detection autofocus with contrast-detection technology to improve focusing responsiveness and accuracy. Its autofocus system supports human recognition, eye detection, and subject tracking for dogs, cats, and birds, helping photographers maintain focus when subjects move within the frame.
Continuous autofocus and tracking functions are particularly helpful for portraits, pet photography, bird photography, and documentary work where movement is difficult to predict. An autofocus sensitivity range of −5 to +18 EV also provides focusing capability in challenging lighting conditions when used with compatible lenses.
For greater control, photographers can switch to manual focusing and use focus peaking or magnification to check critical details.
Up to 20 fps Continuous Shooting for Fast-Moving Subjects
With continuous shooting speeds reaching approximately 20 frames per second, the FP2 gives photographers more opportunities to capture the precise moment they want. This is especially useful when photographing moving animals, spontaneous expressions, active subjects, or moments that happen too quickly for single-frame shooting.
At its maximum burst rate, the camera supports approximately 200 JPEG or 180 DNG images in a continuous sequence. Slower shooting options of 8, 5, and 3 fps allow users to balance capture speed with storage and workflow requirements.
Because the FP2 uses an electronic shutter, photographers should still consider potential banding under certain artificial lights and residual rolling shutter effects.
6K Open Gate Video Recording for Flexible Framing
The Sigma FP2 supports 6K Open Gate recording, allowing filmmakers to capture video using the full sensor area instead of committing to a conventional widescreen crop during recording.
This gives editors greater freedom to produce different compositions from the same footage. A single recording can accommodate horizontal presentations, vertical social media videos, and alternative aspect ratios, depending on the original framing and required output resolution.
Open Gate recording is particularly useful for commercial production, social content, interviews, travel filmmaking, and projects requiring multiple delivery formats. It can also provide additional framing flexibility when correcting composition during editing.
Professional Apple ProRes RAW and L-Log Recording
For projects requiring substantial editing flexibility, the FP2 supports 12-bit Apple ProRes RAW and ProRes RAW HQ recording. These formats provide greater control over image processing during compatible post-production workflows, making them useful for commercial filmmaking, short films, and productions involving detailed color adjustments.
The camera also supports L-Log, giving filmmakers a flatter image profile designed to preserve tonal information for color grading. This allows footage to be adjusted toward a consistent visual style across different scenes or camera setups.
ProRes RAW recording supports up to 6K at 29.97 fps. Available recording resolutions and frame rates vary depending on the selected codec and shooting settings.
Up to 14.1 Stops of Dynamic Range for High-Contrast Scenes
The Sigma FP2 offers up to 14.1 stops of claimed dynamic range when recording in 4K full-frame L-Log. This provides additional flexibility when filming scenes containing both bright highlights and deep shadows, such as outdoor interviews, landscapes, and interiors with strong window lighting.
The camera also provides a claimed seven stops of highlight headroom at ISO 1250 and above in the applicable recording configuration. This is particularly useful when preserving brighter portions of a scene for later adjustment during color grading.
Actual recorded detail will depend on exposure, ISO settings, lighting conditions, and the chosen recording format.
Dual-Base ISO for Changing Lighting Conditions
The FP2 uses different base ISO settings depending on the selected capture mode. For still photography and standard MOV recording, its base ISO values are 320 and 2500. In Log and RAW recording modes, the corresponding base ISO values are 1250 and 10000.
Having separate base sensitivity settings gives photographers and filmmakers greater flexibility when working in environments with different lighting levels. It helps users select appropriate exposure settings without relying entirely on progressively higher sensitivity adjustments.
The camera supports ISO 100–102400 for standard still photography, with additional expanded low ISO settings available. Exposure results will still depend on the selected ISO, lighting, lens aperture, and recording format.
Dedicated STILL/CINE Switch for Efficient Hybrid Shooting
A dedicated STILL/CINE switch allows the Sigma FP2 to transition between photography and filmmaking without navigating through multiple menu levels. Each shooting mode has its own interface and workflow, giving users access to controls suited to the type of content being captured.
This is especially practical for wedding photographers, commercial creators, documentary teams, and hybrid shooters who regularly alternate between photographs and video clips.
Instead of treating video as a secondary function, the FP2 provides a dedicated cinema-oriented operating environment while retaining the controls needed for detailed still photography.
High-Frame-Rate Recording for Slow-Motion Video
The FP2 supports a range of video frame rates suited to conventional filming and slow-motion production. In supported 4K crop configurations, recording is available at up to 119.88 fps, while 2K recording also supports high-frame-rate capture.
These options allow filmmakers to slow down fast movements during editing, helping emphasize action, product details, environmental motion, or subtle gestures.
High-frame-rate recording can be useful for sports content, product demonstrations, documentary sequences, and creative video projects. Recording capabilities depend on resolution, crop mode, codec, and other camera settings, so not every frame rate is available in every configuration.
3.15-Inch Tilting Touchscreen for Flexible Composition
The Sigma FP2 features a 3.15-inch touchscreen with approximately 2.1 million dots and nearly 100% display coverage. Its tilting mechanism allows the display to move approximately 90° upward and 45° downward, making it easier to compose photographs from low or elevated camera positions.
This flexibility is useful for ground-level landscape compositions, street photography, tabletop product photography, and filming in locations where eye-level viewing is inconvenient.
Touchscreen operation also helps simplify interaction with camera settings and shooting functions, supporting a more direct operating experience without requiring a permanently attached external monitor.
Optional EVF-21 Electronic Viewfinder for Eye-Level Shooting
Photographers who prefer composing through a viewfinder can equip the Sigma FP2 with the optional EVF-21 electronic viewfinder. It features a 0.5-inch OLED display with approximately 5.76 million dots, providing a detailed viewing image for checking composition and focus.
The EVF attaches through USB-C and can tilt upward by approximately 90°, allowing photographers to frame images at eye level or from lower shooting positions.
Because the viewfinder is removable, users can choose between a compact LCD-based setup and a more traditional viewing experience. This makes the camera adaptable to different shooting preferences without permanently increasing its size.
70GB Internal Storage with SDXC and External SSD Support
The Sigma FP2 includes approximately 70GB of internal memory alongside support for UHS-II SDXC cards and compatible portable SSDs through USB 3.2.
This combination gives photographers and filmmakers several ways to manage their files. Internal memory provides useful additional recording capacity, while SD cards offer a familiar removable storage option. External SSD recording can be incorporated into workflows requiring compatible high-capacity media.
Having multiple storage options is especially useful for extended assignments, travel, and video production, where available recording capacity can influence how efficiently a shoot progresses.
Electronic Shutter with Speeds Up to 1/25600 Second
The FP2 uses a fully electronic shutter with speeds ranging from 1/25600 second to 30 seconds, along with Bulb exposure support for up to five minutes.
Fast shutter speeds help photographers control exposure in bright environments and freeze movement when shooting conditions allow. Longer exposure options support night photography, stationary subjects, and creative images involving light or motion.
The electronic-only design also allows silent shutter operation, which can be useful in quiet environments such as performances, ceremonies, or documentary situations. However, users should be aware of potential rolling shutter distortion and artificial-light banding, since a mechanical shutter is not available.
14-Bit DNG RAW Recording for Detailed Photo Editing
The Sigma FP2 records 14-bit losslessly compressed DNG RAW files, providing photographers with greater flexibility when processing images after capture.
RAW recording preserves more image information for adjustments to white balance, tonal contrast, exposure, and color than a finished JPEG typically allows. This is especially useful for landscape photography, portraits, commercial photography, and other applications where careful post-processing is important.
The camera also supports simultaneous DNG and JPEG capture, allowing photographers to keep an editable RAW file alongside a more convenient image for immediate viewing or sharing.
13 Creative Color Modes for Different Visual Styles
The Sigma FP2 includes 13 color modes: Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, and Monochrome.
These modes allow photographers to establish different visual treatments while shooting, reducing the need to create every look from scratch during editing. For example, Monochrome supports black-and-white photography, while other modes provide alternative approaches to color and contrast.
A dedicated color control makes it easier to access these options while composing images. This is particularly helpful for photographers who enjoy developing a consistent visual style or prefer obtaining a desired look directly in the camera.
Director's Viewfinder for Cinema Lens and Camera Planning
The FP2 includes a Director's Viewfinder function that can simulate framing associated with selected professional cinema camera systems from ARRI, Sony, and RED.
This feature is useful for directors, cinematographers, and production teams who need to visualize compositions before setting up larger cinema cameras. It can help evaluate shot framing, lens choices, and camera positions during location scouting or production planning.
Supported systems include models such as the ARRI ALEXA 35, Sony VENICE 2, Sony BURANO, and RED KOMODO X.
The FP2 also provides anamorphic desqueeze options, allowing filmmakers to preview images captured using supported anamorphic lens ratios.
32-Bit Float Audio Recording with Compatible Accessories
For filmmakers who need greater flexibility when recording sound, the Sigma FP2 supports 32-bit float audio recording when used with the required external equipment.
This recording format can accommodate a wide range of audio levels and provide additional flexibility when adjusting recorded sound in post-production. It can be particularly helpful in documentary, interview, and field production workflows where sound levels are not always predictable.
The function requires the optional HU-21 hot shoe unit together with compatible Panasonic DMW-XLR2 and DMW-DMS1 audio equipment. It is not a standalone capability of the camera's built-in microphone.
Professional Exposure Monitoring for Video Production
The FP2 includes waveform monitoring, histograms, zebra patterns, and false color display options to assist with exposure evaluation.
These tools provide more detailed visual feedback than judging brightness from the LCD alone. Waveform monitoring helps assess luminance distribution, zebra patterns identify areas that reach selected brightness thresholds, and false color offers another way to examine exposure levels across the frame.
For cinematographers working with Log footage or high-contrast lighting, these functions can help maintain consistent exposure decisions across scenes and reduce uncertainty during recording.
Electronic Video Stabilization and Gyroflow Support
The Sigma FP2 includes electronic image stabilization for compatible video recording modes. This provides a way to reduce the appearance of certain camera movements when filming handheld, although stabilization performance depends on shooting conditions and the selected mode.
The camera also supports Gyroflow workflows, giving filmmakers another option for stabilizing compatible footage during post-production.
These capabilities are useful for travel videos, documentary work, and lightweight productions where a larger stabilized camera setup may not be practical. However, the FP2 does not include mechanical in-body image stabilization, and electronic stabilization cannot be used simultaneously with 6K recording.
L-Mount System for Interchangeable Lens Flexibility
The Sigma FP2 uses the L-Mount system, allowing photographers and filmmakers to select compatible interchangeable lenses for different shooting requirements.
A wide-angle lens can support landscapes, architecture, and environmental video, while a standard or telephoto lens may be more appropriate for portraits, events, and distant subjects. This flexibility allows the camera to serve different photographic applications without changing the camera body.
L-Mount compatibility also makes the FP2 relevant to creators who already own suitable lenses within the L-Mount ecosystem. Lens-specific functions and performance should be checked before use.
Modular Camera Design for Customized Production Setups
The FP2 is designed to accommodate different shooting configurations rather than requiring every accessory to remain attached.
For everyday photography, users can operate with a lens and the camera's rear display. For more specialized assignments, they can add the EVF-21 electronic viewfinder, HU-21 hot shoe unit, external storage, compatible audio accessories, and other mounting equipment.
This approach gives photographers and filmmakers more control over the size, handling, and functionality of their setup. It is particularly useful for independent productions that need a portable camera for some assignments and a more extensively equipped system for others.
USB-C, HDMI 2.1, and External Device Connectivity
The Sigma FP2 offers two USB-C connections with different supported functions, alongside a full-size HDMI Type A port conforming to HDMI 2.1 specifications.
The USB interfaces support functions such as external storage, charging, power delivery, audio connections, remote cable release, and compatible electronic viewfinder operation. USB webcam functionality also allows the camera to be incorporated into suitable computer-based video workflows.
These connections make the FP2 more adaptable to desktop production, external monitoring, and recording setups. Accessory compatibility and available functions depend on the connection used.
Extended Battery Life with USB Power Delivery
Powered by the Sigma BP-91 rechargeable lithium-ion battery, the FP2 is rated for approximately 370 still images or 130 minutes of video recording under Sigma's specified testing conditions.
This represents an approximately 30% improvement in battery life over the original Sigma fp, providing additional shooting time while maintaining a compact body.
USB Power Delivery support allows compatible external power sources to be incorporated into longer workflows, while the optional CN-91 DC connector provides another external power solution. A USB PD adapter rated at 27W or higher is recommended.
These options are useful for interviews, studio sessions, fixed-camera recording, and projects where frequent battery changes would interrupt production.
Dust- and Splash-Resistant Construction for Outdoor Use
The Sigma FP2 incorporates a dust- and splash-resistant structure designed to provide protection during everyday outdoor shooting.
This is useful for photographers and filmmakers working in changing environments, including travel assignments, street photography, and location-based productions where occasional light rain or airborne dust may be encountered.
However, the camera is not waterproof and does not have a published IP protection rating. Additional protection remains advisable when working in heavy rain, sandy conditions, or other demanding environments.
In-Camera DNG Development and Creative Shooting Tools
The FP2 includes in-camera DNG development, allowing photographers to process compatible RAW images without transferring every file to a computer first.
The camera also provides a Fill Light adjustment during in-camera DNG development, along with exposure bracketing, focus bracketing, white balance bracketing, and interval shooting.
These tools support a variety of photographic techniques. Focus bracketing can help capture multiple focus positions for later processing, while interval shooting is useful for documenting changes over time. Exposure bracketing provides additional capture options when working with difficult lighting.
Customizable Controls and QR-Based Camera Settings
The Sigma FP2 supports customizable shooting functions and the ability to save or load camera settings using QR codes.
This can help photographers maintain familiar camera configurations across different assignments or restore settings when switching between shooting requirements. Customizable controls also allow users to organize frequently used functions around their individual workflow.
For creators who move regularly between photography and video production, these options help reduce repetitive menu adjustments and make the camera easier to operate consistently.
Optional Flash Support for Studio and Portrait Photography
Although the FP2 does not include a built-in flash or permanent hot shoe, external flash operation is supported through the optional Sigma HU-21 hot shoe unit.
Compatible flash functions include TTL automatic exposure, manual flash control, wireless flash operation, and selected synchronization modes. This allows the camera to be incorporated into controlled-lighting environments such as portrait sessions, tabletop photography, and studio product shoots.
The electronic shutter has a maximum flash synchronization speed of approximately 1/50 second in full-frame operation, making this an important consideration for photographers who frequently rely on flash.
Anamorphic Desqueeze for Cinematic Framing
The Sigma FP2 provides anamorphic desqueeze display options for filmmakers using compatible anamorphic lenses.
Supported ratios include 1.25×, 1.3×, 1.33×, 1.5×, 1.6×, 1.65×, 1.8×, and 2.0×, allowing operators to preview footage with corrected proportions while composing shots.
This is useful for independent filmmakers, cinematographers, and video teams working with anamorphic formats, as it makes framing and composition easier to evaluate during recording.
Combined with the Director's Viewfinder and professional exposure monitoring tools, anamorphic display support adds to the FP2's usefulness in specialized cinema workflows.
Webcam and Video Communication Functionality
The FP2 supports USB webcam operation, allowing it to function as a video source in compatible computer-based applications.
This provides an additional use for the camera beyond conventional photography and recorded filmmaking. With a suitable lens, power source, and connection, the FP2 can be considered for online presentations, video communication, and other computer-based production requirements.
The availability of USB audio functions and external connection options also gives users flexibility when integrating the camera into a broader desktop setup.
Best For
- Hybrid Photographers and Filmmakers: Ideal for creators who regularly switch between still photography and professional video production using one compact camera.
- Travel and Street Photographers: Well suited for photographers who want full-frame image quality without carrying a large camera body throughout the day.
- Independent Filmmakers and Documentary Creators: A strong fit for productions requiring 6K Open Gate recording, RAW video workflows, and flexible post-production options.
- Multi-Platform Content Creators: Useful for producing horizontal and vertical videos from the same footage, reducing the need for separate recordings.
- Filmmakers Building Custom Camera Rigs: Suitable for users who prefer a modular setup with optional viewfinders, external storage, and professional audio accessories.
Not Ideal For
- Photographers Who Depend on Mechanical Shutters: The electronic-only shutter may be less suitable for flash-heavy photography or environments with problematic artificial lighting.
- Handheld Shooters Requiring In-Body Stabilization: The absence of mechanical IBIS makes it less convenient for users who rely on sensor-based stabilization without additional equipment.
- Photographers Who Prefer a Built-In Viewfinder: Eye-level shooting requires purchasing and attaching the optional EVF-21.
- Solo Video Creators Who Need a Front-Facing Screen: The tilting display does not flip forward for convenient self-framing while standing in front of the camera.
- Users Seeking a Complete Camera Setup Out of the Box: The body-only configuration requires a compatible lens, and certain professional video, audio, and viewing functions need optional accessories.
Pros
- Compact and Lightweight: Full-frame camera body weighing approximately 376g, ideal for travel and portable shooting setups.
- Excellent Image Detail: 24.5MP partially stacked CMOS sensor delivers detailed images with flexible RAW editing.
- Advanced Autofocus: Hybrid autofocus with human, animal, bird, and eye detection for reliable subject tracking.
- Fast Continuous Shooting: Up to 20 fps for capturing action and moving subjects.
- Professional Video Capabilities: 6K Open Gate recording, 12-bit ProRes RAW, and L-Log for flexible filmmaking workflows.
- Flexible Storage Options: 70GB internal storage, UHS-II SDXC card support, and external SSD compatibility.
- Modular Design: Supports optional viewfinders, audio equipment, and accessories for customized camera setups.
- Convenient Hybrid Operation: Dedicated STILL/CINE switch and tilting touchscreen simplify photography and video workflows.
Cons
- No Mechanical Shutter: Electronic-only operation may cause banding under artificial lighting or distortion with fast-moving subjects.
- No In-Body Image Stabilization: Lacks mechanical IBIS, and electronic video stabilization is unavailable in 6K recording.
- No Built-In Viewfinder: Requires the optional EVF-21 for eye-level shooting.
- Limited Flash Synchronization: Maximum flash sync speed of 1/50 second in full-frame mode.
- No Front-Facing Screen: Tilting LCD cannot face forward for convenient self-recording.
- Additional Accessories Required: External flash, certain professional audio functions, and eye-level viewing require optional equipment.
- Limited Weather Protection: Dust- and splash-resistant but not waterproof.
General Specifications
- Brand: Sigma
- Model: FP2
- Camera Type: Interchangeable-Lens Mirrorless Digital Camera
- Sensor Format: 35mm Full-Frame
- Lens Mount: L-Mount
- Shooting Modes: STILL and CINE
- Manufacturing Location: Aizu, Japan
Image Sensor and Image Quality
- Sensor Type: Partially Stacked CMOS
- Sensor Size: 35.9 × 23.9mm
- Effective Resolution: Approximately 24.5 Megapixels
- Total Pixels: Approximately 26.8 Megapixels
- Native Sensor Aspect Ratio: 3:2
- Maximum RAW Resolution: 6016 × 4012 Pixels
- Maximum JPEG Resolution: 6016 × 4012 Pixels
- RAW Format: 14-Bit Losslessly Compressed DNG
- JPEG Format: JPEG (Exif 3.0)
- Simultaneous Recording: RAW (DNG) + JPEG
- Still Image Aspect Ratios: 21:9, 16:9, 3:2, A Size, 4:3, 6:7, 1:1
- Crop Mode Resolution: 3840 × 2560 Pixels
- Crop Factor: Approximately 1.5×
- In-Camera RAW Development: Supported
Autofocus and Focus Control
- Autofocus System: Image-Plane Phase-Detection AF + Contrast-Detection AF
- Focus Modes: Single AF, Continuous AF, Tracking AF, Manual Focus
- AF Sensitivity Range: −5 to +18 EV (F1.4, ISO 100)
- AF Area Configuration: 6-Step
- Human Detection: Supported
- Eye Detection AF: Supported
- Dog Detection: Supported
- Cat Detection: Supported
- Bird Detection: Supported
- Subject Tracking AF: Supported
- AF + MF: Supported
- Manual Focus Magnification: Supported
- Focus Peaking: Supported
- Release/Focus Priority: Supported
- Focus Ring Response: Linear and Nonlinear
Exposure Control and ISO
- Metering System: Evaluative and Spot Metering
- Metering Range: −5 to +18 EV (50mm F1.4, ISO 100)
- Still Exposure Modes: Program AE (P), Shutter Priority AE (S), Aperture Priority AE (A), Manual (M)
- Video Exposure Modes: Program AE (P), Shutter Priority AE (S), Aperture Priority AE (A), Manual (M)
- Still Base ISO: ISO 320 / 2500
- Standard MOV Base ISO: ISO 320 / 2500
- Log/RAW Base ISO: ISO 1250 / 10000
- Still ISO Range: ISO 100–102400
- Expanded Still ISO: ISO 6, 12, 25, 50
- Standard MOV ISO Range: ISO 100–102400
- Log/RAW ISO Range: ISO 1250–102400
- Expanded Log/RAW ISO: ISO 320, 640
- Exposure Compensation: ±5 EV in 1/3-Stop Increments
- Auto Exposure Lock: Shutter Half-Press or Configurable AEL Button
- Exposure Bracketing: 3 or 5 Frames, Up to 3 EV in 1/3-Stop Increments
- Bracketing Sequence: Standard, Underexposure, Overexposure; Customizable Order
- Exposure Monitoring: Waveform, Histogram, Zebra Pattern, False Color
Shutter and Continuous Shooting
- Shutter Type: Electronic Shutter
- Mechanical Shutter: Not Available
- Shutter Speed Range: 1/25600 to 30 Seconds
- Bulb Exposure: Up to 5 Minutes
- Continuous Shooting Speeds: 20, 8, 5, 3 fps
- 20 fps JPEG Buffer: Approximately 200 Frames
- 20 fps DNG Buffer: Approximately 180 Frames
- 8 fps JPEG Buffer: Approximately 3000 Frames
- 8 fps DNG Buffer: Approximately 630 Frames
- Drive Modes: Single, Continuous, Self-Timer, Interval Timer
- Self-Timer: 2 or 10 Seconds
- Interval Shooting: Supported with Movie Output
- Exposure Bracketing: Supported
- Focus Bracketing: Supported
- White Balance Bracketing: Supported
Video Recording Specifications
- Maximum Video Resolution Class: 6K
- Open Gate Recording: Supported
- Video Recording Formats: Apple ProRes RAW HQ, Apple ProRes RAW, MOV
- RAW Video Bit Depth: 12-Bit
- Video Codecs: H.264, H.265, Apple ProRes RAW, Apple ProRes RAW HQ
- Log Recording: L-Log
- 6K Frame Rates: 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps (Format-Dependent)
- 4K Frame Rates: 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps
- 4K Crop Frame Rates: Up to 100 and 119.88 fps
- 2K Frame Rates: 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 100, 119.88 fps
- Maximum 6K ProRes RAW Frame Rate: 29.97 fps
- 47.95 fps Compatibility: Apple ProRes RAW HQ / Apple ProRes RAW Only
- 48 fps Compatibility: Not Available with H.264
- Video Aspect Ratios: 3:2, 16:9, 17:9, 4:3
- 2K Aspect Ratio: 16:9 Only
- Maximum Continuous Recording Time: 2 Hours
- Claimed Maximum Dynamic Range: Up to 14.1 Stops in 4K Full-Frame L-Log
- Highlight Headroom: 7 Stops at ISO 1250 and Above
- Electronic Image Stabilization: Supported for Video
- 6K Stabilization Restriction: EIS Cannot Be Used with 6K Recording
- Gyroflow Support: Supported
- Anamorphic Desqueeze: Supported
- Director's Viewfinder: Supported
Audio Specifications
- Built-In Microphone: Stereo
- Built-In Speaker: Monaural
- Linear PCM Recording: 24-Bit
- Linear PCM Channel Options: 4-Channel/96kHz, 2-Channel/192kHz
- Float Audio Recording: 32-Bit
- Float Audio Channel Options: 4-Channel/96kHz, 2-Channel/192kHz
- External Microphone Input: 3.5mm Stereo Mini Jack
- Plug-In Power: Supported
- USB Audio: UAC 2.0
- Headphone Monitoring: Via USB
- 32-Bit Float Audio Requirements: Optional HU-21 with Compatible Panasonic DMW-XLR2 and DMW-DMS1 Equipment
LCD and Viewfinder
- Monitor Type: Tilting TFT Color LCD
- Monitor Size: 3.15 Inches
- Monitor Resolution: Approximately 2.1 Million Dots
- Monitor Aspect Ratio: 3:2
- Touchscreen Type: Capacitive
- Monitor Coverage: Approximately 100%
- Upward Tilt: Approximately 90°
- Downward Tilt: Approximately 45°
- Built-In Electronic Viewfinder: None
- Optional Electronic Viewfinder: Sigma EVF-21
- EVF-21 Display: 0.5-Inch OLED
- EVF-21 Resolution: Approximately 5.76 Million Dots
- EVF-21 Tilt: Up to 90° Upward
- EVF-21 Eye Sensor: Supported
- EVF-21 Connection: USB-C
- Optional LCD Viewfinder: Sigma LVF-21
- LVF-21 Magnification: 2.5×
- LVF-21 Diopter Adjustment: −2 to +1 dpt
Color Modes and White Balance
- Creative Color Modes: 13
- Color Mode Options: Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, Monochrome
- White Balance Presets: 9
- White Balance Options: Auto, Auto Lighting Source Priority, Incandescent, Fluorescent, Daylight, Overcast, Flash, Shade, Manual
- Manual White Balance Adjustment: 50K Increments
- Custom White Balance: 10 Settings
Flash Specifications
- Built-In Flash: None
- External Flash Support: Via Optional HU-21 Hot Shoe Unit
- Flash Communication: OM SYSTEM / LUMIX-Compatible Specifications
- Flash Modes: TTL Auto, Manual, Wireless, Multi
- Red-Eye Reduction: Supported
- Slow Synchronization: Supported
- Rear-Curtain Synchronization: Supported
- Flash Exposure Compensation: ±3 EV in 1/3 EV Increments
- Maximum Flash Sync Speed: 1/50 Second
- Crop-Mode Flash Sync Speed: 1/60 Second or Slower
- Flash Synchronization Terminal: Dedicated Terminal with HU-21
Director's Viewfinder and Anamorphic Features
- Director's Viewfinder: Supported
- ARRI Camera Compatibility: ARRICAM / ARRIFLEX, ALEXA LF / ALEXA Mini LF, ALEXA Mini, AMIRA, ALEXA 35 Xtreme
- Sony Camera Compatibility: VENICE, VENICE 2 6K, VENICE 2 8K, BURANO
- RED Camera Compatibility: MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, V-RAPTOR XL [X], KOMODO X
- Anamorphic Desqueeze Ratios: 1.25×, 1.3×, 1.33×, 1.5×, 1.6×, 1.65×, 1.8×, 2.0×
Connectivity and Interfaces
- USB Port 1: USB 2.0 Type-C
- USB Port 1 Functions: UAC, Cable Release, EVF Connection, Charging, Power Delivery
- USB Port 2: USB 3.2 Type-C
- USB Port 2 Functions: Mass Storage, UVC, UAC, Cable Release, Charging, Power Delivery
- HDMI: Full-Size Type A, HDMI 2.1
- Remote Shutter Release: USB Cable Release
- Timecode Input: Shared with External Microphone Terminal
- External Microphone Terminal: 3.5mm Stereo Mini Jack with Plug-In Power Support
- USB Microphone Support: UAC 2.0
- Headphone Output: Via USB
- External Flash Sync Terminal: Via Optional HU-21
- USB Webcam Function: Supported
- Wi-Fi: Not Specified
- Bluetooth: Not Specified
- Built-In GPS: Not Specified
Memory and Storage
- Built-In Storage: Approximately 70GB
- Memory Card Format: SDXC
- Memory Card Interface: UHS-II
- External Storage: Compatible Portable SSD
- External Storage Connection: USB 3.2
- USB Bus-Powered SSD Support: Yes
Battery and Power
- Battery Model: Sigma BP-91
- Battery Type: Rechargeable Lithium-Ion
- Approximate Still Image Battery Life: 370 Images
- Approximate Video Battery Life: 130 Minutes
- Battery Life Improvement: Approximately 30% Longer Than Original Sigma fp
- USB Charging: Supported
- USB Power Delivery: Supported
- Recommended USB PD Adapter: 27W or Higher
- Optional Battery Charger: Sigma BC-91
- BC-91 Charging Time: Approximately 175 Minutes with Compatible USB PD Adapter
- External DC Power: Optional Sigma CN-91 DC Connector
Dimensions and Construction
- Dimensions (W × H × D): 112.8 × 69.9 × 41.8mm
- Dimensions (Inches): Approximately 4.4 × 2.8 × 1.6 Inches
- Body-Only Weight: Approximately 376g / 13.3 oz
- Weight with Battery and SD Card: Approximately 460g / 16.2 oz
- Dust Resistance: Dust-Resistant Construction
- Splash Resistance: Splash-Resistant Construction
- Waterproof: No
- IP Rating: Not Specified
- Operating Temperature: 0–40°C / 32–104°F
- Operating Humidity: 85% or Less, Non-Condensing
- Accessory Mounting: Standard 1/4-Inch Screw Mounting Points
Additional Camera Functions
- STILL/CINE Switching: Dedicated Physical Switch
- Customizable Shooting Interfaces: Supported
- Dedicated Color Mode Control: Supported
- QR-Based Settings Save/Load: Supported
- Screenshot Capture: Supported
- In-Camera DNG Development: Supported
- Still Image Extraction from Video: Supported
- Fill Light Adjustment: Supported During In-Camera DNG Development
- Interval Movie Output: Supported
- Gyroflow Support: Supported
- USB Webcam Operation: Supported
Display Languages
- Supported Languages: English, Japanese, German, French, Spanish, Italian, Simplified Chinese, Traditional Chinese, Korean, Russian, Dutch, Polish, Portuguese, Danish, Swedish, Norwegian, Finnish
Included Accessories
- Camera Body: Sigma FP2
- Battery Pack: Sigma BP-91
- Camera Pouch: Included
- Camera Strap: Included
- Strap Holder: Sigma SH-11
- Body Cap: Included
- Start Guide: Included
- Limited Warranty Documentation: Included
- Warranty Sticker: Included
- Lens: Not Included with Body-Only Configuration
Optional Accessories
- Hand Grip: Sigma HG-11
- Electronic Viewfinder: Sigma EVF-21
- LCD Viewfinder: Sigma LVF-21
- Base Plate: Sigma BPL-21
- Hot Shoe Unit: Sigma HU-21
- Cable Release: Sigma CR-51
- Battery Charger: Sigma BC-91
- DC Connector: Sigma CN-91
- Strap Holder Set: Sigma SH-11 (2 Pieces)
What's in the Box
- Sigma FP2 Mirrorless Camera Body
- Sigma BP-91 Rechargeable Lithium-Ion Battery Pack
- Camera Pouch
- Camera Strap
- Sigma SH-11 Strap Holder
- Camera Body Cap
Is the Sigma FP2 a full-frame mirrorless camera?
Yes. The Sigma FP2 features a 24.5MP full-frame partially stacked CMOS sensor measuring 35.9 × 23.9mm. It is designed for high-resolution photography and professional video production in a compact interchangeable-lens camera body.
What lenses are compatible with the Sigma FP2?
The Sigma FP2 uses the L-Mount system and supports compatible L-Mount lenses from Sigma, Leica, Panasonic, and other L-Mount Alliance manufacturers. Lens compatibility and available functions may vary by model. The body-only configuration does not include a lens.
Does the Sigma FP2 record 6K video?
Yes. The Sigma FP2 supports 6K Open Gate video recording, allowing filmmakers to capture footage using the full sensor area. It also supports 4K and 2K recording, with available frame rates depending on the selected codec, resolution, and crop mode. Apple ProRes RAW recording supports up to 6K at 29.97 fps.
Does the Sigma FP2 have image stabilization?
The Sigma FP2 features electronic image stabilization for compatible video recording modes but does not include mechanical in-body image stabilization (IBIS). Electronic stabilization cannot be used during 6K recording. For additional stability, users can consider supported stabilized lenses, tripods, or gimbals.
Does the Sigma FP2 have autofocus and subject tracking?
Yes. The FP2 combines phase-detection and contrast-detection autofocus with subject tracking for people, dogs, cats, and birds. It also supports Eye AF, continuous autofocus, manual focus, and focus peaking, making it suitable for portraits, pet photography, wildlife, and video recording.
Does the Sigma FP2 have a built-in electronic viewfinder?
No. The Sigma FP2 uses a 3.15-inch tilting touchscreen for composing photographs and videos. Photographers who prefer eye-level shooting can attach the optional Sigma EVF-21 electronic viewfinder, which features a 5.76-million-dot OLED display and a 90-degree upward tilt.
Can the Sigma FP2 record directly to an external SSD?
Yes. The Sigma FP2 supports recording to compatible portable SSDs through its USB 3.2 connection. It also includes approximately 70GB of internal storage and supports UHS-II SDXC memory cards, providing multiple storage options for photography and video production.
Does the Sigma FP2 have a mechanical shutter?
No. The FP2 uses an electronic-only shutter with speeds up to 1/25600 second. While this supports silent shooting and fast continuous capture, photographers should consider potential banding under artificial lighting and rolling shutter distortion when capturing rapid movement.
Is the Sigma FP2 suitable for professional filmmaking?
Yes. The Sigma FP2 supports 6K Open Gate recording, 12-bit Apple ProRes RAW, L-Log, anamorphic desqueeze, and professional exposure monitoring tools. Its compact, modular design also supports compatible external audio equipment, storage devices, and camera accessories for customized filmmaking setups.
Is the Sigma FP2 weather-sealed?
The Sigma FP2 features dust- and splash-resistant construction designed to tolerate conditions such as light rain. However, it is not waterproof and does not have a published IP rating. Additional protection is recommended when shooting in heavy rain, dusty environments, or other challenging conditions.
How long does the Sigma FP2 battery last?
The Sigma FP2 uses a rechargeable BP-91 lithium-ion battery rated for approximately 370 still images or 130 minutes of video recording under specified testing conditions. Battery life varies with recording settings, accessories, temperature, and usage. USB Power Delivery is also supported for compatible external power setups.
Does the Sigma FP2 include a lens?
The standard Sigma FP2 body-only package does not include a lens. Buyers need a compatible L-Mount lens to begin shooting. Sigma also offers selected camera bundles with a lens or the optional EVF-21 electronic viewfinder, depending on availability.
| Feature | Sigma FP2 | Panasonic Lumix S9 | Panasonic Lumix S5IIX | Sony Alpha a7C II | Nikon ZR |
|---|---|---|---|---|---|
| Best For | Photographers and filmmakers wanting a compact, modular full-frame hybrid camera | Travel photographers, vloggers, and social media content creators | Professional hybrid shooters needing extensive video controls and stabilization | Photographers prioritizing resolution, autofocus, and everyday versatility | Independent filmmakers and video professionals using cinema RAW workflows |
| Best Advantage | Exceptionally compact body with 6K Open Gate, ProRes RAW, and internal storage | Compact full-frame design with IBIS and smartphone-oriented sharing features | Professional video connectivity, active cooling, and advanced stabilization | 33MP photography, subject recognition, built-in EVF, and mechanical shutter | Internal 6K/60p R3D NE RAW, RED color science, and integrated 32-bit float audio |
| Main Drawback | No mechanical shutter, mechanical IBIS, or built-in EVF | No mechanical shutter, EVF, or hot shoe; thermal limitations during video | Significantly larger and heavier than compact alternatives | No 6K recording; 4K/60p requires an APS-C crop | Video-focused handling, no built-in EVF, and a larger body than the FP2 |
| Key Use Cases | Street photography, travel, documentaries, compact cinema rigs, and hybrid production | Travel content, lifestyle photography, vlogging, and short-form social video | Interviews, commercial filmmaking, events, streaming, and professional hybrid production | Portraits, travel, events, family photography, and hybrid content creation | Short films, documentaries, commercial video, and RED-oriented post-production |
| Portability / Usability | Very compact modular body; dedicated STILL/CINE switch; optional accessories | Compact body with vari-angle screen and mobile editing integration | Traditional camera grip, built-in EVF, vari-angle display, and dedicated controls | Compact body with integrated grip, EVF, and vari-angle touchscreen | Compact cinema-style body with a large 4-inch vari-angle touchscreen |
| Performance | Fast sensor readout, 20 fps bursts, hybrid AF, and advanced 6K video options | Balanced full-frame imaging with stabilization and 6K Open Gate recording | Video-oriented hybrid performance with 6K recording and extensive production tools | Higher-resolution stills, advanced subject tracking, and versatile photography performance | Cinema-focused performance with 6K/60p RAW and professional audio capabilities |
| Overall Value | Strong for users prioritizing portability, modularity, and internal RAW video | Appealing for mobile-first creators who prioritize compactness and IBIS | Strong for demanding hybrid productions requiring integrated professional features | Strong for photography-first buyers seeking resolution and everyday flexibility | Strong for filmmakers prioritizing RAW recording and RED-compatible workflows |
| Sensor | 24.5MP Full-Frame Partially Stacked CMOS | 24.2MP Full-Frame CMOS | 24.2MP Full-Frame CMOS | 33MP Full-Frame Exmor R BSI CMOS | 24.5MP Full-Frame CMOS |
| Lens Mount | Sigma L-Mount | Leica L-Mount | Leica L-Mount | Sony E-Mount | Nikon Z-Mount |
| Maximum Video Recording | 6K Open Gate up to 59.94 fps, depending on codec | 6K Open Gate up to 30p | 6K Open Gate up to 30p | 4K up to 60p with APS-C crop | 6K up to 59.94p |
| Professional Video Formats | 12-bit Apple ProRes RAW / RAW HQ, H.264, H.265, L-Log | 10-bit MOV/MP4 recording, V-Log, Real Time LUT | 10-bit MOV recording, V-Log, ProRes, external RAW output | 10-bit XAVC S / S-I / HS, S-Log3, S-Cinetone | 12-bit R3D NE, N-RAW, ProRes RAW HQ, N-Log |
| Image Stabilization | Electronic video stabilization; no mechanical IBIS | 5-axis IBIS with Active I.S. | 5-axis IBIS with Active I.S. and Dual I.S. support | 5-axis IBIS rated up to 7 stops | In-body vibration reduction rated up to 7.5 stops |
| Autofocus System | Hybrid phase/contrast AF with human, animal, bird, and eye detection | Phase Hybrid AF with real-time subject recognition | 779-point Phase Hybrid AF with subject tracking | AI-assisted Fast Hybrid AF with advanced subject recognition | Hybrid AF with nine subject-detection categories |
| Maximum Continuous Shooting | 20 fps | 30 fps electronic shutter | 30 fps electronic shutter | 10 fps | 20 fps full-resolution continuous shooting; faster reduced-resolution modes |
| Shutter System | Electronic only | Electronic only | Mechanical and electronic | Mechanical and electronic | Electronic only |
| Rear Display | 3.15-inch tilting touchscreen, approximately 2.1 million dots | 3.0-inch vari-angle touchscreen, approximately 1.84 million dots | 3.0-inch vari-angle touchscreen, approximately 1.84 million dots | 3.0-inch vari-angle touchscreen, approximately 1.04 million dots | 4.0-inch vari-angle DCI-P3 touchscreen |
| Electronic Viewfinder | Optional EVF-21, 5.76 million dots | Not available | Built-in OLED EVF, 3.68 million dots | Built-in OLED EVF, 2.36 million dots | No built-in EVF |
| Storage Options | 70GB internal memory, UHS-II SDXC, external USB SSD | Single UHS-II SD card slot | Dual UHS-II SD card slots, external USB SSD recording | Single UHS-II SD card slot | CFexpress Type B and microSD UHS-I |
| Audio Capabilities | Stereo microphone; 32-bit float with specified optional accessories | Stereo microphone and 3.5mm microphone input | Microphone and headphone connections; optional XLR audio accessories | Microphone and headphone jacks; digital audio accessory interface | Built-in 32-bit float audio recording and external microphone support |
| Video Connectivity | Dual USB-C ports and full-size HDMI 2.1 | USB-C and micro HDMI | USB-C, full-size HDMI, SSD recording, and streaming support | USB-C, micro HDMI, Wi-Fi, and Bluetooth | USB-C, micro HDMI, Wi-Fi, and Bluetooth |
| Body-Only Weight | Approximately 376g | Approximately 403g | Approximately 657g | Approximately 429g | Approximately 540g |
| Best Choice If... | You want the smallest practical modular full-frame setup with 6K Open Gate and internal ProRes RAW capabilities. | You prioritize compact travel shooting, handheld stabilization, and quick social media workflows. | You need a more complete hybrid production camera with IBIS, built-in EVF, and professional video connectivity. | You primarily shoot photographs and want 33MP resolution, strong autofocus, and a compact camera with an EVF. | You primarily produce cinema footage and need 6K/60p RAW, RED color workflows, and integrated professional audio. |
Nuzira Featured Reviews
It is so nice to see a small family owned shop instead of these big box stores. I generally felt cared about when getting my blackmagic cinema camera. Love the quality of the images and how easy it is to use.
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This small business has the best customer service HANDS DOWN!!
Lucas worked with me diligently to help me find a camera that would fit my needs and that would arrive in time for my trip. I take photos, but wanted a smaller, more compact camera to take with me when traveling. He even reached out to other camera experts to make sure he was giving me the best advice for the equipment that would accommodate my needs!
Lucas was patient with me and was in constant contact with the camera supplier to keep me updated on the status of my order and when the items would be ready for shipment. Once my order arrived to the store, it was in my hands in less than 2 days. I would give 10 stars to this business if I could!!
SHOP SMALL! :)
AMAZING SERVICE!
In short: I was able to receive the black colorway below retail and free next day shipping with the promos that they offered for being a new camera web-shop based from AZ.
Long story: Lucas who is prolly the only rep for the company cuz they're so small is the best dude ever. Since i ordered he responded on emails and updates quicker than some of my friends texting me back about where am at on the list as people just kept cancelling their order. I went from 9th place in line to 4th place in line for the silver. And he hit me up saying that they were still waiting on Fuji to send shipping updates and that no company knows what they get on their weekly fuji shipments other than from a 24 hour window of receiving shipping details.
He then noted that there were two black X100Vs available that were reserved to customers who ordered but have not confirmed. I said if they dont confirm please let me know and ill take that instead of the silver. The next day he hits me saying the customer said to cancel and he sent me an invoice. I ordered accessories for the camera on amazon right after and my package for the camera came before my amazon package. Lucas was super nice and transparent about everything. Dope experience from NUZIRA.
Lucas was so incredibly helpful!!! I’ve genuinely never had better customer service. They offered to stay late so I could get my order and were so patient with all my questions. I would give them 10 stars if I could.
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NUZIRA MADE MY MONTH!
I was a little concerned when I first came across this small business but I am so so thankful I di! They have the NICESt staff and customer service. I have been on the waitlist for this camera for a few months now so when Lucas called saying they had it back in stock I was so freaking excited! Made my whole month. This camera absolutely lives up to the hype. I love how lightweight it is. I can pop it into any bag and head out the door. the images are crisp, high quality, and stunning. I use film sim and not film sim. The film simulations are nearly identical to real film. I have another fuji camera that does film sim but it can't even be compared to this one. I love my Fujifilm X100v so much! Amazing camera! Thanks you Nuzira!





